The Affairs of Dobie Gillis

1953 "IT'S M-G-M's LOVE-HAPPY, YOUTHFUL MUSICAL!"
6.1| 1h12m| en| More Info
Released: 14 August 1953 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Grainbelt University has one attraction for Dobie Gillis - women, especially Pansy Hammer. Pansy's father, even though and maybe because she says she's in dreamville, does not share her affection for Dobie. An English essay which almost revolutionizes English instruction, and Dobie's role in a chemistry lab explosion convinces Mr. Hammer he is right. Pansy is sent off broken-hearted to an Eastern school, but with the help of Happy Stella Kolawski's all-girl band, several hundred students and an enraged police force, Dobie secures Pansy's return to Grainbelt.

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Reviews

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
dougdoepke What a pleasant surprise for a hardened old cynic like me. Ordinarily I would avoid a title like The Affairs of Dobie Gillis as if it were the plague. But the sheer bounce and charm of Weis's direction along with Van and Reynolds proved completely beguiling. Sure it's dated. The innocence and idealized portrayal of college-age youth belong to a bygone era. Still, Van's easy way with a song and a smile continues to captivate, while even Reynolds' manages an energized side that doesn't annoy (the sight of her pony-tailed wholesomeness crouched demonically over a boiling witch's brew is hilarious). Surely these two were made for each other in some malt-shop heaven. There are so many nice touches, including: Hans Conreid's arrogant professor (his tight-lipped barbs at Dobie are priceless), Kathleen Freeman's gap- toothed Polish band (I'm sorry we didn't hear more), and the utterly delightful song and dance numbers (a whole lot simpler and more spontaneous than MGM's over-produced foot- stompers of the day). Clearly, the studio dribbled out a bare-bones budget to give their younger talent a chance, and the youngsters responded in spades. I'm only sorry that Van didn't get the career his talent deserved-- watching him and Fosse was a treat. All in all, this is a much better movie than it had any right to be, and a fine piece of unexpected pleasure for viewers of any age.
wes-connors In an effort to meet young women, bubbly Bobby Van (as Dobie Gillis) goes to college. There, he immediately begins to date cute Debbie Reynolds (as Pansy Hammer), while blond boyfriend Bob Fosse (as Charlie Trask) goes after well-developed Barbara Ruick (as Lorna Ellingboe). This "Dobie Gillis" bears only a little resemblance to the one played, in the later TV series, by Dwayne Hickman (who unexpectedly became a teen spokesperson for the "Beat Generation"). The opening theme sounds more like "The Donna Reed Show" than "The Many Loves of Dobie Gillis" (which is nice). Several TV sitcom regulars give it some life, but not much. Dancing is the highlight, with Mr. Fosse especially outstanding.***** The Affairs of Dobie Gillis (8/14/53) Don Weis ~ Bobby Van, Debbie Reynolds, Bob Fosse, Barbara Ruick
MartinHafer I have never seen the TV show "The Many Loves of Dobie Gillis", so you should keep this in mind when you read this review. I haven't a whole lot of preconceptions about the movie but I also wasn't particularly interested in the concept to actually watch the show the 106,284 times it was shown years ago on Nickelodeon and other cable channels. Why I actually decided to watch this when it came on Turner Classic Movies is beyond me--though I am glad that I did.While it is undeniable that this movie is complete fluff, it is nevertheless enjoyable fluff. There's lots of singing and dancing and romancing and comedy--a formula very similar to the Doris Day/Gordon MacRae films BY THE LIGHT OF THE SILVERY MOON and ON MOONLIGHT BAY (though these two Warner Brothers films were set in an earlier time period). It's all very light and very likable--even if it turns out that Dobie is a dirty little cheater (see the film to find out what I am talking about).Of particular interest, by the way, is the earnest and likable style of Bobby Van. It's too bad that he came to Hollywood near the end of the musical craze and that his life was so tragically shortened. He was talented and all I'd previously seen him in were insipid 1970s game shows.
elgrego My reviews often seem to be "in defense of" reviews after a group of reviews pan a movie, without really considering the genre. It is like reviewing a opera as bad when the standard being applied it a hip hop concert. Or something like that.This movie is silly and lightweight. Folks break out singing and dancing all over the place, cuz it is an MGM musical. (I do ding it for being in black and white.)The leads are Bobby Van and Debby Reynolds. They sing, they dance, they act as silly as can be. It is fun, it is very 50's. All is resolved in the end. It is cute. And you get to see Bob Fosse in his early days blowing everyone off of the screen with his dancing.Great character actors abound, playing up their characters to the top, in a way that current film makers would never allow. I'm not saying I want to see lots of this kind of fluff, but as fluff it is pretty good. And the fantasy part makes me want to go back to the midwest and do college again. Well perhaps that is overstated.Watch this to see the fun dance numbers and take a look at the Hollywood take on college in the 50's. It is a bit of an anthropological statement dressed up with some fun music. Sex,,,,Nope ya won't see that; but you do see the obsessional way that 18 year olds fall in love. And a movie that can capture that (as I remember it rather than with the rather bad parts of it) has its good moments. Everyone is cute, everyone is white, everyone is straight (even though they sing and dance and write poetry an awful lot). If that is not you, ya got to take a bigger step or suspension of belief to become involved in the movie. The heavies are not that heavy, bad behavior is overlooked as youthful indiscretions. Looking at this view of idealized life and how it has changed in 50 years is interesting in itself. This is also one of the last of MGM's musicals. Bobby Van really did not adapt to the changing times, or at least studios did not see his potential for non-singing and dancing roles. That is a shame. Debby Reynolds is still working after the death of the musical, and Bob Fosse went stellar in spite of the death of the musical. They just kept making them for him (still do and he has been dead for about 15 years!). A good later nighter.