The League of Gentlemen

1961 "What is the league ... Who are the gentlemen ?"
7.2| 1h56m| NR| en| More Info
Released: 24 January 1961 Released
Producted By: Allied Film Makers
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Involuntarily-retired Colonel Hyde recruits seven other dissatisfied ex-servicemen for a special project. Each of the men has a skeleton in the cupboard, is short of money, and is a service-trained expert in his field. The job is a bank robbery, and military discipline and planning are imposed by Hyde and second-in-command Race on the team, although civilian irritations do start getting in the way.

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Reviews

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
twentystcenturychristian This terribly British film has it's upper lip so firmly starched you can taste the cornflour. Although it sets out to be a light-hearted heist rather than a comedy, it comes from the same camp of British Film making as the Lady Killers and The Lavender Hill Mob. It is an enjoyable and entertaining watch, however it's just not quite as well directed as a true Ealing Comedy to which it seems to hark back. Frankly, I was surprised that the director, Basil Dearden, is the same director who only three years previously made the delightful gem "The Smallest Show On Earth" (which somehow only gets a an average 6.9 on IMDb.) But here's the thing. I was only about half-way through when it suddenly struck me that, deliberate or not, "The League of Gentlemen" must surely have been the inspiration for "The Dirty Dozen". The parallels are just to strong to be mere co-incidence. An army colonel gets together a team of hard-luck ex-army types and takes them on one last mission (a heist, in this instance.) As part of their operation they must break into an army camp to steal weapons. In order to achieve this, one of them must disguise himself as a senior officer and perform a surprise inspection - sound familiar? You probably won't want to put this on your film bucket-list, but it's worth spending "a few bob" on, as I believe they said in Britian in those days, or at least recording when it comes round on TV. The two hours spent watching it won't drag.
ikedelman-1 I have been waiting for a region 1 DVD of this film for several years. It used to be on television once in awhile, but that has not happened for a few years. I finally bought a used VHS tape of the film. The film has lost nothing since I first saw it. Jack Hawkins as Col. Hyde is a first rate army officer who has been passed over for promotion and kicked out of the service. Nigel Patrick as Major Race is an urbane small time gambler and crook who hasn't had a decent job since WWII ended. The rest of the people are also former army officers that have fallen on hard times for one reason or another. Richard Attenborough playing Lexy is a con artist with a genius for electronics. Roger Livesey is a part time deviate who was kicked out of the service for gross indecency. Hawkins as Hyde throws a luncheon for this group and some others that will make up his gang. In a great sequence he demolishes the facade each of his "gang" have built to shield themselves from their past. The rest of the film concentrates on a daring bank robbery the group planned.
sol- This is a heist film that really rises above the ante of its genre, due to the motivations behind the main characters. The characters are all former army officers, who were dismissed due to misconduct on their behalf, with the exception of the mastermind behind the robbery, who brings them all together. His name is Hyde, and he was halfway to becoming a full colonel before the army forced him into retirement. He is separated from his wife, and without army life, he has nothing left to do. So for the fun of it, rather than the money, he organises a heist.The acting in the film is superb. The expressions that Jack Hawkins uses when playing Hyde signify that he is in it for the thrills rather than the loot. He looks on with joy, rather than stern, careful consideration, as he and his men organise everything that they need to do. He is in power again, since he is the head of the operation, and since he knows that everyone who he picks will want to go along. All of his men are not only crooks but ones with financial problems. And as the only one with plenty of money and no criminal record, he enjoys the idea that he can duck out at any time.The supporting actors also show in the end that they are enjoying their work. While initially in it for the money, the return to army regulations - by which Hyde runs the operation - excites them. Nigel Patrick and Bryan Forbes are particularly good as the more suave members of the heist team. One problem though is that we never get to know the characters really well. They are defined by what we are told about them, rather than their actions, particularly with the Padre, played by Roger Livesey. A former quartermaster, he shows excitement at being able to take up the job again, but he is given very limited screen time, and his involvement with acts unbefiting a priest is oft mentioned, but his personality rarely shows anything more than that he is just another one of the men.I find it rather odd that the film is marketed as a comedy. There is one section, when they raid the army, that is bouncing with humorous touches, and Gerald Harper, as a nervous army captain, gives off an excellent performance. The rest of the film though only has the slightest edge of humour, from Hyde badmouthing his wife to a rather awkwardly inserted cameo by Oliver Reed as a homosexual performer. The comedy is not important though, and the plot is intriguing enough as it is, but it does make the raiding the army section stand out, as it jars the film's mood and style.If not flawless, it is still a very well made film. The rousing, grand music score is excellent, not just because it fits well over the action, but because it is sort of a parody of the scores of old war movies. The film looks great in black and white, and some of the sequences are very well shot. One example that stands out in memory is a shot where the camera goes through the walls of two different rooms, crabbing to the right, and swooping a little bit, almost like a person trying to not bump into a vase as he passes through a wall. The visual look of the film and the audio are just excellent, and well suited to the interesting screenplay.
loza-1 A pretty believable bunch of characters come together at the invitation of their old regimental colonel to preform a daring blank raid he once read in a novel.Some pretty good performances by Hawkins, Bird, Kieron Moore, etc. Some pretty memorable scenes too: the inside of the police van at the end. The meeting in the hall with the ballet rehearsals going on upstairs, the grease-coated frying pan in Jack Hawkins's house.The sudden introduction of the affable silly ass character at the end is a stroke of genius.Watch out for Oliver Reed as the camp ballet dancer. He might have been unknown at the time; he might have only had one line: but he was still a STAR!