Exoticalot People are voting emotionally.

Beanbioca As Good As It Gets

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

jaltman143 I am amazed Lynn Lowry never became a bigger star. She is beautiful in a unique way (not "movie star" beautiful; her beauty is much more natural) and actually manages to act (and act well!) despite the dreadful roles she is usually given. This is particularly the case in Sugar Cookies. Terrible movie no matter how you look at it. Unless you look at Lynn Lowry. It was her beauty, her charm, her grace, and yes her acting that kept me engaged throughout an otherwise dreadful experience. Mary Woronov is a good actress also, and she and Lowry played off each other well. Ladies & Gentlemen - you really have to check Ms. Lowry out! Her characters are always memorable, even in small roles such as the one Paul Schrader gave her in his remake of Cat People. Alas, we never did see this once budding talent be given the proper opportunities to fully develop her craft before our eyes. This is the only tragedy regarding Sugar Cookies that is worth discussing.

Vince-5 Starting off, here's a synopsis: Porno queen Alta Lee (Lynn Lowry) is murdered by her pornographer lover Max (George Shannon) in a game of sexual Russian roulette. Alta's other lover, icy lesbian casting agent Camila Stone (Mary Woronov), provides an alibi for Max. But Camila has an agenda of her own, and a plan involving the seduction of innocent actress Julie (Lynn again) in a web of sexual mind games. When the lookalikes' identities are sufficiently blurred, the stage is set for vengeance as passionate as the most heated carnal encounter.Though this movie is quite obscure and never got much attention, I find it to be a sexy, suspenseful gem. Cult goddess Woronov has one of her best-ever roles, and she and sexy-innocent Lowry play off each other well. The unsettling music provided by Gershon Kingsley, plus two original songs ("All-American Boy," "You Say You've Never Let Me Down") and the Jaynetts' "Sally, Go 'Round the Roses" compose a memorable soundtrack. Theodore Gershuny's direction is sharp, with everything photographed in muted earth tones that perfectly suggest unsavory business bubbling under society's upper crust. With tons of great New York atmosphere, Ondine (Woronov's friend and fellow Warholite) giving a great performance in a small role, and exotic Monique Van Vooren as Max's ex-wife in a comic sub-plot. This sub-plot, though amusing, looks like it belongs in another movie altogether. However, I'm not complaining, as the film is smooth even as it changes gears and is a hell of a lot more interesting that the erotic-thriller garbage currently being cranked out.Trivia: Sugar Cookies was originally rated X (soft-core) and released by General Film Corporation in 1973. I am the proud owner of an original one-sheet poster--lucky me! In 1977, the movie was cut for an R and re-released by Troma Team, which now offers it uncut on videotape. Mary Woronov was the wife of Theodore Gershuny at the time, and was reportedly uncomfortable performing the graphic lesbian simulated sex scenes with him leering behind the camera. She can also be seen in two of his earlier productions, Kemek (1970) and Silent Night, Bloody Night (1972).

Orion-49 This movie is not schlock, despite the lo fi production and its link to Troma productions. A dark fable for adults. Exploitation is a theme of Sugar Cookies, and one wonders if the cast has not fallen prey to said theme. A weird movie with enticing visuals: shadows and contrast are prominent. Definitely worth a look, especially from fans of Warhol and stylish decadence. Through all the cruelty and wickedness, a moral, albeit twisted, can be gleamed.

Mike17 Although not a particularly good film, it is still loads better than anything Troma released in the 80's. This is the one of the first releases by Troma, a few years after the laughable "The Battle of Love's Return". Lynn Lowry plays a dual role(and cannot act in either of them) as Alta, a woman murdered by adult film-maker Max, & Julie, an actress pursued by lesbian Camila(the leggy Mary Woronov). It might have been a better film had there been better acting and if a stupid sub-plot involving Max's ex-brother-in-law had been deleted.