GrimPrecise I'll tell you why so serious

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Edison Witt The first must-see film of the year.

SnoopyStyle Rhett Ryan (Chris Pine) is a car mechanic with Nashville dreams. He is about to move there with his girlfriend (Bre Blair). Only she has second thoughts. She is still tie to police officer Carson (Shawn Christian), the father to her daughter. Meanwhile there are all kinds of characters in this small town of Prospect.This is a slow moving indie for the first half. There are a few too many characters in their mundane lives. It's a boring slog through a lot of nothing scenes. The direction isn't the most exciting. It does improve with the bank robbery.Director/writer Ryan Craig needs to move the plot along quicker. And for a movie about a country singing mechanic, he waited until the end to let Chris Pine sing. He's actually not that bad (unless he was dubbed). I don't understand why he doesn't sing early in the movie. Anything would improve the first half.

pcleary99 Very enjoyable film. The self-sense of foregone conclusion as to how the character's lives will unfold hangs on them like the sweaty body odor you can almost smell. These people are trapped in their littleness and can't seem to find their way out. They cling to each other like shipwreck victims clawing each other to stay afloat. ON THE OTHER HAND, the sense of community, forgiveness and acceptance of each other warms my heart living as I do in plastic image land, aka, southern California. The movie is not a downer and has a lot of upbeats, even a laugh or two. All the acting was well done; the characters all had balance, which is probably also a solid credit to the directing and editing. You won't say "wow" but you will say "that was time well spent" after watching it OR at least say "my life sucks way less than theirs".

Johnny_Hing From reading the reviews, I was expecting the standard, formulaic aspiring singer/songwriter story, loaded with mediocre songs and bad acting. As it turned out, there weren't any songs at all... well, not until the final scene. The acting was very good, IMO, and I especially liked John Hawkes (Donnie) portraying the good ol boy, ex-con troublemaker who really only wants to spend some quality time with his young child, now in the care of his ex and her lover. It took me a while to figure out what was going on, how the characters were related to one another, and their intertwined struggles for existence. No one has it easy in this small town. The mood is rather depressing and melancholy, which for me, is realistic and refreshing. It's a slice of life... nothing over the top or melodramatic. Simple people living routine and somewhat hopeless lives. There are several other story lines apart from Rhett's dilemma about moving to Nashville, and for me, this is what made this movie enjoyable. The signs inside the gas station/repair shop added a nice, down-home feel, as did the down-on-her-luck bar lady willing to turn a trick for 20 bucks.

tigerfish50 Is everybody too busy watching blockbusters to see this nice example of Indie film-making? It would be a pity, because they'd be missing a well-crafted cinematic narrative covering twenty-four hours in the small mountain town of Prospect. The film begins at dawn as a promising young country musician prepares for one last gig at the town bar, before heading off to see if he can make it in Nashville. As the day unfolds other citizens make their appearances - a regretful sheriff, his estranged wife, an alcoholic father, an overweight brother, a troubled ex-con and an overbearing mother. Their stories mingle in an varied mix of compact narratives, most of which are concerned with the relationships of parents and their children - some of them sentimental in tone, and others which display cold cruelty and pain.A fine cast portrays this collection of characters realistically, while cinematographer Matt Kovalakides captures their high-country summer world so intensely that one can almost smell the pine resin. Everything speaks of a well-balanced team effort, and the characters and their stories are worth the dedication. By the time night falls over Prospect, a discerning audience might well feel they got more bang for their buck than if they'd seen a dozen self-important, hundred-million-dollar vanity projects.