Somewhere in Sonora

1933 "Death rides south of the border!"
5.4| 0h59m| NR| en| More Info
Released: 27 May 1933 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Synopsis

John Bishop discovers a plot to rob a silver mine belonging to his girlfriend Mary's father and, to foil the evildoers, he joins them.

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Reviews

MamaGravity good back-story, and good acting
Dotbankey A lot of fun.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
classicsoncall John Wayne made six films under the Four Star Westerns banner, a unit of the Warners Studio, this was the fifth. I'd been on the lookout for all of them when they suddenly showed up on Turner Classics a couple weeks ago and they were shown one right after another in the order of original release date. Sometimes it pays to be patient.This one plays out like a preview for Wayne's stint as a member of the Three Mesquiteers, a series of flicks made by Republic during the 1938/1939 season. Wayne's character is John Bishop, and he's got a couple of partners going by Shorty (Billy Franey) and Riley (Frank Rice). The pair have a feuding gimmick of sorts, and they run a neat little scam on deputy sheriff Buzz (Pat Harmon) to break Bishop out of the local hoosegow when he was arrested on 'no charge' by the sheriff. It looked like Bishop might have had a stagecoach wheel tampered with to win a race, but that business got cleared up later on in the story.The picture also has a couple of female characters, a bit unusual for these early oaters since the story usually required only one female lead for the hero's attention. In this one, Bishop gets off on the wrong foot with the gals with that sabotaged stagecoach business, but eventually Mary Burton (Shirley Palmer) warms up to him and takes over the romantic lead. I'd have to say John Wayne's character pulled a pretty slick move teaching Mary how to handle the reins of a buckboard. In a way unusual story element, Wayne gets to kiss the girl well before the story's over, and not once but twice! In virtually every other B Western Wayne appeared in, he had to wait until the end of the picture to close out with a smooch.This might be the earliest picture in which I've seen Paul Fix, probably best remembered as the Sheriff of North Fork in the 'Rifleman' TV series. Fix's character is part of a gang operating south of the border, who was framed for a murder a couple years earlier. Since he's the son of Bob Leadly, the ranch owner Bishop works for, Bishop takes it upon himself to rescue Bart from the Monte Black (J.P. McGowan) operation before it's too late. See if you agree, Fix here looked a bit like a cross between Stan Laurel and Victor Jory.In all these Four Star films, Wayne rode a white horse named Duke, and the one downside to this picture was that he didn't have much to do. Duke was pretty talented but all he did here was pull on a warning bell letting the citizens of Paloma know that the bad guys were on the way. That did the trick well enough, as Bishop hooked up with the Mexican rurales to put away Black and his bad guys for good. For his trouble, he got one more kiss to close out the picture.
wes-connors A Twin Forks (Arizona) "Stage Coach Race" mishap lands participating John Wayne (as John Bishop) in jail. Ranch boss Henry B. Walthall (as Bob Leadly) thinks Mr. Wayne is innocent, but attractive brunette Shirley Palmer (as Mary Burton) isn't sure. After escaping, Wayne decides to help the kindly Mr. Walthall by rescuing his son, Paul Fix (as Bart Leadly), from some southern border bandits. Coincidently, Ms. Palmer is also headed south, with annoyingly accented blonde companion Ann Faye (as Patsy Ellis)...The best thing to be said about Wayne's penultimate Warner Brothers western may be "he was still learning his craft". It doesn't help that "Somewhere in Sonora" is another sloppily pieced together re-make of an older "silent". Ken Maynard's 1927 version looks like it was more exciting, judging from the excised footage included here. Walthall (second-billed!) hasn't much to offer. Old boyfriends Frank Rice (as Riley) and Billy Franey (as Shorty) are amusing. Mr. Fix (a Wayne film regular) does well, in an early role. The part of the ending shootout with J.P. McGowan (as Monte Black) taking aim at Wayne is memorable.*** Somewhere in Sonora (5/27/33) Mack V. Wright ~ John Wayne, Shirley Palmer, Paul Fix, Henry B. Walthall
bkoganbing Henry B. Walthall goes to bat for John Wayne after an overzealous sheriff charges him with a crime during a rodeo. Henry likes Wayne's riding skill and he reminds him of his lost son who fled after being accursed of a murder and hooked up with a murderous gringo gang South of the Border. Wayne repays Walthall's kindness and goes to Mexico to search for Walthall's son played by Paul Fix.Paul Fix, very good friend of the Duke and father-in-law of Harry Carey, Jr., had more films with John Wayne than any other player. This was the second joint venture for the two of them and the last would be Cahill, U.S. Marshal, 40 years later. Fix is in a terrible fix, the gang who took him in is one of those once in, never out outfits. But Wayne with the help of his trusty horse Duke sets things to right. Of course Duke the horse plays a mighty big hand in the final showdown.Somewhere in Sonora entertained many a kid at the bottom half of a double bill for Warner Brothers on a Saturday afternoon. It still holds up pretty good today.
Single-Black-Male It's in these early films that you see how middle-class John Wayne really is before he assumed the immortal identity of the American cowboy. He was obviously socialised into high society through his university connections and has a healthy interest in women. Thanks to John Ford he was just churning out the B-pictures one after the other. However, as a self-contained project, the film looks quite stagy as though it was fresh from the theatre. The dialogue is stilted and clumsy, but then that's down to the writing. I don't think that screenwriters and directors got to grips with the new medium that is cinema at this point, making this offering painful to watch.