Intcatinfo A Masterpiece!

Cleveronix A different way of telling a story

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

calvinnme The tale is told in flashback by her former governess Catherine Ashley (Kay Walsh), just before Bess' Coronation ceremony. Film follows Bess from birth to her falling in love with another woman's husband through Court politics and treachery.Charles Laughton is good, if somewhat hammy, as King Henry VIII. His deathbed scene takes forever.Deborah Kerr is OK as the rather frail Katharine Parr, sixth wife of Henry VIII; she looks too healthy and pretty to be ill. Apparently, she's afflicted with a dread disease that leaves her looking lovely, with perfect make-up, not a hair out of place and in soft focus, while it kills. Actually, Parr died in childbirth after becoming immediately pregnant with Thomas Seymour's child after her marriage, while her four year marriage to Henry produced no offspring. This rather puts to bed (pardon the saying) Henry's affirmation that Henry was virile and sexually active up to his death. But I digress. Stewart Granger's Thomas Seymour is appropriately heroic and apparently gifted with second sight. It's too bad he wasn't gifted with two heads. Simmons is very good in the title role. Her voice has the commanding tones of one accustomed to being obeyed, and she convincingly ages from around ten to age 25. She is the best part of the film.Director George Sidney uses a subtle and effective trick to get the viewer on Simmons' side. In her scenes, the furniture is immense (in one scene, she sits in a chair that is twice her size), suggesting that Bess is dwarfed by the events taking place around her.The film received well deserved Oscar nominations for Best Art Direction and Costumes. "Young Bess" is a good showcase for Simmons' acting talents.

whpratt1 When I get the chance to view some films from the 1950's, I usually enjoy the great veteran actors and the film story. This film is great because of the great actors like Jean Simmons, (Young Bess/Queen Elizabeth l),"Winter Solstice",'03 TV, who plays a very dramatic role and tries to follow in her fathers footsteps, Charles Laughton,(King Henry VIII),"Advise & Consent",'62, who gives a rather brief performance, but outstanding. Stewart Granger,(Thomas Seymour), plays an Admiral of the English Fleet and is simply adored by Young Bess, who really has the red hots for him since she was a child. Deborah Kerr,(Catherine Parr),"The Arrangement",'61, gets her claws into Thomas Seymour and simply will not let go and there is a bad relation between Catherine and Young Bess. While this film was being produced, Jean Simmons was married in real life to Stewart Granger, and I can see why their kisses appeared so very real and warm. Good Classic film, but rather slow and boring in places.

silverscreen888 This is a splendidly-mounted production by anyone's standards; arguably it is the best realization of the pre-Elizabethan, the late Marian period ever realized on film.   But despite its modest beginnings as a fictionalized biography of Elizabeth Tudor by popular author Margaret Irwin, the screenplay by Jan Lustig and Arthur Wimperis also adds another dramatic dimension to a well-told story.  The subject in this work is the dangerous, difficult and famous youth of the future Elizabeth Ist of England, taking her from childhood to her accession to the throne after the death of her sister Bloody Mary, who reigned following the death both of King Henry VII and his frail son and heir Arthur, who died at 12 years of age.  George Sidney directed this dignified and powerful story;  and the assembled cast he presented were well-chosen as speakers of the English language:  Jean Simmons playing the young Elizabeth with unusual intelligence and verve; Cecil Kellaway as the loyal warder who looks after her modest household as a princess out of favor;  Charles Laughton reveling in his bravura role as the irascible and fascinating Henry VIII;  Stewart Granger and Guy Rolfe playing the rival brothers who wrestle for control of England's political direction; Deborah Kerr as the King's last wife, gentle an d lovely Catherine Parr; also prominently featured were Kathleen Byron, Kay Walsh, young Rex Thompson as Edward, Elaine Stewart, Dawn Addams, Ivan Triesault, Lumsden Hare, Leo G. Carroll, Doris Lloyd, Norma Varden, Alan Napier, Robert Arthur and Lester Mathews. The plot-line concerns Elizabeth's attempts to survive the shifting fortunes of the English court; powerless, except for the loyalty of a few noblemen, her greatest danger comes from the handsome and ambitious Thomas Seymour (Granger); the script treats his regard for Elizabeth as political, which is not historical; by attaching himself to the queen of the late King Henry, he becomes so dangerous his unpleasantly Establishment and puritanical brother Edward must move against him. from this loss, Elizabeth is fortunate to emerge alive and, at last, queen of England; but this is a moving film that touches on her relative poverty, fears, learning, arguments with her father, disappointment when Edward who loves her dies, and her last danger in the Seymour's quarrel. The emotionally rich film is superbly served in my estimation by Miklos Rozsa's memorable score. With bright cinematography by Charles Rosher, brilliant art direction by Cedric Gibbons and Urie McCleary, set decorations by Jack D, Moore and Edwin Willis and gorgeous costumes by Walter Punkett, the film is very attractive to watch in every scene. Sydney Guilaroff's hairstylings, William Tuttle's makeup and Douglas Shearer's sound work are all first-rate as well. The best scene in the film to many minds is the argument aboard a ship between the volatile Henry Tudor and his equally spirited daughter; but this is a very good film, on the verge of being a great one, thanks to director Sidney's solid presentation of every scene of the material. I recommend it highly, if not as literal history then as a colorful, thoughtful and satisfying entertainment.

Pittwater This is what happens when a film studio and a novelist places history on the big screen. Historical accuracy and truth takes second place when it comes to spinning a yarn. I just hope when kids watch this film, they do not rely on it as facts for their education. The real story itself was intriguing enough without having to bend the truth. So, why did they?Anyway, in the film, Elizabeth (I) was madly in love with Thomas Seymour. From historical records, Thomas was supposedly the person who made advances on Elizabeth (I) but was unsuccessful. In the film, Edward Seymour was seen as a callous power hungry puppeteer in the royal court. In history, he was a successful military man when he battled oppositions at Pinkie, Scotland (1547). Edward was also responsible for religious reforms and in relaxing heresy and treason laws. In the film, he sent his brother Thomas to the scaffold because of his paranoia over power struggle threats. In history, the execution of Thomas by the council in 1549 was a significant blow to Edward and it weakened his power in England. The eventual arrest and execution of Edward in 1552 was conspired by John Dudley, Earl of Warwick and Thomas Wriothesley, Earl of Southampton to remove Seymour's protectorate power over his nephew, King Edward VI. Edward VI died at the age of 15 in 1553. Dudley induced the council to proclaim his daughter-in-law, Lady Jane Grey, as queen after Edward VI's death. Dudley was executed in 1554 by Mary (I) for treason. Of course, there's no way of knowing precisely what really happened in history. But in rationale, a person should not be defamed or condemned (as in the case of Edward Seymour) based on hearsay, idle gossip, a romantic novel or a chick flick, even if they are dead over a few centuries. In theory, anyhow.Anyway, I did enjoy this film as pure entertainment. Walter Plunkett's costume design was magnificent and the whole cast was superb. Miklos Rozsa's emotional music score was an incredible soul wrenching delight.Is it worth seeing? Yes, definitely! It's entertaining, well acted and beautifully produced.