Ski Troop Attack

1960 "They Turned a White Hell Red with Enemy Blood!"
4.1| 1h14m| en| More Info
Released: 08 April 1960 Released
Producted By: The Filmgroup
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and its inexperienced lieutenant and by constant attacks by pursuing German troops.

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Reviews

WasAnnon Slow pace in the most part of the movie.
Mjeteconer Just perfect...
Reptileenbu Did you people see the same film I saw?
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Matthew_Capitano A five-some of army-type ski dudes tries to thwart evil forces behind enemy lines.It's 1944 and the 'good' Americans must defeat the 'bad' Germans. To accomplish this goal, our heroes slaughter scores of the enemy, steal a civilian woman's chickens, shoot her in the back, then leave her for dead. This is an Ameican film, right? Not particularly inspiring in any way, but the movie does have the novelty of being different (soldiers on skis).Sometimes exciting war/adventure film, albeit quite short at about 65 minutes.
winner55 Another moment when the low rating for a film at IMDb doesn't make sense.A tight, taut, tough-minded little war movie, this is Corman on a low budget at his absolute best. Most of Cormans problems in his early years derived from a lack of knowing where to cut scenes and move on, and a fatal dependence on the performances of inadequate actors. The editing here is very crisp - even the use of documentary footage is handled well, although its grain admittedly never meshes with that of the film as a whole. And while the acting remains unexceptional, it never becomes excessive in an amateurish way, and it fits with the overall gritty realism of the picture.Corman benefits here from a surprisingly strong story and script that leaves its thematic issues open to interpretation. The issues receive temporary resolution by the end the hard way - through combat, as is most often the case in a war.I'm not saying this is a forgotten masterpiece, but it is certainly worth a view, and at 63 minutes hardly threatens to tax one's patience.
Zontar-2 In a snowy German forest, stranded GI's observe stock WWII footage and evade the enemy. Aside from some testy exchanges with a frosty fraulein, the stick-figure characters bark war-comic banalities (though the script's feverish dialogue and structure might have made a swell comic!). The troop's captain is constantly baited by his smug, war-happy sargeant. One assumes a showdown will ensue, but the budget must not have allowed for even modestly choreographed fistcuffs. The equally anticlimactic finale has the soldiers destroying a bridge that's "an impossible target from the air." (??!) Bereft of stuntwork or even a passable master shot, the lucky viewer is left with a jumble of grimacing-face close-ups and mismatched model train footage that even Al Adamson would disown. Roger Corman always blames this dog's shortcomings on production snafus...yet a rookie director employed most of the same cast,crew, and locations for BEAST FROM HAUNTED CAVE (shot back-to-back with SKI TROOP), and that schlocker turned out OK. Corman's apparent strategy was to grab as much footage in as little time possible and hope to cobble together something watchable in post. As a result, many scenes look interchangeable, and there's little dramatic flow. You can make a good cheap war flick with a tiny cast (BATTLE OF BLOOD ISLAND, '60) and scant action (UNDER FIRE, '57), but this sucker should be avoided like a cloud of mustard gas.
D-co Considering Roger Corman shot this in two weeks, it's an amazingly good- looking film. Quite suspenseful and action-packed with a unique setting -- the ski troops we had in the German mountains. Holds interest all the way through and never betrays a low budget. Very worthwhile.