Speedway

1968 "Smooth, fast and in high gear!"
5.5| 1h34m| G| en| More Info
Released: 12 June 1968 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A race car driver tries to outrun the beautiful tax auditor out to settle his account.

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Reviews

AniInterview Sorry, this movie sucks
Fairaher The film makes a home in your brain and the only cure is to see it again.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
bombersflyup Speedway isn't much of a film, I doubt anything Elvis Presley did was.I recorded this unsure if I was going to watch it or just take a look at it, I had seen snippets of Elvis flicks before and they never looked watchable. I recorded it because it has Nancy Sinatra in it and I like some of her music. So I ended up watching it and I have to say Elvis's acting wasn't that bad, though Nancy was a real let down. The problem is there is just no film here, it is Elvis driving around in a car and doing singalongs. The little kid was cute, the Kenny character brought something to the table, but it wasn't anywhere near enough.
tilloscfc One of my personal favourite Elvis films - this is in my Top 4. Once again Elvis is playing a racing driver - this time Nascar ace Steve Grayson - who is racking up a small fortune but unbeknown to him his friend and dodgy accountant Bill Bixby (Kenny) hasn't been declaring it all, and has even been losing the cash on horse bets. When Elvis' off track attention is taken by the sexy, gorgeous Nancy Sinatra it later turns out she's an employee for the IRS monitoring his every earning and reporting it back to "Uncle Sam" (hence the reason for fun song and funny scene "He's Your Uncle, Not Your Dad") After being hauled in to see the tax man it turns out Grayson and Kenny owe the government close to $50,000 thus losing their lavish lifestyle (in it, perhaps a bit nudge-nudge, wink-wink to his real life persona) Grayson generously donates large sums of money and cars to struggling individuals whom he believes to be decent people. I suppose if you were going to be critical, there isn't really a point to 'Speedway'. Elvis never recoups all the money he owes the government in the movie, and he doesn't even win the big race at the end in this Movie - he gets collected and taken off the track by two lapped cars tangling...but nevertheless it's still a really good, entertaining movie with some great dialogue, better humour and a more modern feel than any other Elvis movie in the 60's up to this point (Viva Las Vegas excepted!) and the chemistry between Elvis and Bill Bixby is good. Elvis looks fantastic in 'Speedway' too. It was filmed shortly after his wedding to Priscilla in 1967, and he really looks great - as does Nancy Sinatra who is quite possibly Elvis' closest opposite Ann-Margret aside. Not the best of actresses by her own admission, but stunningly beautiful and in "Your Groovy Self" she sings arguably the song of the film. It's a tough call between that and "Let Yourself Go" which is one of my Top 10 Elvis songs. Bill Bixby is also good in this I thought...despite being a sleazy lech and not a particularly good friend to have around!!
SanteeFats An entertaining, funny movie. Elvis uses his childhood friend, played very well by Bill Bixby, as his manager. Bixby is an extremely irresponsible one who gets Elvis in trouble with the IRS. Here is where Nancy Sinatra comes in as the IRS agent responsible for seeing he makes restitution for the $145K that he owes. That is a huge amount for 1968. (My parents bought a four bedroom house that year for $20.5K) At first Nancy is all business but since this an Elvis movie she softens up and they fall in love. There are a lot of girls and songs as is too be expected. I found this to be a pretty nice movie and definitely one the better Elvis ones. As most know he did make a couple of dogs!!!
Poseidon-3 The King completed this final entry in a series of strictly formulaic, virtually cookie-cutter musical movies before shifting gears (a little!) into more varied fare. Here he is cast (as he was several times prior) as a race car driver, this time stock cars. He's highly successful at it, so it comes as a surprise when he realizes he owes the government a large sum of back taxes! It turns out his manager buddy Bixby hasn't exactly been handling his finances with the best of care. On hand to investigate Presley and to facilitate a budget for him to live on is frosty, but attractive, Sinatra. He finds little luck in getting her to release his own purse strings, but does make some degree of headway in the romance department, but not without some misunderstandings. Presley looks great and sports a couple of iconic looking jackets with white racing stripes on them. He's in good voice, too, and manages decent chemistry with his female love interest. Sinatra performs a solo (and is the only artist who ever had his or her solo included on an original Presley soundtrack album), but otherwise just has a little bit to sing in one of his numbers. An actual duet between the two would have been terrific to see and hear. Sinatra's clothes range from far out to strangely dowdy and viewers will marvel at her interestingly highlighted hair. Bixby is quite over the top and has hair problems of his own. It's lightened to a rather icky shade. Gordon, best known for his TV work with Lucille Ball, plays Sinatra's boss and has little to work with, though he does appear in a production number at the IRS office. Other cast members include Schallert as a hard up, widowed friend of Presley's who has five very young daughters and an underused Hagen as a rival racer. Ponce, a supporting player on TV's "Hawaiian Eye," appears as comic relief in the pit crew. A few real-life stock car racers appear very briefly as themselves. There's also an eye-catching diner, run by Ballantine, in which guests are served in converted cars. The typical assembly of butt-swinging, vividly attired dancers is also present. It's the typical undemanding, fluffy, contrived type of film that simultaneously made Elvis and sent his film career into the toilet. Everything is clean, colorful and pretty which, looking back at it from today, is refreshing. It's just a shame that it's also awfully predictable, plodding and pedestrian as well.