Smartorhypo Highly Overrated But Still Good

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

JohnHowardReid This remarkable film is the first movie directed by a man named Paul Stanley. A prolific TV director, Paul Stanley made only a handful of movies, of which, as said, this is the first!Here, Stanley directs with a virtuosity, an imagination and a skill tat has seldom been equaled for a first feature. Admittedly, he is helped by a hard-hitting script and solid performances -- especially by the surprisingly talented Linda Cristal.The shadowy low-key photography of the racial ghetto, brilliantly realized by Lathrop and Glassberg, plus Almeida's stunningly effective music score, are other stand-out features of this grim but gripping production.In all, this movie is must viewing for the connoisseur.

james baesel I haven't seen this Flick ! I keep asking TCM to show it. It is interesting in that the main character ,John Saxon, was a member of the Amboy Dukes, a Brooklyn street gang in an eponymous bestselling book of the post war J/D era. The Amboy Dukes was filmed as "City Across the River" - it was Tony Curtis's first film appearance. It was a passable, somewhat tepid version of the famous novel. This one, "Cry Tough" is a common book on the collector's vintage PB market, but this film has never been on VHS, LD, much less DVD. A reviewer above states he saw it on TCM. I've requested it from their library, to no avail. A rarely seen film. Lets get it out on DVD, it can't be worse than a lot of the junk available ! It may be a "Film Noir" in style, "City Across the River" is classified thus.

moonspinner55 John Saxon plays tough Puerto Rican kid from the Barrio District of New York who gets out of jail with the hope of going straight, only to fall right back in with the criminal element. He marries Cuban firebrand Linda Cristal to legally keep her in the country, but has a rocky reunion with his father, who loves his son despite his shame. Predictable, tolerable melodrama combining familial elements with standard underworld crime scenario. These hoods seem a might tame compared to the mobsters we would see on the screen just a few years later. Saxon, of Italian descent in real-life, is exceptionally handsome, though he can't get a grip on the proper voice to use--and his character is schizophrenically written anyway: cool and unruffled one minute, judo-chopping the enemy the next. Saxon always seems to be loitering (thoughtfully) in alleyways and hallways, yet the sets are too clean and unconvincing, as is the violence. A few of the relationships are bracing, particularly that between Saxon and hard-working father Joseph Calleia (who is excellent). Based on Irving Shulman's novel, the production may have benefited from the new permissiveness of the early 1960s, though there are good scenes, amusingly 'arty' camera set-ups, and solid supporting work, particularly from Calleia and Cristal. ** from ****

GUENOT PHILIPPE As far as I know, that's the only feature that Paul Stanley made for a theâtre release. And a pretty good one.The story of a puertorican hood who tries to get out of his gang and his criminal life and who, of course, can't make it. I know, we have already seen this topic, this scheme a thousand times before. There is the inevitable love story between the thug - played by John Saxon - and the girl who wants him to quit the mob; and his father with whom there is tension for the same reasons. You can also guess the tragic results.The interesting point of view of this feature is that it insists on the social aspect of life conditions for the New York City puertorican community. Promiscuity, unemployment, precariousness and so on...In short, an interesting film.