GamerTab That was an excellent one.

FeistyUpper If you don't like this, we can't be friends.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Michael_Elliott The Hooked Generation (1968) ** (out of 4)Three crooks decide that being the in-between for drug dealers isn't good enough so they end up killing and stealing some drugs from a Cubian drug-lord. After a shoot out with the Coast Guard the three try to make it to the top but things don't go as planned.Here's another extremely low-budget movie from William Grefe that I really wanted to like more than I actually did. As I'm going through the work of Grefe it's easy to see that he had a strong talent even though the films themselves really weren't all that good. These movies have no known casts, no budget and very little else yet Grefe managed to make them somewhat entertaining and at least professional looking. Compare these films to various other exploitation titles from this era and you can see the talent.With that said, THE HOOKED GENERATION starts off pretty good as we get into the double crossing and the ruthlessness of the three goons. None of them are what you'd call likable and I thought this was a good and entertaining approach. The film has some memorable moments but it's bad pacing and extended running time means that we eventually get bored and the final third of the movie is hard to sit through.

Scott LeBrun "The Hooked Generation" derives most of its entertainment value mainly from being a hilarious, off the wall relic of its era. It's not exactly quality filmmaking; Hell, it's far from it, but it's a hoot just the same. It's definitely way overlong, and could have used better pacing and more action. But the antics of our terminally stupid antiheroes are endlessly amusing, and the performances from this bunch take on the tones of a cartoon. Yeah, subtlety is also in short supply here. The absolute highlight has to be the "psychedelic orgy" sequence with the character Acid: this is a sequence that truly deserves the description "trippy".Produced, directed, and co-written by Florida-based drive-in legend William Grefe, it stars the memorable trio of Jeremy Slate as Daisey, Willie Pastrano as Dumb Dumb, and John Davis Chandler as the aforementioned Acid. These guys are wannabe big time drug dealers who think they're getting screwed by their Cuban supplier and slaughter the man and his crew. Soon, the Coast Guard is on the scene, and *they* all get killed too. A boy and girlfriend do- gooder couple, Mark (Steve Alaimo) and Kelly (Cece Stone) who witness the massacre subsequently get taken hostage. Eventually, our merry band of morons try to unload the drugs but can't since the drugs are hot. The FBI pick up their trail and close in, and Daisey and Dumb Dumb head for the Everglades with their captives.You gotta love any movie with the heroic lead detective trying to egg the bad guy on by repeatedly calling him "loser". Slate, Pastrano, and especially Chandler are a bunch of glorious goof balls, while Alaimo manages to keep a straight face. The rock score is groovy and even though the movie itself is quite crude, the actors keep things watchable. Stone supplies all-important eye candy, particularly in a nude scene.Keep an eye out for exploitation movie legend William Kerwin ("Blood Feast", "Two Thousand Maniacs!") as one of the FBI men.Seven out of 10.

Poison-River This is actually a pretty solid little drive-in filler, that is better than it really ought to be.The only real problem that I have with the film is that I find the three main protagonists(Acid, Daisey and Dum-dum) to be three of the most loathsome individuals in the annals of exploitation movies. The cold-blooded manner in which they strangle, harpoon, humiliate, rape and especially shoot people(mostly innocents) is pretty difficult to take over the 90 minutes and can make the movie a pretty nihilistic experience. However, all of this does mean that when they are eventually killed themselves, it's almost a blessed release.The film's plus-points are that it is pretty well acted, although the actor playing the perpetually stoned Acid does obviously have to ham it up a bit in order to appear out of it. The film also has a pretty good psychedelic acid-drenched guitar score. Also, when Acid is gunned down and killed, the psychedelic trip he experiences in his death throes is one of the best, and most convincing, ever filmed.Not a classic of the genre, but well worth catching.

Vornoff-3 With these words, the heroic cop confronts the villainous Daisy, a (male) drug- runner who has killed Cubans, Coast Guards and police officers in his efforts to transport "grass and junk" into Florida. Daisy works with Acid, a useless junkie that kills and rapes an Indian woman, accidentally brings the police down on the group multiple times and spends half the movie shooting up, and Dum Dum, a violent pot-smoking Hispanic whose name derives from the bullets in his gun.Much of this movie centers around images of people on drugs or doing drugs. with a wonderful "Psychedelic Orgy" in the middle of it all. The rest of the time, our villains are fleeing through the swamps, dragging a pair of uncooperative hostages along with them for no apparent reason. The DP seems to have had some problems shooting in daylight, much of the outdoor scenes are woefully overexposed, but his studio-work is competent. The acting and plot are simply outrageous, and may be more enjoyable to experience on drugs. Not really a classic drugsploitation film, but a good example of the genre.