The Lost Squadron

1932 "-Not a War Picture- But a war picture in the making! -Planes flying, crashing, while below cameras grind, and an inhuman genius drives men to destruction for the supreme thrill!"
6.4| 1h19m| NR| en| More Info
Released: 12 March 1932 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

When World War I comes to an end, three pilots find themselves on hard times. They wind up in Hollywood, where they work as stunt fliers for a sadistic director.

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Reviews

ReaderKenka Let's be realistic.
UnowPriceless hyped garbage
Moustroll Good movie but grossly overrated
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Roger Burke This film is an entertaining and well-produced drama about the lingering effects of war, about lost love and betrayal, and about self-sacrifice. Nineteen-thirty-two was the year before Robert Armstrong went on to bigger things with King Kong (1933), and nine years before Mary Astor played the role of femme fatale again in The Maltese Falcon (1941).Also appearing are Joel McCrea – on his way to be a star of the western genre – and Richard Dix, a well-known star of the silent screen who successfully continued in films when sound came to the movies. Capping such a stellar line-up is Erich von Stroheim, the actor-director appearing as Von Furst, the dictatorial film director everybody loved to hate.Mixing the camaraderie of The Three Musketeers (1921) with the romantic heroics of Beau Geste (1926), the story follows three ex-air force fliers (Armstrong as Woody, Dix as Gibson and McCrea as Red) cashiered at the end WW1 and who wind up at Hollywood as stunt men for war/action movies produced and directed by a menacing Von Furst. The three friends call themselves part of The Lost Squadron, in memory of those who gave their lives in France; and each is looking for fame and fortune. And, why not?Gibson, though, is looking for more: having been rejected by his former girl friend, the film star Follette Marsh (Mary Astor), he forms what seems to be a mutually promising attachment to The Pest (Dorothy Jordan), Woody's sister. At the same time, Follette – now married to Von Furst in a typical Hollywood union – gives the impression she is flirting with Gibson; so much so, Von Furst makes it clear he wouldn't be unhappy if Gibson was injured or killed during any one of the stunts in the air. Personal tensions mount; relationships begin to sour; trust is inevitably eroded between Von Hurst on the one hand, and Gibson and his buddies, Red and Woody, on the other.Gibson, all the while, tries to maintain a sense of honor and decorum. But, his efforts to dispel Von Furst's jealous rage are in vain. Matters come to a head when Gibson is once again rejected in love by The Pest who favors Red, sending Gibson into quiet, controlled despair; at the same time, Von Furst's insane jealousy results in tragedy for all of the friends, setting the stage for a plan to exact revenge upon Von Furst. The denouement, although highly contrived, is nevertheless in the finest tradition Wren's classic story of the Foreign Legion.Overall, while the sound was scratchy at times, the cinematography, editing and direction are up to the mark. Of the actors, von Stroheim towers over them all with the intensity of his presence; while Dorothy Jordan overshadows Mary Astor, for sure – no mean feat, I think. The dialog is particularly good for the first and second acts; only during the final act does the script seem to fall into a deep, unbelievable hole. Still, the final scenes make up for those shortcomings, in my opinion.Of further interest is the fact that this is very much a self-referential – perhaps even self-parody – film about Tinsel Town with much of the action being directed by Von Furst as we look on, thus giving the viewer a look at how things were done back in the thirties and hence allowing for some occasional, comic relief. Special mention goes to the aerial stunts and battle scenes.Von Strohiem, of course, went on to star in Billy Wilder's Sunset Boulevard (1950) where he again played the part of a film director, but reduced to working as a chauffeur for Gloria Swanson and her part-time gigolo, William Holden.The Lost Squadron is not a great movie, but it is well worth watching; and it's suitable for all to see. Give this a solid seven out of ten.October 3, 2012
runamokprods 4 buddy WWI pilots, out of work after the war, start doing stunt flying on a Hollywood movie, directed by the evil Eric Von Stroheim (in an enjoyably over the top performance). Of course, as absurd movie luck would have it the leader of the squad's ex-girlfriend is now married to Von Stroheim, though she hates him. Von Stroheim plots to try to get his wife's ex-lover killed by getting him to try an an impossible stunt, and is going to make sure by putting acid on the planes control cables, but another flyer goes in his place and dies, and the remaining 3 grab Von Stroheim to get their revenge, leading to a tense, dark but pretty silly conclusion. While watching , the absurd plot twists and lack of logic really bugged me, but the next day I found myself thinking of it fondly, and sorry that has never seemed to have been made available on video.
kidboots This is a gritty pre-code adventure/thriller that just happened to be on TV last week at 1.30 in the morning!! It has a similar theme to another film "Lucky Devils" made in 1933.Dorothy Jordan was a very pretty ingenue who was kept extremely busy until her retirement in 1933 when she married Merian C. Cooper. Apparently she was about to be cast in "Flying Down to Rio" (1933) as Honey Hale but backed out to go on her honeymoon. The role went to Ginger Rogers. Dorothy plays "Pest" Curwood, kid sister of Woody (Robert Armstrong) one of a group of friends who were flying aces during the war. This gritty film shows how shamefully returned soldiers were really treated. They return to find things have changed. "Red" (Joel McCrea) returns to find his place of employment in the middle of re-trenchments. The war has made "Red" restless and he chooses to travel rather than go back to his old job. Woody is also restless but finds while he was away "on important business in France" his former business partner has swindled the company. Gibby (Richard Dix) returns to find his ambitious girlfriend, Follette (Mary Astor) has left him for a richer man.Years later "Red", Gibby and Fritz (Hugh Herbert) down on their luck, find themselves in Hollywood, hoping to catch up with Woody. Woody is the chief aerial stunt man in "Sky Heroes" which is having it's Hollywood premiere. The star is none other than Follette, who is married to the director Von Furst (Erich Von Stroheim in another intense performance) - a "terrible fathead" according to Woody. He persuades his mates to go to work as aerial stuntmen. Von Furst is a tyrannical director who rules his crew and his wife with an iron fist!!! Follette believes Von Furst (because of his insane jealousy) will tamper with Gibby's plane. He actually puts acid on the control wires - but Woody is the one flying it, to pay back a favour Gibby did him, when he was too drunk to fly.From an action packed aviation adventure it turns into a tight psychological thriller. The last 10 minutes takes place at night in a disused hanger. Richard Dix is heroic and manly, Robert Armstrong gives another great character performance and Joel McCrea was an up and coming new talent. For all her top billing Mary Astor didn't have much to do.Recommended.
Michael O'Keefe A very good movie representing the early 30's. George Archainbaud directs this excellent drama depicting an autocratic film director Arthur von Furst(Erich von Stroheim), who hires three former World War I flying aces to fly stunts in a Hollywood war movie. The aces, Capt. 'Gibby' Gibson(Richard Dix), Lt. 'Woody' Curwood(Robert Armstrong) and Red(Joel McCrea)are astounded by the fact that the director has them flying maneuvers as dangerous as if they were still in battle. For a little feminine charm there is Dorothy Jordan as Curwood's little sister; and then there is the movie star Follette Marsh played by Mary Astor. Wanting realism, the director has planes rigged to crash. There is romance, infidelity and murder involved along with the stunning aerial sequences. Other players include: Hugh Herbert, Ralph Ince and William B. Davidson.Astor gives a certain touch of class to the film. Dix and Armstrong every bit the matinée idols. And von Stroheim superb as the overbearing movie director.