Beanbioca As Good As It Gets

Intcatinfo A Masterpiece!

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Portia Hilton Blistering performances.

utgard14 Fantastic short film from pioneering filmmaker Georges Méliès. A great companion piece to his later classic, A Trip to the Moon (1902). That name was also given to this one when released in the US. The original (and more fitting) name is The Astronomer's Dream. The story to this is an astronomer who looks like Merlin is visited by a woman and a demon and has dreams about the moon. The special effects and sets are really cool, especially when you consider this film's age. Méliès was ahead of his time in many ways. Definitely worth a look for anyone into film history or silent shorts or anyone with a few minutes to spare. I can't imagine anyone seeing this and regretting it. Well, a-holes maybe.

Prismark10 Maybe the first example of science fiction and fantasy in a narrative form from the pioneer of early cinema Georges Melies as he plays an astronomer studying in an observatory when a devil figure appears then a woman who sends the devil away.The astronomer draws a globe on a blackboard which starts to move, when he looks through the telescope the moon appears with a large face like the face later used in Thomas the Tank Engine cartoons and it eats the astronomer's telescope.Then small men come through the mouth of the moon and then it goes back in the sky and then the moon becomes a crescent when another figure in the shape of a lady appears.This is just part of the content in a short film just over three minutes long that has set design, characters in costumes, special effects and use of editing as well as surreal imagery. The editing is jumpy but again it is Melies that was showing the early promise of cinematic illusion.

binapiraeus This is another very early (19th century still!!) and simply MAGNIFICENT example of Georges Melies' magic: a queer 'science fiction' story (certainly one of the first EVER) about a scientist (played by Melies himself) who is hooked on his researches about the moon - which seems to take its revenge: first it comes alive on the drawing board, and when he looks at it through its telescope, it comes REALLY close to him, literally only 'a meter away', as the title says; and starts eating up everything in reach...Here we have the great pleasure to enjoy more of the magician's cinematographic tricks he knew so perfectly well: people and things vanishing and reappearing, the drawn settings seemingly coming alive... THOSE are the 'little' shorts (with a running time of only about 3 minutes then) which led to today's movies with their special computer effects and almost unbelievable scenes - something that EVERY film fan should see in order to get to know the ORIGINS OF TODAY'S CINEMA!

Red-Barracuda This ancient Georges Méliès film is one of the most elaborate of its day. Unlike most films from the time it actually tells a story. It's primitive and simplistic of course but for the 19th century this is complex cinema. Nevertheless, it's the execution more than the narrative that makes it interesting. The story is basically about a nightmare experienced by an astronomer. In it the moon advances up close and terrorises him.For such an old film it's extremely ambitious. Méliès uses his famed visual trickery in many ways here but perhaps the most memorable aspect about this one isn't a special effect, it's the huge moon man. This large giant orb is a precursor to the famous one in A Trip to the Moon a few years later. In this one he is a source of menace but he is quite comic looking nevertheless. A memorable creation for sure and one of the first iconic moments in the early years of cinema.