The Man with My Face

1951 ""This guy was my double...and my wife was in on the double cross!""
6| 1h19m| NR| en| More Info
Released: 14 June 1951 Released
Producted By: Edward F. Gardner Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A man discovers that an evil twin has taken over his life.

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Edward F. Gardner Productions

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Reviews

PodBill Just what I expected
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
bnwfilmbuff When the whole issue of identity theft began getting increased visibility several years ago, this is where my pre-cyber world mind went. You come home one day from work and there's somebody that's you in your place. We get some hints that Nelson suspects that things aren't perfect at home as he leaves for work on that fateful morning. This initially plays out like a good Twilight Zone episode. The cops are called in to arrest the good guy, he's carted off, he somehow escapes; but then it's all ruined as the nefarious plot is disclosed. The remainder of the movie becomes a manhunt and an explanation of how and why. Nice shots of Puerto Rico help to relieve the routine. Nelson is very good in the dual roles. This is an okay time waster.
XhcnoirX Barry Nelson and his bother-in-law John Harvey co-own a small company on Puerto Rico. Nelson's wife Lynn Ainley is supposed to pick him up from work one day, but she doesn't show up. When he calls her up, she does not know who he is. And when he takes a cab home, he finds the spitting image of himself there, and everybody thinks he's not the real husband, including their dog! Quickly he finds out his doppelganger staged a heist years before and came up with an elaborate plan with switched identities to frame him for it, and everybody's in on it. He turns to ex-flame Carole Mathews for help, who he left for Ainley, and they try to figure out a way to clear his name and expose the real doppelganger.The plot, based on a 1948 pulp novel, makes little sense and is void of any logic. But if you stop to think about it and just sit back, it's enjoyable enough. It also includes a trained doberman, providing some exciting moments, but whose presence also telegraphs the ending early on in the movie.The acting is mediocre across the board unfortunately. Whoever cast Nelson ('Johnny Eager') probably didn't read the full script, as Nelson is completely unsuited to play a 'bad' person. Ainley did exactly 2 movies according to IMDb, the other one 'Undercover Girl', and she lacks charisma as the femme fatale here. Mathews ('Chicago Deadline') does a better job, but has very little to do.Director Edward Montagne ('The Tattooed Stranger') and DoP Frank Jackman Jr. ('Chicago Syndicate') are the redeeming factors, breathing some life and excitement into this movie. But don't expect miracles, this movie feels like a cheap B-feature from start to finish. A decent time-waster, if you can switch off your brain. 6/10
mark.waltz Barry Nelson finds out that two faces are not better than one in this film noir set in Puerto Rico and featuring a chilling climax in the famed Fort El Morro. It's unfortunate, however, that the plot that surrounds the intriguing beginning and riveting conclusion is as iffy as Caribbean weather. Nelson narrates a brief history of the island (including Columbus's landing in 1493, it was already discovered) and his arrival there in 1942. He's married to the pretty Lynn Ainley, but when he returns home one day, he finds his brother-in-law there as well as a look-alike who insists that he is Chick Graham, not an impostor, and the framed Nelson must find his way out of police custody to prove who he really is. He visits an old flame (the sweet Carole Mathews) who agrees to help him, and in the process, finds more intrigue than he ever intended to find in this American territory.While the premise is intriguing, the execution of the plot is another matter, and what goes on for the next hour can at times be downright confusing and more often than not frustrating. Chinita Marin has an excellent small role as the former girlfriend of the impostor who is as confused by the look-alike's presence as the audience is with the plot, and the presence of a nasty doberman doesn't make the love of this sometimes vicious dog any easier. The dog is trained to kill at the will of the impostor, and when the film finally does become interesting, it involves the famous mission where Nelson is being chased in the seemingly never-ending source of tunnels. But there's a twist of course at the end, unfortunately not giving me a real conclusion as to why everything was going on the way it did. Still, it makes good use of the Puerto Rican location shots. Jack Warden and Henry Lascoe have memorable supporting roles. It's just too bad I can't say that about the script.
Jay Raskin Barry Nelson starred or guest starred in about 60 T.V. shows from the 1950's to the 1980's. He even starred in three different television series in the 1950's, none of which lasted a full season. His triumphs on television included being the first James Bond on film/video in a 1954 "Climax" episode based on Ian Fleming's "Casino Royale" and an excellent made for television suspense movie called "The Borgia Stick" (1967). Three "Alfred Hitchcock Presents" and a "Twilight Zone" episode also adds to his reputation.This is only one of four theatrical features that he starred in. "Undercover Maizie" (1947), "The First Traveling Saleslady" (1956) and "Mary Mary" (1963)were the other three. In truth, the female leads: Ann Sothern, Ginger Rodgers, Debbie Reynolds were the stars of these three movie. Thus this is really the only theatrical movie where Nelson was the main star.It is a showy part with Nelson being both the protagonist and antagonist. He handles both part well. Nelson was never a flashy actor, but he always brought sincerity and charm to his roles.Carole Matthews also was known mainly as a television actress from the 1950's and 1960's. She was in about 50 television shows, but only playing leading roles in a half dozen or so. She also starred in about half a dozen low budget movies like this one. Like Nelson, she is also a fine actress who is quite believable even in unbelievable movies like this one. It is sad she never got better roles and never became a star.Like D.O.A., this film noir starts with a totally fantastic plot and then tries to convince you that it is possible. A man arrives home one day to find that a double has taken over his life. Unlike D.O.A., this one doesn't convince you that such a thing is possible, but it is fun, nevertheless and you have the give the script credit for trying.Perhaps the real star of the movie is a Doberman Pincher who does his best to convince you that he is a trained assassin. He doesn't quite make it, but he is a handsome and well trained dog.The movie is nicely photographed and has lots of great shots of Puerto Rico circa 1954. This is no masterpiece, but it is interesting and original enough to keep one watching for its short length of 70 minutes.