Deconstructing Harry

1997 "Harry Block wrote a bestseller about his best friends. Now, his best friends are about to become his worst enemies."
7.3| 1h36m| R| en| More Info
Released: 12 December 1997 Released
Producted By: Fine Line Features
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.

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Reviews

KnotMissPriceless Why so much hype?
Cubussoli Very very predictable, including the post credit scene !!!
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
txemi-27770 Original, funny,acid, thoughtful....time will pass and we will remembre not too many film directors of our era. One of Them will be Mr Allen. That is for sure
J Besser This is definitely an R rated Woody Allen movie. The language is only shocking because it's so unlike most of the films Woody has made. There's even nudity in it. That said, most of the sex jokes aren't very funny. Richard Benjamin and Julia Louis-Dreyfus' scene is not funny and embarrassing to watch. Even though Woody's character is a creep, the movie is entertaining.
TheLittleSongbird By all means, Deconstructing Harry will divide, and has divided, viewers, people may be put off by the odd cuts, the (deliberately) fragmented story and the crass language(which will be a shock even for Woody Allen fans). Personally though Deconstructing Harry was a great film and among the best of Allen's 90s output and among his best overall as well. True, the pacing is too erratic in places but compared to how truly brilliant everything else that made no difference to me. The film may not be as visually beautiful as, say, Manhattan and Purple Rose of Cairo(but it was never was meant to be, it's not that kind of film), but while the photography may be deemed odd by some with the jump cuts it was really interesting and fitted perfectly with the subject matter. The scenery and such are lovely and authentic as usual. The soundtrack again, as is true of Allen, is very well chosen and catchy and never feels misplaced. The humour and script are very, very crass and scathing which was a shock to me on first viewing and for other people as well seeing as Allen has never been more bitter, but is so cleverly written and hilarious with a tinge of sadness the approach works wonders. Allen has plenty to say here and he doesn't hold anything back and presents it bluntly, it seems that he was having troubles personally(like Stardust Memories where he showed frustration at his critics except that was done much more subtly) at the same and there is that sense here. The story is unusually structured and very ambitious, almost fragmented, but never to the state of incoherence, and there are some really effective and hilarious scenes like the explicit sex scene and the one in hell. The character relationships are beautifully and insightfully done and the characters are written scathingly but not to the point of completely hating them(the mistake that Anything Else did). The acting is great from everyone, Kirstie Alley is cute and funny, Elizabeth Shue is sweet while not being too sugary, Robin Williams is just hilarious and Billy Crystal is devilishly good, pun intended. But Allen is the one who deserves a lot of the credit here, Deconstructing Harry has some of his most unique direction, perhaps a very close second to Zelig, and one of his best performances too. Overall, personal, daring, blistering and hilarious, one of Woody Allen's better films but one of his most divisive and (to me and quite a lot of other fans) under-valued. 9.5/10 Bethany Cox
Martin Teller Allen's homage to (and send-up of) WILD STRAWBERRIES has its pluses and minuses. It's interesting, and in a way refreshing, to see him being so blatantly crass. It's one of his darkest movies, and maybe his most cynical comedy. Some of it is riotously funny, like the confrontation with Kirstie Alley in the middle of a patient's therapy session, or his version of Hell (with Billy Crystal in one of his most enjoyable roles). But with all the little sub-stories going on, it comes off like a clearinghouse for unfinished ideas. Also, the fragmented, jerky editing (because he's being "deconstructed," get it?) is an annoying quirk that adds little. Still, there's a lots of laughs to be had and it's an interesting bit of self-deprecation combined with self-admiration.