The Search for John Gissing

2001
6.5| 1h31m| en| More Info
Released: 01 November 2001 Released
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Synopsis

Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger

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Reviews

Alicia I love this movie so much
WasAnnon Slow pace in the most part of the movie.
Teringer An Exercise In Nonsense
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
nomoons11 I went into this to see one of Mrs. Garofalo's rare film titles not expecting anything but maybe a reality bites type of film. What I got was a fantastic surprise.I will admit the first half of this film got annoying because Mike Binder's constant complaining about the situation wore on me but when he and Gissing meet, hold onto your seat, your gonna laugh. Binder sure picked a great supporting cast to round out this little gem. Alan Rickman is a comic genius in this one. He's the star of this w/o a doubt. In the beginning you will loathe him but in the end you'll be rooting for him. Every character in this is funny. Every actor was casted perfectly for this film.How this film slipped under the radar and isn't any bigger than it is is a surprise to me. It's an absolute winner. If your bored one night and are searchin your netflix cue, browse to this title and wait for it...your gonna love it.
MsDame This movie has the fatal stench of "vanity project." To be an ambitious actor of unknown quality is to be an actor who has to write a movie for himself, then has to direct it so he can cast himself. Mike Binder is the actor/writer/director who knitted this series of clichés and old Neil Simon together as a gift to his own career. No one told him that "The Out of Towners" had been made some 30 years ago, and even the much, much more likable and talented Jack Lemmon couldn't make it's irritating plot tolerable. No one told Mike Binder that there is only gonna be one Ben Stiller. So hopeful he is to be Ben Stiller that he even fetched one of Ben Stiller's former company members, Janeane Garofalo, to play his wife. As the wife, she gets to complain a lot, follow her man from port to port while having no other wish for herself than to settle down and give birth to his children. When you write your own husband role, you get to make yourself a wife like that-- one who's nearly as focused on you as you are. The writing and directing are uninspired and often lazy. Mike Binder's acting, that present he created for himself, is indeed a watered down Stiller imitation. Unlike his role model, he does run around a lot, which seems to be his acting shorthand for funny. There's his writer/director mediocre attempt to make secondary characters lovably kooky, but by golly, they are poorly realized, never engaging or endearing, just thrown in because, hey, that's what Ben Stiller would do. Mike Binder doesn't seem to have the skill set to make what he's attempting work, hard as he tries to mimic other well-worn comic formulas. Binder's more self-brutalizing mistake is one even actor/writer/director Kevin Costner made-- allowing himself to be measured against Alan Rickman. Again, why didn't anyone tell him? You cannot out perform Alan Rickman. Rickman is lightly used in the first half of the movie, then dominates the last half. He seems to relish his chance at screwball comedy, and he plays what he's given with deft delight. Although he is the root of all the Binder character's frustrations, Rickman's John Gissing is still the most engagingly appealing character of the bunch. It's a relief when John Gissing is finally found and begins to occupy real screen time. While Alan Rickman consistently out classes Mike Binder's performance, God bless Alan Rickman's involvement. Without his name on the credits, no one would have sought this movie out. It would have remained with the other vanity projects of needy actors turned writer/directors. Gone. Forgotten-- just the source of the faint sour smell of desperately failed self-promotion wafting up from the bottom of the clearance bin at Blockbusters
cybamuse The Search for John Gissing is a fast paced film which would probably have been more suited to an audience in the 1970s than the modern day. The first 20 minutes or so were for this watcher, quite mortifying with Mike Binder doing what to all intent purposes seemed to be a representation of Woody Allen. That is fine if you like Woody Allen, but I don't...However, after the opening sequence, the film picked up considerably with the best comedic scenes being reserved (seperately) for Alan Rickman and Janeane Garofalo. In fact, it was a shame they had so few scenes together as it would probably have made the film a lot funnier. Alan Rickman seems to be enjoying the migration from much-loved villain and period actor to contemporary comedian and he successfully adds a lot of warmth and humour to this film. Janeane Garofalo was under-utlised in this film, seeming to only play an exasperated straightman to the angst of Mike Binder's character. The rest of the supporting cast were great - although I would love to meet a London taxi driver which will take someone all over London for 35 pounds...All in all, this is a warm and funny movie which will probably not get the recognition it deserves. However, this is a must see for Alan Rickman fans as he really is very good in this comedic role!
rudegash I am writing about a film, The search for john gissing which i saw not so long ago. I went on my own, as a lover of Alan Rickman, my friends do not see the attraction to this mans work like I. I sat, and enjoyed with laughter. The direction of the film was unique, giving a comical view to everything, gittered movements, and camera angles added amusement. The performance of all of the actors were supurb, from extras to the main cast its self. A totally enjotable film!