The Midnight Man

2016 "A hitman with a gift...a mission...a problem"
5.1| 1h45m| PG-13| en| More Info
Released: 01 March 2016 Released
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Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

When Grady, an assassin with a genetic disorder that renders him unable to feel pain, is sent on a high-stakes assignment, his world is turned upside-down after an attack when he awakens to discover that he can feel pain for the first time in his life. With the clock ticking and his greatest asset gone, Grady will go head-to-head with his greatest fears and unspeakable enemies, while experiencing a tactile world he never could have imagined.

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Reviews

Mjeteconer Just perfect...
Freaktana A Major Disappointment
IncaWelCar In truth, any opportunity to see the film on the big screen is welcome.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Gordon-11 This film tells the story of a man who cannot feel any pain due to a generic condition. He becomes a successful crime gangster as a result. One day, he is sent to kill four of his own mates, and everything breaks loose."The Midnight Man" is an action film with a twist! It is such an obvious choice for an action film in retrospect, and the idea really works. Why I haven't seen films like this, I do not know. The main guy, Grady, is real tough but he is also sensitive. His relationship with Zan is convincing too. They are both very good, and make the film more enjoyable and convincing. It has a lot of fights and action, but it doesn't appear senselessly violent. I enjoyed watching it.
a_imdb-194-778734 This is a bit of a strange movie. A few minutes in and we were undecided as it was a little offbeat! At first I was thinking, hmmm, what's the caliber of the acting here, but it doesn't take long to realise that it's actually great given it's intentions. This is a great mix of humour and action and really really original. I found it refreshing to see something that made me think "hey, there are still people out there making movies that involve a bit of thought!".The 2 lead actors are both excellent in their roles and play well together. But it's also some of the minor parts that really made me grin. And a good ending. So rare. So pleasing when you feel that the end warrants the (easy) investment. I would say that anyone that thinks this is mediocre doesn't get the point of this movie. For us, it was a movie that made us feel like we were part of the fun. Not many movies make me chuckle a lot, this did. Suspend your belief and just enjoy it!
Doc Jazz The Midnight Man is a movie that I accidentally stumbled upon, without any previous reference and without ever having heard about it before. I watched it with barely any expectations of what it would be about, but it certainly took me by surprise when it forcefully grabbed me and dragged me into its imaginative storyline, right from the beginning.From the very start, this adorable and humorous crime movie picks up a steady pace that it maintains until its very last scene, and that has you constantly wondering what will come next. When I was done watching, I had enjoyed it so much that I just had to go and find out more about it, and that's when I was in for a few more surprises.I had not expected this to be the work of independent movie makers with a limited budget. I watch movies frequently, and I am able to appreciate the art of independent movie producers just as readily as that of high-end blockbusters. I think that what we are dealing with here, first and foremost, is a combination of excellent writing, directing, and acting. The unique amalgam of these talents that is presented in this movie manages to keep the focus of the viewer on the storyline, in a way that cleverly distracts your attention from any setbacks that might be caused by budget limitations or lack of resources. It is pure talent and brilliance, in my opinion, to be able to make a film that way, and to do it so successfully.I discovered that much of what we are seeing and experiencing is depending on the talents of Brinna Kelly, who plays the secondary lead role in the movie, or the 'co-lead', if you like. As it turns out, her contribution to this film goes far beyond that, as she is also the (co-)writer of the story, and the producer. Since, in my opinion, the storyline with its witty (sometimes hilarious) dialogs is such a major factor in the excellence of this flick, I believe that her contribution to its effectiveness must have been of cardinal significance. She skillfully and elegantly plays a surprising, fascinating, and somewhat hard-to-fathom character named 'Zan' in this film, providing an excellent balance against the role of the lead character, Grady, charismatically played by the British actor Will Kemp.I think that Grady was actually done so well, that another story could be written around his character, as a sequel to this film. I probably feel this way mostly as a result of Kemp's excellent acting, but it must also be a matter of good writing, and good casting. He manages to remain believable throughout the movie, provided that the viewer is tuned in to the subtly sarcastic sense of humor that permeates this movie from beginning to end. The humor has a distinctly British feel to it, while the movie itself has more of an American air and style. It may well be that the 'Britishness' is Kemp's own effect on the script. That said, the tongue-in-cheek dialogs are absolutely delightful, and contribute strongly to the attractiveness of the entire movie. When it comes to the acting in this film, Will Kemp 'makes' it; Brinna Kelly adds the magic.D.C. Hamilton is the director and co-writer of this movie, and apparently has a background in TV production and editing mostly. His previous work with Brinna Kelly was on a short movie called 'The Midnight Monster', which I have not yet had the pleasure to watch. When I found this title, I was amused by the fact that apparently, an allusion to that movie is being made in 'The Midnight Man'. Given the pivotal importance of the director in making a good script come to life, D.C. Hamilton undoubtedly deserves a huge portion of the credit. It certainly looks like the Hamilton-Kelly combination forms the basis of a powerful team with a promising potential for putting out superb works of art.Although I believe that all actors were excellently cast, and did a wonderful job, two of them specifically deserve to be highlighted here. Doug Jones plays a bone-chilling role as 'torture-expert' Vick, and William Forsythe impresses as the intimidating villain Fairbanks. Both these talented actors shine brightly, effortlessly immersed in their roles, as true veterans of the film industry.Last but not least, I think the movie score plays an important role in giving this movie that 'big feel'. It helps set the right mood, is never too prominent or pushy, and is woven seamlessly into the fabric of the storyline, the dialogue, and the action scenes.I think that The Midnight Man suffers only from one thing, and that's simply: not enough people seeing it. I watched it again, shortly after having seen it for the first time, and this time with the pause button under my finger. Truth be told, I was now able to see how and where a bigger budget would have been able to lift this movie to even higher levels, even though none of this had even come to my mind when I watched it the first time around.Nevertheless, this doesn't take away anything from the credit that these talented filmmakers deserve for what they proved to be able to create with what was available to them. On the contrary; it underlines even more that we are dealing with people of true artistic talent, who are inevitably going to make a serious impact in the movie world if they keep putting out such wonderful labors of love.Bottom line: watch The Midnight Man, and invite others to watch it. Take my word for it, you will enjoy it. Then, join me in looking out for this awesome team's next work.
Philo I was expecting a weak thriller also-ran, but instead I got a very entertaining, unusual drama. A lot of movies are challenged by how to inform the viewer about what's going on, but the addition of a hostage is well engineered and gives us our everyman for exposition. She also provides a fantastic foil for a somewhat complex idea and has great chemistry with the protagonist. A very unusual concept sets the movie apart but doesn't mire us down in overlong explanations or monologues. In fact many ideas that might have been over-dramatic in other movies are efficiently dispatched with a few lines. For example, establishing that our hostage has a young daughter (and thus a vulnerability) is handled in about three lines of dialog. I say this as a compliment, as the screenwriter has expertly relied on the audience to pick up on things instead of spelling out every single detail. This gives the dialog (and the movie) a very comfortable, natural feel. The biggest twist of all was learning who wrote and produced the movie - a fantastic first outing for a pretty talented actress. I hope we see a lot more from her in the future.