The Club

2016
7.2| 1h37m| en| More Info
Released: 05 February 2016 Released
Producted By: Fabula
Country: Chile
Budget: 0
Revenue: 0
Official Website:
Synopsis

In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.

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Reviews

CommentsXp Best movie ever!
Cleveronix A different way of telling a story
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Deniz Bayezit The film focuses on the life of a group of nuns who share the same house in a coastal town in Chile. At the Berlin Film Festival where the Jury Grand Prize was awarded, Darren Aronofsky admired the jury under his presidency and received a full grade from all the critics. The film, which won the Grand Jury Prize in Berlin, tells a group of priestly husbands away from the Church because of crimes they have committed confronted with sins, a dark atmosphere and a calmly tale.
Reno Rangan Sadly, this is the most boring film I have seen in the last 12 months. I have enjoyed many films what others called the worst film of the year. That means I love to take chances, but I was surprised for this which is the least liked by me from the year 2015.I usually respect films and filmmaking, so I thought to skip reviewing it than writing negatives about it, but then I thought I hadn't written much for the disliked films. Realised I should not go like this being neutral, because I collect my reviews and I wanted all kinds like good, bad, average for my basket.I never considered myself an atheist or a theist, just a form of a life on the planet earth, so it's nothing to do with the religion for my viewpoint on this. This drama about the corrupted priests was not like I expected, I kind liked the theme, but not the overall film.It was sent to represent Chile in the recently concluded Oscars, which was a similar theme to the top award winner 'Spotlight' but failed to qualify for the main event. If it was based on the real then my reaction would have been different.They have tried it with a dark comedy that I was not impressed with the overall presentation. But there were a very few good scenes and it was not enough to win me. I know the majority of those who had watched the film are saying many good stuffs about it, looks like I might be the lone black spot around here that deserves dislike votes, so come guys!! Do it!3/10
Ricardo Ruales Eguiguren "El Club" by Pablo Larrain as "No" (2012) movies with a burden of historical and political transcendent defining only one side of the coin of Chile. Portrays a crude but important insight into a very small part of a country that is more than necessary to expose and raise it as a reality in the XXI century.Aesthetically subtle and powerful at the same time, excellent music composition and interpretation of characters. Dynamic parallel editing perfectly achieved that gradually unfolds the story.The film holds the viewer in front of the screen all the time, almost unblinking. Intriguing, mean and real.A Masterpiece!
Edgar Soberon Torchia Pablo Larraín's "El club" (2015) is a well-made film, but in the end it seems like a crowd pleaser for culture-freak cinéphiles. Not only did I find the subject a little trite (effects of sexual abuse of boys by priests) and gruesome, for all the situations that I witnessed that were truer, and sometimes as excessive and pathetic as the case shown here, during the 12 years I spent in a school ruled by Augustinian Recollects; but I also found there is a lack of compassion in its treatment of behaviors and the story, and a bit sensationalism and rudeness without necessity, when in cases like this of all sexual orientations, the most adequate keyword seems to be compassion. But in the end everybody has the right to make personal interpretations of such matters, although I still insist that there are too many stereotyped traits in the exposition of the victim and the victimizers. I do not know if what we see are consequences of Augusto Pinochet's dictatorial regime, but there is something crudely realistic, in morbid and sordid ways, in the characters and situations of the four films by Larraín that I have seen, in which we do not perceive the (also clichéd, if you will) joy of living that we all need to go on. And it's one film after the other, in which -- in spite of the masterful execution-- when they end, one would rather be dead and gone!