Cubussoli Very very predictable, including the post credit scene !!!

CrawlerChunky In truth, there is barely enough story here to make a film.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

MartinHafer "Some Call it Loving" is hard to describe but I'll try. It's a bit like an art film (such as something by Bergman or Fellini) combined with a porno film with little porn...along with an LSD trip. The results are bizarre, unique and incredibly confusing. What does all this mean?!The film begins with Robert (Zalman King...a Marjoe Gortner lookalike) seeing a strange carnival attraction. It seems that a pretty young woman has been sleeping for 8 years and audience members can pay to come up and kiss her...and try to awaken her. Soon you realize that the man who 'owns her' is more than willing to allow guys to pay to do far more...and he expects that is what Robert wants when he comes to see her later. However, he's obsessed with her in a strange, non-sexual way and he buys the girl from him! Soon, after bringing her home, she awakens and he is smitten by her and vice-versa...though for a lot of the film their relationship is non-sexual. Instead, Robert walks around almost as if in a catatonic state himself...watching all sorts of weirdos. Two weirdos are his 'girlfriends' though they are clearly lesbians and kinky ones at that. Another is his junkie friend (overplayed badly by Richard Pryor). None of these people or vignettes make ANY sense and after a while you start to realize that everything and the disconnectedness of it all is highly reminiscent of a dream- -as if it's not the girl who is asleep but the audience...or at least they are watching someone's dream. Surreal beyond belief and late in the film there are finally some nude scenes (but they are amazingly non- sexy). The entire concoction is nonsensical and bizarre...so much so that it has 'cult film' written all over it but it's also not something the average viewer would care about in the least. Additionally, its bizarro religious symbolism is bound to offend many, many viewers. My advice is that if you want to watch porn, find a better and sexier film. If you want an art film, try "The Seventh Seal" or "8 1/2" as they are much more clever and artsy. Or, if you want a film that utterly confuses you, by all means try "Some Call it Loving"...but I wasn't a fan by the time the film ended.

noonward An obscure oddity, chastised and forgotten in its time. A different take on the Sleeping Beauty story which is complimented with interestingly composed shots, surreal characters, narrative peculiarities and great music. It's a warm piece of Americana that invokes weird nuns, freak carnivals and a rambling Richard Pryor. Basically all the stuff that makes America great. Despite the strange elements inherent in the movie, it still comes off as artfully dramatic. Love cannot be forced and no one is perfect for one another, the film explores how futile it is to make this happen when a man has the perfect opportunity to mold a sleeping beauty into his ultimate love. It is somewhat a shame that the film hasn't found an audience outside of Rosenbaum's essential 1000 and some Cinemageddon weirdos as it could easily slot itself into the fanbase cult of Harmony Korine and beyond. Watch it at 3am and let it mesmerize and sedate you.

James Christopher Wierzbicki (filmbuff-31) For those who would trash this film as so much convoluted garbage--Freudian or otherwise--I have only these words: The Very Thought of You. The scene in which this song is included is the only thing which makes this film worth watching. Of course, the inclusion of the song, good as it is, cannot save this film from the trash heap. The concept is imaginative enough. The story concerns what appears prima facie to be a familiar theme, but which incorporates the kind of surrealistic realism that was characteristic of John Collier. His characters are dreamers with noble ideals and high expectations. Only to find that the real thing, once encountered, is nowhere near what they had imagined. Another story by Collier in this same mold, by the bye, is "The Chaser," which did become a Twilight Zone episode.The well-read viewer will probably be able to overlook the bizarre elements which clutter this film for just a moment and appreciate its sublime theme. In the end, however, the bizarre elements drown out any attempt at profundity. The viewer, like the characters in the film, is left feeling vaguely disillusioned, if not outright cheated.The song deserves mention immediately because I believe that the sentimental romanticism of The Very Thought of You expresses very well the intention of the film's director. As envisioned by him, the song lingers in memory. Unfortunately, the director's intention is out of step with the writer Collier's original intention and it shows. The whole production is out of sync with its purpose. This is not a good film. I'd give it one and a half stars, and that's for the song.

tharsis-1 It happened that i have seen this film just tonight at the "Etrange Festival" in Paris, an annual festival of strange, odd and weird films. It is its thirteen edition and Some call it Loving (or Sleeping Beauty as it is called in France) fits perfectly in the usual tone of the festival. Its weirdness stems from its incoherent and incomprehensible plot, fantastic tone and incredible casting: Zalman King as the lover, acting worse than even the producer Robert Evans when actor, Richard Pryor an alcoholic/drug addict/mad man, the sister of Mia Farrow (Tisa Farrow). The film is supposed to be a distorted story of sleeping beauty. And it is true: it is not a good film but its quality resides in its ability to dare nearly every thing with absolute seriousness: A pair of (tap) dancing nuns for example, and also a nearly gratuitous strip tease scene The film is filled with wooden dialog which resonates strangely in the often rich in-house set with a mawkish romantic music in the background. A film to be seen and appreciated with a second degree state of mind .