Greenes Please don't spend money on this.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

c-kelsall This contribution to the "Western" genre from Hong Kong is just about the most offensively poor film I've seen that actually had a budget. I don't know how much it cost to make (I'm guessing at a few million), but it was money down the toilet. I am an admirer of the work of Chow Yun Fat, both in Hong Kong and Hollywood, but I was shocked and disappointed to discover how low his standards are capable of dropping, as demonstrated by his heavy involvement in this shoddy piece of work (main actor and co-writer). Essentially, the story is of a part of wild China in/around early 20th c, in which a former gangster and mass-murderer reforms his life and builds the Peace Hotel, a refuge for all the area's disowned and hunted. This situation is maintained for 10 years, when a woman of dubious character turns up and claims refuge. However, she is at the centre of a plot to bring down the Peace Hotel, the owner, and all he stands for. Why is this a disastrous production? Where do I start.....The back-stories of the two main characters are treated in an overly sentimental way, the soundtrack throughout the film is irritating, the story didn't interest me, I found the pacing to be slow without being gripping, and most of the characters seemed to be one-dimensional, pointless, irritating and/or unlikeable. I also got the impression that there were gaps in the story in terms of explaining motives, but it may be that if I had taken more of an interest in the film I might have understood it better. Frankly, I was bored rigid after the first 30 minutes, and couldn't wait for it to end. Yawn.

Chung Mo First time director Ka-Fai Wai, a seasoned TV writer, and producer John Woo team up to create a very interesting vehicle for Chow Yun Fat. Styled like a spaghetti western, the film is set in the chaotic times after the fall of the last emperor and start of the Chinese republic.Chow Yun Fat plays the Killer, a gang leader with a tragic past. During a fight with a gang, his wife is killed. The Killer goes nuts and kills everyone including his own gang. Years later he opens the "Peace Hotel", a place for criminals on the run to find refuge and reform. In enters a woman claiming to be his dead wife. The residents of the Hotel are fooled but of course the Killer isn't and is very angry at her deception. His anger is compounded when she steals his belongings. He is about to throw her out when a huge gang shows up on horseback. They are after her for killing their beloved leader. The Killer changes his mind and shelters the woman. Despite his kindness, the woman continues her deceptive ways. The gang demands that the woman be delivered to them in 21 days or else they are going to storm the hotel.A very well made production, the sets are great, the acting overall very good and Ka-Fai Wai's direction is very assured for a first time effort. There is a good sense of humor throughout. Chow Yun Fat is great and carries the film from start to finish. The music is good, very reminiscent of Morricone or the great chambara themes although the obvious use of synthesizers for all the instruments lowers the quality a little. The biggest problem for me was a couple of very big plot holes (at least that's how I saw it) which is sad since the film is very good. The action is not central to the movie and those looking for elaborate martial arts will likely be disappointed. The big action scenes are shot in blurry close-ups with lots of dust and shaky camera work. Celia Yip's character gets beaten and slapped around a lot in this film (the character repeatedly provokes most of the abuse) so you might think twice before watching this with a girlfriend.A good film for Chow Yun Fat fans and anyone looking for unique examples of HK film making.

bs3dc Peace Hotel is a western set in China in the 1930's and is probably best described as a cross between 'A Fistful Of Dollars' and 'The Killer'. Chow Yun-Fat (in his last film in Hong Kong before going to America) plays a retired killer who opens the 'Peace Hotel' where people can hide from their enemies with no questions asked. He teams up with Cecilia Yip with whom he had last starred with in the gripping World War II drama 'Hong Kong 1941' (1984). She plays a confidence trickster who is wanted by a large and dangerous gang that threaten to destroy the refuge to get to her. Both are excellent in this film and have a great on-screen chemistry.The music by Healthy Poon and Cacine Wong is effective and in a similar vein to the Ennio Morricone score in the spaghetti westerns and the theme song by Alex San (music),Erica Lee (lyricist)and Cass Pang Ling (performer) fully deserved its win at the 1996 Hong Kong Film awards.Those watching this film expecting highly choreographed gun-play sequences due to the presence of John Woo as executive producer will be disappointed as the action is infrequent and is filmed in a confusing style that probably better represents the confusion of a real fight. Peace Hotel is more character-driven than action orientated anyway and is all the better for it. Written by Chow Yun-Fat and Wai Ka-Fai (who is probably best known for co-directing 'Fulltime Killer' (2001)) there is some great dialogue and more character development than is usual for a film in the genre.Peace Hotel may not be as good as some of Chow Yun-Fat's earlier work with John Woo, but it makes an attempt to be different and deserves credit for that.

Eson This review contains minor spoilers.This whole movie's look is very similar to the spaghetti western, but with richer production values. Peace Hotel is noteworthy in several respects. First, it is the last Hong Kong movie Chow Yun-Fat has made to this date. Also, Chow Yun-Fat is bald in the beginning, and does some fast-paced swordplay. These both are precursors to his now famous part as Li Mu Bai in Ang Lee's Crouching Tiger, Hidden Dragon (which is not a Hong Kong movie, as Ang Lee does not work within the Hong Kong movie system, and the film is in Mandarin, not Cantonese). This movie also marks the reunion of Chow Yun-Fat and Cecilia Yip, who had not worked together since 1984 (Hong Kong 1941). This was also the last time Wu Chien-lien was in a movie with Chow Yun-Fat, who had been in Treasure Hunt and God of Gamblers' Return with him the year prior to this. However, her cameo lasts about two seconds.Anyway, enough background. One of the few movies where Chow Yun-Fat contributed to the writing, this movie has his brand of comedy. It also has Chow Yun-Fat just killin' a whole mess of people. The visual design and costumes are pretty fantastic, and the movie has a good pace to it. There is a kind of fantasy feeling to this movie, as it is a mixture of the American western genre, but with Chinese tints to it. Cecilia Yip gives a pretty good performance here, and Chow Yun-Fat gets to show much of his range here as an actor, even though he tries to remain distant throughout the movie.