Leofwine_draca
THE SWORDSMAN is one of those wirework-heavy Chinese fantasy-action films that were all the rage in the 1990s. I'm not a great fan of the sub-genre; give me the good old-fashioned kung-fu comedies of the 1970s over these any day. This one is pretty typical of the genre, as it has a hugely over-complicated plot with silly story lines and a cast of far too many interchangeable characters, many of whom could have been excised to give the movie greater clarity. Old Hong Kong film staples are thrown into the mix, from cases of mistaken identity to women posing as men and mysterious, mountain-dwelling heroes, but sadly it's all very uninteresting and there's nothing here I could get worked up about. And this is from a FAN of Chinese cinema.The cast is pretty meagre and seems to be made up of comedy actors attempting serious roles, in the likes of Jacky Cheung and Sam Hui. Nobody stands out, aside from Yuen Wah who has a ball as another over-the-top villain and who dies after a killer bee attack this time around! The female characters are undeniably irritating (Brigitte Lin and Cecilia Yip, I'm talking about you) and the only decent acting of note comes from a pair of cameos by old-timers Lam Ching-Ying and Wu Ma, who share a touching scene together on a boat. Even worse, the fight scenes are nothing to write home about, with poor direction and confusing choreography throughout. The whole film has a cheap, slapdash feel and although it's regarded in some quarters as a classic – and was popular enough to spawn two sequels – I'd readily pick the likes of MOON WARRIORS over this tat any day.
DICK STEEL
Which brings us to Swordsman, or as the novel titled, The Smiling, Proud Wanderer, whom Chow Yun-Fat took on the title Linghu Chong role in a TVB serial of old. Swordsman is part of a loose trilogy of sorts, the sequels being Swordsman II starring an almost different cast in leading roles, and Swordsman: The East is Red, made solely to capitalize on the popularity of actress Lin Ching-Hsia who made her memorable comeback role as The Invincible Dawn from the second movie. Amongst the three, Swordsman is still my favourite, even though Swordsman II had more fantastical fighting sequences, no doubt made more exciting by the charismatic presence of pugilist Jet Li. Swordsman: The East is Red, was largely wasted, and save for Lin, none of the other cast members returned, and had a totally unrelated story from the original medium.Not that Swordsman stuck closely to the intended Louis Cha version. As mentioned, plot lines were compressed, and characters sometimes appear and disappear with hardly a fight. What worked, was how the movie managed to sample the spirit of the novel, and translate it for the screen. The script and plot was kept tight, and revolved around the intense search for a missing martial arts manual, called Kui Hua Bao Dian, which is known to give the practitioner extreme prowess, as demonstrated in the sequel Swordsman II, but with a price.Double crossings, hidden intentions, quest for power - these are familiar themes which are played to perfection by the characters, save for one pair, our heroes Linghu Chong and Kiddo, who are caught in the web of intrigue. In short, the movie pretty much summarized the battles and craftiness of the characters in their thirst for the book, and ultimately, we see the disillusionment of Linghu Chong in matters of "jiang hu", as sung in the song Xiao Ao Jiang Hu.And oh, the song! If there's a song that maketh the movie, Swordsman will immediately spring to mind. It's an infectious earworm, but what elevated its status rather than being just another song played during the credits or relegated to background music, was its involvement as a plot element, in the bonding of friendship, the expression of disillusionment, and also, being so integral to the development of the story, in the form of revelation of true intentions.Naturally, since the song is important, the God of Songs of the time, Sam Hui, was casted as Linghu Chong. There were reported protests against the casting of Sam, because of his lack of martial arts background, but I would like to beg to differ. Yes he's not a natural pugilist, but don't forget, the characterization is key upon deciding who gets casted. His interpretation and portrayal of Linghu Chong, in my opinion, is spot on (miles better than Jet Li), bringing a dash of suave and impish slyness, together with strong vocals and that devil may care attitude. Stuntmen were probably roped in to handle the complex fighting stances, especially when Linghu Chong executes his Du Gu Jiu Jian (Du Gu's Nine Swords), a reputable and formidable swordsplay technique able to counter any attacks, but hey, more than half the martial arts movie out there, have stunt folk fighting in the place of actors.The rest of the cast were also top notch, like Yueh Wah, Cecilia Yip, Cheung Mun and even Jacky Cheung in a rare villainous role, although it was a pity that for the sequel, almost all of them were replaced, yet by another strong lineup like Rosamund Kwan, Michelle Reis, Jet Li, and of course, Lin Ching-hsia.With a rich, strong story containing the essence, adequate interesting fighting sequences, awesome cast and memorable song, it's hard to find what's not to like about Swordsman. Never mind the rumoured reports that director King Hu actually walked out of the project halfway, and had folks like Ann Hui, Ching Tsui-Tong, and even Tsui Hark himself amongst others take over in a collaborative effort, this movie delivers, and will forever remain one of my favourites of the martial arts genre.
BA_Harrison
The first in an epic Wuxia trilogy, Swordsman was a major success on its release in 1990 and spawned two sequels (which helped to boost the careers of Hong Kong superstars Jet Li and Brigitte Lin).I, however, found the film to be a passable affair, spoilt somewhat by a meandering storyline, a rather overlong running time and a visual style which often left me scratching my head as to what exactly had just happened. In true Wuxia fashion, the emphasis is not on realism, rather on aesthetic value, and fights scenes become chaotic colourful whirlwinds of limbs, smoke, and clothing; whilst this looks impressive, it is also very hard to follow.Also rather hard to follow is the storyline; at first I was doing OK, but as more and more characters were introduced, I became lost as to who was doing what and why. The basic premise is that there exists a scroll—The Prized Sunflower Volume—that promises "supernatural powers to see through things and to let out power over great distances", thus assuring its owner supreme martial arts powers. When the scroll is stolen, a power hungry eunuch realises the importance of the document and employs his best men to try and retrieve it. It's at about this point I got a bit lost plot-wise (I partly blame this on watching the film whilst suffering from the flu and partly on the film just being plain confusing).Swordsman features a terrific cast: Sam Hui, Cecilia Yip, Jacky Cheung, Lam Ching-Ying, and one of my personal favourites of HK cinema, the great Yuen Wah. However, their combined talents do little to improve the movie. Yuen Wah, in particular, is completely wasted; his impressive martial arts skills are hardly used at all. Instead, he is required to leap about on a wire a bit, laugh maniacally and wave his hands at the good guys (supposedly fighting with his 'chi')—very disappointing! Its not that I disliked everything about Swordsman—any film which features killer bee kung fu, two headed snake kung fu, and an attack with a waterwheel can't be all bad—but given its reputation and the great cast involved, I was expecting the film to become an instant favourite of mine.I was about to give Swordsman 6 out of 10, until I remembered the awful theme song 'Proud Laughing World of Martial Arts', which was repeated time and time again throughout the movie, ad nauseum. I'm going to deduct a point for that...
