The Frozen Dead

1967 "Chiller Of The Year! Fiends frozen dead at the height of their diabolical powers and brought back alive years later"
5.1| 1h35m| NR| en| More Info
Released: 15 November 1967 Released
Producted By: Seven Arts Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

A crazed scientist keeps the heads of Nazi war criminals alive until he can find appropriate bodies on which to attach them so he can revive the Third Reich.

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Reviews

SpuffyWeb Sadly Over-hyped
ShangLuda Admirable film.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Spikeopath British sci-fier that's utterly mad and quite awful at times, yet for fans of "B" movie schlockers from days of yore there's enough boldness and charm to warrant a look.In short order the plot entails a nutty scientist planning to revive frozen Nazis to kick start a new world order. Dana Andrews is the name actor in the lead role, complete with bad German accent, and Kathleen Breck is the star performer playing a head in a box; a victim of the mad scientists moving throughout the madness. It's all very silly and the fact that Andrews and company are taking it serious further induces the mirth factor. The effects work is a very mixed bag, but always fun, while there are some genuinely great scenes involving the frozen corpses, a wall of moving arms and every scene that Breck's head is involved in. None more so with the latter for the truly haunting ending. 2/10
ctomvelu1 Extremely creepy movie about a mad scientist trying to revive dead Nazis and start World War III. Dana Andrews plays the nutball scientist with an appropriately Nazi-like accent and demeanor. Unfortunately, as he revives these corpses, they go mad, so he locks them away in his castle dungeon. The scenes with these twitching, drooling stiffs are right out of an old-time circus sideshow. Meanwhile, the scientist still has several corpsesicles to play with (shown standing stiff as boards in a freezer, like so many fast-food hamburgers). But he also realizes he needs a fresh, live brain to work on. Just about then, his niece and her friend come to visit, and the scientist's equally nutty assistant takes it upon himself to strangle the niece's friend and offer up her head to his master. Pretty soon, they have a living head in a box, sort of like Senor Wences. The head's skull is cut away and the brain exposed, all the better to tinker with it, and the gal -- who in earlier scenes was a hot little number -- now looks like my deceased mother-in-law. Oh, did I mention the scientist keeps a bunch of severed arms dangling from a wall that he likes to play with? This is truly one sick film, surprising for a British kiddie flick of the time, and for a child of the time, it had to be the stuff of nightmares. Adults will get a hearty laugh out of the campy shenanigans, I suspect. Everything comes to a very bad end. The movie pulls no punches and is as sadistic as a Saturday afternoon matinée flick could possibly have been. Today, it's a hoot, of course. For those too young to remember Andrews, in his prime he was an A-list movie star.
exoticafan Another reviewer mentioned torture and pity as key elements to this movie, and I would like to support this idea. There is a grim, sleazy venear to this movie that is not easily forgotten. I too (like another reviewer) saw this when I was kid, and the feeling of depression and dread followed me for days. It was one of the few movies that when it was repeated on the Saturday afternoon program Theater X, I declined to watch it; not that it was a bad movie, but because of the feelings of fear and pity it generated in me (not valuable emotions for one so young).Unlike other "keep-the-head-alive-in-a-box" movies, this one effectively makes you empathize with the victim forced to submit to Nazi torture. You cannot distance yourself and enjoy slummy "fun" like you can with The Brain That Couldn't Die, which had the head scheming from the outset for revenge; it takes a while for this victim to come to terms with her power and state in life (?). The almost subliminal, eerie, atonal score that accompanies the various "unveiling" sequences puts nerves on edge as well. This is a truly unsettling movie.The final words of the various "heads" in both movies are telling as well: Brain... has the disembodied exclaiming, "I told you to let me die!", followed by a vengeful cackle, while the Frozen... victime rasps in barely intelligible tones, "Bury me."Disturbing.
moonspinner55 Handsome, square-jawed Dana Andrews--star of such classics as "Laura", "Elephant Walk", and "The Best Years of Our Lives"--finds himself in tragic circumstances here. It's a jaw-droppingly tasteless, would-be horror-thriller about frozen members of the Third Reich being revived by a Hitler-loving scientist. Oh yes, there's also a sub-plot about a woman's severed head that is either gruesome or hilarious depending on your point of view. Written and directed by Herbert J. Leder, who shows a tiny bit of competency behind the camera but absolutely no class. Why else would Andrews and the other cast members appear in this dreadful Nazi garbage other than for money? Tacky and exceedingly crass; view at your own risk. * from ****