A Tale of Two Cities

1935 "The Immortal Story of Love and Intrigue During the French Revolution!"
7.8| 2h6m| en| More Info
Released: 25 December 1935 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.

... View More
Stream Online

Stream with Max

Director

Producted By

Metro-Goldwyn-Mayer

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Stometer Save your money for something good and enjoyable
Moustroll Good movie but grossly overrated
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Hitchcoc In my opinion, the early movie versions of the Dickens novels stand out against the countless others. For one thing, they are produced in black and white, and seem to capture more of the authentic angst and fear that existed at that time. Many films today give us a more sanitized version of these works. Don't get me wrong. There have been some nice pieces done, but the bleakness of Victorian England really shows through here. Of course, this is the classic plot, where a man, Darnay, whose life has been upended, tries to go on with life, knowing that the Revolution creates incredible danger to him. We then have Sydney Carton, who has led a life of profligacy and has been weak when push came to shove. He carries a torch for Lucy Manette, but it is unrequited and hopeless. There are greats scenes of the citizenry and the venom (a rightful venom) that they carry in them. The problem with revolution is that the innocent are often punished when they have no skin in the game. This is so, and the mob scenes are stunning, though incredibly frightening. Ultimately, this is about a man who for one powerful moment has the opportunity to turn a worthless life into something meaningful. My hesitation about an afterlife and rewards in heaven aren't those of the man of which I speak. It is interesting to compare the casting of this film with other versions. I think this will stand the test of time. Granted, all Dickens books are filled with subplots and characters not seen here, but that's what movie producers and writers must constantly face.
Martin Teller I consider Dickens one of my favorite authors, but the truth is I've only read a few of his works. I haven't read "A Tale of Two Cities," but I was not surprised to find it a very compelling story, populated by memorable, likable characters, graced with intriguing drama, and commenting on the cruelty and injustice perpetuated by both sides of the French Revolution. Some characterizations and flourishes are a bit too much (the storming of the Bastille, although wonderfully constructed by Lewton and Tourneur, is marred by some over-the-top titles) but for the most part it's a rock solid film, easily watchable and quite enjoyable. Excellent production value and strong performances. It made me want to read the novel, which is perhaps the finest thing an adaptation can accomplish.
wes-connors MGM's Ronald Colman version of Charles Dickens' "A Tale of Two Cities" has more in common with the best of films, and less in common with the worst of films. Producer David O. Selznick guaranteed it a nice budget, which results in a some finely-edited incidental scenes. Every so often, you are startled by how well something is done - but, generally, the story goes through the motions. It is nice to see Mr. Colman perform the "Sydney Carton" role. The other leads do not work well with him, however. Colman's "Carton" is supposed to be identical in appearance to the "Charles Darnay" character played by Donald Woods. The two men are vaguely similar types, but Mr. Woods is a bigger, taller man; and, his youth makes Colman look a little old for the part. Elizabeth Allan (as Lucie) is pretty; she looks good with Woods, but has no little chemistry with Colman.The film offered a grand supporting cast - all eligible for the first "Best Supporting" Oscar given, but none were nominated.The best supporting actor almost looks to be Basil Rathbone, with his cruel depiction of French aristocracy; but, he doesn't appear much, and Mr. Rathbone could perform the part in his sleep. By the time he loses his tenuous sanity, fatherly Henry B. Walthall (as Alexandre Manette) really takes supporting actor honors; and, this was the last great character role for Mr. Walthall. For feminine honors, it's a battle between Edna May Oliver's wise-cracking English maid and Blanche Yurka's violently-knitting French peasant. They even have a supporting actress dogfight. Many admire Ms. Yurka's efforts, which are considerable; she chews the scenery and spits it out. Finally, by the time "The End" has come, it's very apparent this "Tale of Two Cities" has become a "Christmas Carol" - of course, as in the original work, Dickens would prefer the comparison to be more allegorical.******* A Tale of Two Cities (12/25/35) Jack Conway ~ Ronald Colman, Donald Woods, Henry B. Walthall, Blanche Yurka
blanche-2 "A Tale of Two Cities" is a beautiful historical drama, true to the Dickens novel as produced by David O. Selznick. Released in 1935, it stars Ronald Colman as Sydney Carton, Elizabeth Allan as Lucy, Basil Rathbone, Donald Woods, Blanche Yurka, Edna May Oliver, Reginald Owen and Isabel Jewell.No point in repeating the story. Colman's Sydney Carton is his best-remembered role - a sad alcoholic whose only joy in life is the beautiful Lucy and later on, her child. Carton is a man without much purpose, who doesn't really know why he's on earth and doesn't feel that he's worth much. In his self-sacrifice, he finds the meaning in life he has sought. Colman never overdid as an actor - if anything, he underplayed, and there was always a gentleness and a pathos to his performances. He's perfect as Carton. Elizabeth Allan is a beautiful, strong Lucy. Donald Woods, who plays her husband, the lucky Charles Darnay, seems a little out of place, however. As the cruel Lord Evremonde, Basil Rathbone is excellent. Two character actresses, Edna May Oliver and Blanche Yurka, hand in lively performances that really help make the film.This film version definitely reflects Dickens' point of view about the French Revolution, which isn't everyone's, but in remaining faithful to the novel, of course, Dickens' point of view is obvious. It is a great film to show in a literature class rather than a history class. It would be wonderful if this and some other classics could be introduced to students somehow. Too much Transformers and the like can't be that good for the soul.