Console best movie i've ever seen.

Onlinewsma Absolutely Brilliant!

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

DjangoLeone I was walking through my local big-chain video rental place looking for something cool to watch. I come across a video box that says "David Carradine is THE MONSTER HUNTER." Sounded promising. The cover picture was of good IL' Mr. Carradine looking really cool in a black suit with sunglasses and holding a gun and there were pictures of demon-looking guys in wanted posters. It looked as though it was gonna be like a cheap Men In Black. I pick up the box and look at the back and the tag line reads "Evil Dead meets Natural Born Killers," and being a big Evil Dead head I liked the direction is was going. There was also a quote about the movie on the box. Generally they are something like "An Awesome Thrill Ride!!!" (more than one exclamation point is a must) and they are usually said by some film critic from a publication that you've never heard of. This one said "Great!" - Quentin Tarantino. This was another good sign because Quentin knows movies.Based on all of these things I thought it'd be a gory, low-budget, Buffy-meets-MIB flick. However it wasn't. The reality is that it is a comedy, half-mockumentary about a serial killer in an East Texas town. Carradine is less of a bad ass and more of a half-crazed rogue FBI agent who can see the "demon" inside serial killers and their victims. The real star of the film is Michael Bowen who plays Willie the serial killer and does a phenomenal job in making him a somewhat sympathetic character in a film where you really feel sorry for no one. However, once I got over the fact that the box was lying, I really enjoyed the silliness of this film. Nothing like the Evil Dead and only kind of like Natural Born Killers, The Monster Hunter (or Natural Selection as I came to find was the real title) is a funny little low-budget movie. As long as you know the truth of the movie's premise then you should enjoy it.

bears_fonte I had the joy of catching this flick at a film festival and it is truly a find. Very off-the-wall independent stuff. And very funny. At times you may think it goes over the top, and then it goes further. With the right circumstances, this could have been a great cult hit, as it is much more entertaining, thought provoking and well-acted than something like Donnie Darko.And Carradine is absurdly hilarious. Is he being serious? Is making fun of himself? I don't know, watch the movie and make your own choice.The script is the true find of the production as it reads like the perverse parody that 'Natural Born Killers' never amounted to. It jumps back and forth between a sort of film noir and pseudo-documentary - and I wish there had been even more that interplay. It's almost as if the director stumbled onto a movie and didn't realize it was as funny as it ended up being.

Paul-312 WARNING - CERTAIN PLOT LINES MAY BE REVEALED IN THESE COMMENTS.A few weeks ago, I attended an advance screening of NATURAL SELECTION. As key grip on the picture, my comments may seem rather slanted, but I feel compelled to share a few thoughts. I shall make every attempt to be objective.With a quirky, provocative script by BJ Burrow and Allen Odom as his foundation, Bristol has built a crafty film. Even though I was on the crew and watched the scenes as they were being shot, I shall have to watch the final cut several times before I catch all of the surprises that the film offers. It moves along at a brisk pace, and takes us on a wild ride.In a nutshell, NATURAL SELECTION is a story of boy meets serial killer, boy copies serial killer, cop stalks serial killer, and all hell breaks loose in every conceivable direction.NATURAL SELECTION wrung from me many different reactions as I watched the story unfold before me. A moment after laughing hysterically at one of the film's many moments of curious comedy, I would find myself jumping involuntarily at one of its startling little twists.The story revolves around a faux TV documentary which follows a series of killings by Bowen's character, "Willie," and its impact on a small town.The body of the film chronicles the changes that are inflicted upon the town and its people under the focus of the media.One of the most compelling moments is a pivotal scene between Bowen and Carradine, in the seedy little motel where Carradine's character, an FBI agent gone over the edge, eventually meets his end. The dichotomy between these two actors - half brothers, incidentally - is palpable.After the chilling scene in which Carradine's "Dehoven" character is brutally killed, actress Laura House whips us right back into laughter mode. As the motel's housekeeper, she basks in second-hand fame before the camera of the "documentary" crew and leaves the audience with the guilty pleasure of another good howl.As Dehoven, Carradine demonstrates his skills as one of the great Hollywood journeymen. Throughout the film, I was torn between pity for Dehoven's delusional existence, and biting myself in the lip to keep from laughing at the poor guy's Oliver Hardy-like awkwardness as he shadows Willie. One moment the stammering nebbish, the obsessed predator the next, Dehoven is a joy to watch.Known for years as "Ed," the young Indian filmmaker in "Northern Exposure," Darren Burrows turns in a riveting portrayal as a small-town guy, transformed by the media attention that the killings have brought to his little berg. He explodes from one emotion to another with chilling fluidity and, with Bowen, emotes both rail-gripping terror and side-busting laughter during their final confrontation.The lynch pin of the cast is Detective Richards, played by Joe Unger. Richards is the gruff, jaded cop, numbed by a career full of murder investigations, and a downright snarling contempt of the media. With a matter-of-fact take on the situation, punctuated by several well-chosen expletives, we follow this tough-ass cop through the "documentary" and the body of the film as he pulls the story together.The "TV documentary" is where cameos by such talent as Root, Balaban and Laura House really shine. These performances are beyond excellent as they lead us through the maze and deliver us to its unexpected exit. Root, in particular, is captivating as the father of one of Willie's victims. His turn before the camera is, at the same time, poignant and riotously funny.The "MVP" of the NATURAL SELECTION production crew has to be Rhet W. Bear, the director of photography. This young cinematographer and his minimalist style gave director Bristol the ideal paint with which to create his witty picture of the Burrow/Odom screenplay.Again, as one of the film's department heads, it is difficult to be as objective as I would like. Still, I have to say that the film has a bright future ahead of it. NATURAL SELECTION is haunting and hilarious at the same time. It is a complex film which provides a stimulating counterpart to many contemporary works.I gauge a film by the number of times it would have been okay to skip out to the lobby for a nine-dollar hot dog. When you go see NATURAL SELECTION, I suggest that you eat first.One thing's for sure. You'll never look at your mailbox the same way again!

Knuckle This movie is another in a series of poorly written, poorly directed, poorly produced "films" which attempts to convince us that the serial-killer genre has not been beaten to death. The sheer volume of clunky dialogue, first-year film student camera tricks, and wooden acting, gives you the impression that this film was an abortion of logic, taste, and good sense."Natural Selection" is told to us from two points of view: the standard narrative as well as that of a documentary crew attempting to record the events haunting White Hills. While the standard narrative is boring, disjointed, and poorly acted, easily the worst part of the movie are the documentary sequences. The social commentary provided by these segments are neither biting nor clever enough to be in the least bit entertaining or thought-provoking. At best they provide a momentary distraction from the monotony of the rest of the movie.The humor, if it can be called that, is infantile to say the least. One of the gems offered by this movie is that of an interviewee declaring flatly "He was a masturbator." This crude attempt at humor would have trouble wringing a chuckle from twelve year olds, at whom this gag was obviously aimed. There is a fiendishly unfunny bit with a hard-cussin' cowboy cop, obviously placed in this movie to impress us with the writer's ability to swear like one of the big kids.The rest of the movie is simply a boring mess, with the story going one way, then another. There are several sub-plots that are touched upon, but never fully explored, leaving you with a sense that the movie you missed was a much better one than the one you just watched.