MoPoshy Absolutely brilliant

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Jenna Walter The film may be flawed, but its message is not.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

edwardholub Darling with Julie Christie came out in 1965 and this looks like an unofficial remake that takes place in the U.S instead of Britain. However, no one would think it would fall into the hands of TV hacks like Garry Marshall and Jerry (The Dick Van Dyke Show) Paris. It's a combination Showgirls and Valley of the Dolls. It's funny bad, though and worth hunting down. It's also worth the price to pay to see Jackie Bissett in bed with none other than Corbett Monica! True, it does show the gay lifestyle and interracial marriage in a blase fashion which is good. There's this funny scene where Jackie's having a shouting match with her boyfriend Jay. It's about money and he says, "We can even afford the mailblox." That's not a typo. He says mailblox. Also funny are the intrusive vocal songs that dominate a lot of the scenes. They pretty much stop the show and were probably considered groovy back in 1970. Enjoy!

Falconeer "The Grasshopper" is a little-known melodrama in the spirit of "Valley of the Dolls." The similarities between the two films are many. 'Valley' was made in 1968, 'The Grasshooper' in 1970, and both films tell the story of young and vibrant women who find themselves lost in the overwhelming world of show business. However of the two films, this 1970 film starring Jaqueline Bisset is more focused, and more in-depth, as it is telling the tale of one woman, while "Valley of the Dolls," followed at least three different women on their road to oblivion. Christine leaves home at the age of 19 to find excitement, and a better life. She seems to be driven by the terrifying thought that she might end up as an ordinary woman, with a boring life. Chris, wonderfully played by Bisset, wants it all, and she wants it now, before it is too late. She realizes that she has no real talent, and not much to offer besides her beauty, so she plays that card, with expected results. Jumping from man to man, in search of something that even she doesn't quite know what, always believing that she is the smart one, and the one in control. But when she slowly realizes that it is she that is being used, she finds herself a hard and jaded young woman indeed, turning to drugs, and a succession of 'wrong guys'. Because of the films age, and flashy style, "The Grasshopper" holds much camp appeal. But when you bother to look beyond the kitch, you might find a story filled with some pretty important life lessons, for Christine made all the choices that we don't want to make. And most everyone has known a person like this girl, living for the moment, with no thought of next week, until the time comes when it is too late to realize any dreams of success or happiness. This is a glitzy, excessive film, bursting with eye popping late 60's fashion and music. Jaqueline Bisset sports a different hairstyle every 10 minutes, and she is at her most beautiful here. And oddly, this is the film that showcases her acting ability, far more than any of her well known, later films. Featuring a finale that is both outrageous, and surprisingly downbeat at the same time, this one is quite entertaining, and worth a look, if you can track it down.

moonspinner55 Well-scrubbed Canadian girl leaves home for Los Angeles, but gets sidetracked and ends up working as a topless dancer in Las Vegas. Both a cynical and sentimental take on the old she-went-down-the-wrong-path scenario. If it were more of a character study instead of a bad example picture it may have been more interesting and memorable. Still, there are insightful scenes and Jacqueline Bisset does a fine job in the difficult lead (she's playing a woman who is never allowed to be happy, so it's to Bisset's credit that we never tire of her). Directed by future sitcom maven Jerry Paris, who actually does wonders with the spotty screenplay (by comedy writers Jerry Belson and Garry Marshall, from the book "The Passing of Evil" by Mark McShane). Penny Marshall has a tiny role as a groupie, and Jim Brown is terrific in an unusual love-interest role. **1/2 from ****

wondertime_99 Quite interesting 1970 movie. Jacqueline Bisset is very, very good, the movie itself is very dated, but also fairly risque for the time. It also presented an interracial marriage, drugs and prostitution, but in a "70s" way. The acting is pretty bad, except for Ms. Bisset and the music, especially the lyrics, is so bad, it is campy good.