Wordiezett So much average

Marketic It's no definitive masterpiece but it's damn close.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Richie-67-485852 You got to like Alan Ladd first off. He gave a good show in this performance and with a good story and supporting actors, this remains premium entertainment. In addition to the Bowie legend, we are introduced to the Bowie knife. A large no-nonsense will get the job done specially made knife that in the right hands can do quite a bit of damages if you are a master of said knife. Alan Ladd is that man. In addition to a nice flowing story-line, we are introduced to many memorable scenes which make this a must see movie again and again. We get a glimpse of the way it was way back when the country was young, Way back when, there was opportunity everywhere, brave men who took risks and danger to put them in their place if they made one wrong move. Many did. The movie emphasizes a moral code in its story of which men will duel over if not honored and obeyed. It wasn't enough to win or kill but how you win and kill that mattered as a mans reputation was the most important asset he had. Banks would loan on it, people would support it and others would imitate it making a person's character very valuable. Boy has that been compromised over the ages but not wiped out. If one finds an honest man who practices righteousness, faith is restored and good will toward men takes place. If many are found keeping this, then we are either closer to paradise or we are in Christmas! Pay attention to the leading ladies vanity. She has everything yet she has nothing and we are treated to a close-up glance of vanity at work and even more, pride in large doses too. Worthy time spent on this little gem. I have seen it perhaps ten times and am watching it now. What joy. Waste no more time reading this. Go and be entertained. Highly recommend eating while watching, a decent snack and a tasty drink. Please enjoy and if you recorded this off of TCM, watch it and save it and watch again in about 3 weeks. You will thank me!

pensman I suspect the screen writer owes a lot to F. Scott Fitzgerald for this script. Jim Bowie, Alan Ladd, is a bit of a backwoods bumpkin who meets Judalon de Bornay, Virginia Mayo, while on his first trip to the big city of New Orleans. Blinded by her beauty he fails to discover her true nature as a highly manipulative Daisy Buchanan who uses him to obtain her own ends. One has to enjoy how she manipulates him to provoke a knife fight which win or lose may end the thrall her husband Phillipe de Cabanal, Alf Kjellin, owes to gambling and Black Jack Sturdevant, Anthony Caruso. There may be some history in this film but very little. As the movie progresses even the most credulous viewer has to be willing to suspend all belief. You may not be able to repeat the past but you certainly can redress plots in new periods. And the scene, big spoiler, where Phillipe de Cabanal and Black Jack Sturdevant kill each other while believing their opponent is Bowie is over the top. At least Bowie finally has an epiphany as he states, "No woman is worth the lives of eight men." And there is even a little Titanic here as Bowie tosses his knife into the water and goes on to marry Ursula de Varamendi, Phyllis Kirk. Confused? Wait for a rainy day and hope TCM is running the film.

Spikeopath Jim Bowie sets off to sell lumber in New Orleans, but once there he is captivated by the beautiful Judalon de Bornay and finds that life here is vastly different to that of home. Getting himself into many scrapes on account of his feelings for Judalon, Bowie invents a new kind of Knife, the Iron Mistress, and from here a legend is born.Nobody should go into this picture expecting a Jim Bowie biography, in fact Western fans who haven't seen it should be advised that it barely registers as a Western piece. What it is, is a fine picture that certainly appears to be undervalued {if a little under seen} on the IMDb site. It's full of dandy men fighting and duelling with honour and guts, beautiful women that are surely worth fighting for, and of course it introduces us to the legendary Bowie Knife.It's based on a Paul Wellman novel, and by all accounts the film is pretty loyal to Wellman's ideals, it doesn't however take us all the way to the Alamo. Alan Ladd takes the lead role of Bowie, shiny blonde hair and brooding for all he is worth, fans of his performance in Shane should definitely check this one out, it's a great performance from Ladd, the kind that makes the gals go gooey and the boys to thump their chests. Virginia Mayo is Judalon and positively simmers with sexual beauty, the character is akin to a viper, and the pot boiling sexual tension is palpable in the extreme, she is in short, a woman men will die for.Some scenes are just terrific, a duel in a darkened room that is only lit by the odd flash of lightning thru a window, a knife fight as two men with one arm tied to each other face off in a circle of honour, and of course Jim Bowie in every encounter, his violent gutsy bravado fearsome as his reputation escalates. At the time of writing only 141 people have voted on this picture, only 10 people have bothered to write a user comment for it, that's a shame because although it may not be a Western as such, it's a damn fine romantic, dandy, drama with a Western legend at its core. 8/10

NewEnglandPat Alan Ladd heads a fine cast in this film biography of Jim Bowie, a life that was marked by thrilling adventure and violence which ended at the Alamo. Bowie's travels take him to New Orleans where fate takes a hand and changes the course of his life and American history. A central figure in the film is a beautiful but vain and selfish Creole girl with whom Bowie is hopelessly smitten. This girl is responsible for the deaths of several men over a period of many years, because of duels, accidental killings or outright murders. Bowie himself is obliged to fight duels for various reasons and his expertise with a knife becomes legendary. His reputation, forged by the iron mistress, follows him like a shadow throughout his life as he tries to put the young woman and his violent past behind him. The film has beautiful color, lavish sets and Max Steiner's brooding music score.