Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

poowk I thought the plot was somewhat weak and the male character very unlikable. He seemed to be selfish throughout the film and remained so even in the end. I did not find myself cheering for a happy ending. The only character I did like was the struggling mother trying to make it as a singer, but that side story really had no parallels with the main plot. The rest of the story flowed in a very predictable manner and was quite unoriginal. After watching the movie, I felt like I had just wasted my time. I don't recommend watching it unless you have a profound love for British accents and that, that alone would satisfy your time in watching the movie.

paulinewainwright I loved this film, managed to see it twice even though it is on very limited release in the UK (why??) Shaun Evans as Sam is totally believable as the charming ingenue who sleeps with the 'boss' in order to get a job. Amanda Ryan as Kate is less convincing and seems a little superficial (even though she tells Sam at one point that he is the one who is 'shallow'). Bob Hoskins and Lesley Manville provide the subplot superbly well, with a lot of humour. Anthony Head camps up his fun cameo as the gay lover. For me though it was Stockard Channing who stole the show - brilliant as Sheila, the hardened PR executive who, despite herself, finds herself falling in love with her young lover. The scene where Sam was finishing their affair, and then the scene at her brother's when she discovers who Sam is now sleeping with were both superb, with Stockard showing everything in her facial expressions and eyes. However, I did feel that at the end there was a scene missing - when everyone else was linked together happily, I felt there should have been a brief shot of Sheila - alone in her luxurious but unlived-in apartment, maybe reflecting on the loneliness of her life. I wish this film would come out on DVD, or at least be shown on TV so that I could record it, as I could definitely watch it more times.

Kev Beaumont It's a romantic comedy, but it's bland as hell as it just lacks story direction. There's many narrative problems -- for a start, Kate is presented as a strong, spiky lady at first (she's campaigning for the release of a wrongly imprisoned person as a sub plot), but then she's accepting of the main character sleeping with his mum and lying about it. Why? Because he gets her a toy dolphin. Not only is that pretty insulting to this films female audience, it's insulting to anybody who's ever had a meaningful relationship. For a romantic comedy to have those flaws is absolutely fatal, and it won't find a commercial audience because of that.Sam's character deserves a punch throughout the entire film - the audience won't like him due to his character journey (he tells his girlfriend he loves her, whilst lying about shagging her _mum_, in the space of 30 seconds). He goes from idiot, to idiot, in 90 minutes. We're defining lack of character journey in a motion picture, here.So, the male and female lead characters are idiots.Amusing, Bob Hoskins turns up near the end to smack Sam about - but the audience I saw it with laughed at the scene. I would have found it far more entertaining if Hoskins had beat him to a bloody pulp.Basically, if older men wrote and directed a romantic comedy, this would be what happens. And it is. Kate goes from being interesting to being a complete idiot of a character within the space of an hour, and it's a real shame. Kate's the worst representation of a protester I've seen in a movie pretty much ever, also, and it's something I found fairly insulting.Performance wise, Amanda Ryan is mostly great, Tony Head absolutely nails his part and Bob Hoskins is Bob Hoskins.The overall opinion I had from this is that they didn't want to another Love Actually, but at the same time they didn't have the balls to make anything meaningful in any other sense. Relationships are complicated and messy, people can be strong, individual and interesting; this is not that representation of life, love or people.

Chris_Docker A sparkle is as indefinable as the soul.We can all spot it - someone who sparkles at a party. We all want it - that magic charisma. Can you think of a time when the air sparkled? You stop what you were thinking about. You hang on to every word. Maybe a smile is slowly captured at the corner of your lips? As you open your mouth to speak, does it sound like someone else speaking? Reverie in motion. Something inside just . . . sparkles! If we could only bottle it and put it in a novel, a song, a play, a movie.But Sparkle is no metaphysical examination of psychological attitude. It is a loving, light-hearted, low-effort comedy. And it sparkles.Jill is the aspiring pub singer. She travels down to London with son Sam so they can both seek fame and fortune. Vince (Bob Hoskins) offers them a flat. Sam soon meets Sheila (Stockard Chaning). Sheila is a powerful, vampish woman with her own PR company. Sam soon sleeps his way into her business. But their cosy arrangement hits problems when Sam falls for Kate (Amanda Ryan). And only later does he find out that Kate is Sheila's daughter.Sparkle does at times feel like a re-run of The Graduate, updated to a modern London setting. But its warm charm and lack of any pretentiousness wins our hearts. Hoskins has one of his most lovable roles. Shaun Evans, as Sam, perfectly balances genuine sincerity against gold-digging acumen. They all exude spontaneity and a range of conflicting emotions are handled with finesse rather than grandstanding. It can, however, verge on being too deep after telling us we will just be entertained. "I know you're a bit shallow," Kate teases Sam, and so is this movie. But do we care? Dollops of sound political correctness fill subtexts for those who have naughtily forgotten to leave brains at the popcorn stand.If there's a moral, maybe it's that even the most horrid-seeming family members aren't bad once you know things from their point of view. The inter-relatedness and mountains of coincidence are a bit overdone for believability. But, hey, there are enough giggles to distract us as we wade through a box of Kleenex at high speed. Lesley Manville (as Jill) even does her own stage songs (the film title is from a poster where she makes a grand opening). This is shameless schmaltz - a genuine British feelgood romcom.Director/writer Tom Hunsinger says, "We use improvisation as a means of discovery. Actors, in character and in the heat of the moment, react to situations in ways that cannot necessarily be written or predicted or easily imagined. The process lends itself to a life-like, spontaneous quirky quality allowing us to write for the individual 'voice' of each actor. Actor and character somehow 'knit together', resulting in performances that feel authentic and deeply felt." Not that I thought about that deeply about it at the time.I actually laughed and cried till one of my contacts fell out.