Alicia I love this movie so much

Pacionsbo Absolutely Fantastic

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

ma-cortes Moving and bleak Italian/Spanish film with high doses of violence and a lot of dialogue . This spooky picture about some criminals holding the couple hostage at home contains shocks , suspense , grisly killings and numerous creepy scenes . It is a passable home invasion thriller with noticeable flaws . It deals with a solicitor called Peter (Gianni Garco , famous Spaghetti actor as Sartana) , son of a respectable judge (Fernando Rey) , picks up Anna (Giovanna Ralli) , a prostitute from the club in which is shown a nude spectacle (performed by Karin Schubert as Nightclub Actress) and takes her back to his father 's place . The duo soon discover they are not alone , as a mugger called Quill (Julian Mateos), is waiting for them . Subsequently , there appears Arthur Welt (Frank Wolff who ulteriorly committed suicide) , the lead maniac disguised as a bobby , and things get worse . The couple is besieged and terrorized by the psycho-killer attackers and then look for some means to getaway .Tension , suspense , and unsettling scenes when a couple is harassed by two dangerous criminals . "Cold Eyes of Fear" provides that mindless entertainment in spades, with a few head-scratches along the way. It displays relentless thriller , intrigue , shocks , hard-edged drama , plot twists , creepy images and some violence when crimes and fights takes place . The villains in this movie are a mixed bag , each of the burglars have their own agenda that we find out over the course of the movie through the use of flashbacks . This flawed film written by Leo Anchoriz , an ordinary secondary actor , packs thrilling and hair-raising frames , twists and turns . You can attempt to put all the pieces together at the final but you'll only end up confused and disappointed , it's not worth the effort . This violent story belongs to ¨Home invasion sub-genre¨ similarly to ¨Michael Hanake's Funny Games¨, ¨William Wyler's Desperate hours¨, ¨Michael Cimino's Desperate Hours¨and recently : ¨Miguel Angel Vivas's Kidnapped¨ as well as ¨Joel Schumacher's Trespass¨. The overall result is chilling proof that E. G. Castell can take us back into a luxurious mansion while delivering a completely different scare . While the look is suitable eerie and frightening , the plot spreads to the breaking point and the ending turns out to be a little frustrating . The cast is pretty well , as Frank Wolff's eccentric performance really adds to the gravity of the situation and makes for a gripping protagonist-antagonist dynamic . Gorgeous Giovanna Ralli as an Italian woman of dubious virtue , Ralli played classic films as ¨El General De La Rovere¨ , but also acted in Spaghetti as ¨The mercenary¨ and Giallos . And Julian Mateos , a famed Spanish actor , player in US Western as well as Spaghetti as ¨Hellbenders¨ , ¨Four rode out¨ , ¨Catlow¨ , ¨Shalako¨, ¨Return of seven magnificent¨ . Special mention for Fernando Rey as a prestigious judge , Rey was Luis Buñuel's usual actor and unforgettable in ¨French Connection I and II¨. Atmospheric cinematography by Antonio L. Ballesteros shot at Cinecitta and in London . Jazzy musical score by the great Ennio Morricone , including some rare and atonal sounds.The picture produced by Jose Frade/Atlantida Films was professionally directed by Enzo Girolami Castellari , though has some flaws and gaps . Enzo is a craftsman whose father was filmmaker Marino Girolami and his brother Ennio Girolami . He had a lot of hit-smashes in the action cinema and Spaghetti . His first film was ¨Seven Winchester for a massacre¨ ; after the movie 's success, the same producers approached Castellari again to direct a Western ¨Jonny Hamlet¨ the next year, which he accepted . Enzo usually makes experimental editing techniques such as unbroken transitions from one scene to another and a cameo appearance in his films . Castellari often works with Guido and Maurizio De Angelis and uses to do slow motion shootouts and choreographic death scenes . Enzo is a good professional working in all kind of genres , but he made Western especially . His first one was ¨Some dollars for Django¨ co-directed by Leon Klimovsky , but actually , for the most part of its filming by the disagreements arising with Klimovsky was realized by Enzo G. Castellari, which this film was his directorial debut in a sub-genre that became one of its greatest representatives ; in fact if you compare the beginning of "7 Winchester for a massacre" which would direct the next year and the end this one seem to be similar direction . After that , he went on directing ¨ Johnny Hamlet¨ , ¨Kill them everybody and came back alone¨, ¨Tedeum¨ , ¨Cipolla colt¨ , ¨Go kill and come back¨, and the masterpiece : ¨Keoma¨ and finally its inferior sequel ¨Jonathan of the Bears¨ with Franco Nero . Some of them are serious , others are goofy and plenty of slapstick and slapdash . He also directed successful wartime movies as ¨Inglorious bastards ¨ , ¨Eagles over London¨ , Sci-Fi : ¨1990 : Bronx warriors¨ , "The New Barbarians: Warriors of the Wasteland" , "Escape from the Bronx" , Adventures : ¨Tuareg¨, ¨Adventures and loves of Scaramouche¨ , Simbad¨, "The Shark Hunter" and Poliziotteschi : "Day of the Cobra" , ¨Striker¨, ¨Heroin Busters¨. The pic will appeal to Eurocult fans and Italian-Spanish production enthusiasts.

Coventry Dull and truly disappointing early 70's Italian film that can never seem to decide whether it wants to be a typical giallo or an ordinary crime thriller. The opening is very promising, showing a girl assaulted by a man with a knife whose face we do not see, but that quickly turns out to be a totally unrelated theater performance and that REALLY upset me! The actual story of "Cold Eyes of Fear" revolves on the pampered nephew of an eminent judge who is, together with a random prostitute he picked up earlier, held hostage by two criminals in his uncle's giant villa. One of the crooks is out for vengeance against the corrupt judge and the other merely hopes to find money in the house. What follows is a totally uninteresting and overly talkative showdown between the two parties without not even the slightest bit of action or excitement. There's some very stylish and creative giallo-camera-work to admire, but the sub genre's most appealing characteristics (nudity, graphic violence, absurd plot-twists…) are regretfully neglected. Everybody else around here seems to love the jazzy music but I personally found it very annoying and it totally doesn't fit the tone of the film. It's definitely one of Ennio Morricone's worst scores ever. During the pretentious yet hilarious opening sequences, London is portrayed like a swinging city, in the trend of Las Vegas, with colorful billboards, casinos and wild nightclubs. What the hell was that all about? Enzo G. Castellari's directing is rather uninspired and he's no competition for other contemporary Italian filmmakers like Dario Argento, Mario Bava or Sergio Martino. He did return in the 80's with one of my favorite "Jaws" rip-offs, namely "The Last Shark".

christopher-underwood Spanish, Italian co-production, set in London and already we are wondering if all will be well. We certainly get some strange accents and if this is giallo influenced, it is not drenched in the genre. What we don't get is lots of gore and nudity. On the plus side there is some Morricone soundtrack, great night shots of late 60's London and some unusually serious discussion of bribery and corruption in high places. Actually these suggestions of a totally corrupt judiciary might be references to Italy rather than England but hey.. There are some nice twists and if the piece is a little wordy it never stops being interesting as the characters change their stance and help to keep us on our toes. Meanwhile Fernando Rey spends the film sitting at his desk waiting for a bomb to go off, which it does and it doesn't!

hae13400 An Eton-graduated lawyer, Peter Flower, meets an Italian prostitute, Anna, in a London nightclub, and goes to his uncle's house with her. But soon the house's butler, Hawking, is found dead, and a stranger named Quill shows himself with gun. And furthermore, the arrival of Arthur Welt sharpens the unstableness of the strange triangle of two men and one woman... I think this Italian-Spanish co-produced film, which is sometimes called cult one because of its eccentric visualisation of one character's confusion of fancy with reality, is not bad at all. It has no extraordinariness of the characters, but the each character he-or-her-self is the believable who wants to be concerned only with what he or she can assimilate to. And the story is not full of highly cinematic surprises but has something realistic and familiar, and it lacks the manifest combination of love and separateness but has of (in)security and class consciousness, and of learning and sexual warfare. Still one can point out the film has some over-stylised Italian cinema-graphical techniques and somehow stereotyped female character, Anna. Regarding the latter, one can think of various possibilities of the characteristic. For instance, it can be said Anna should not be a prostitute. If she is the lover or, in better setting, one of the lovers of Peter, then her influence upon him and/or his upon her can be much more complex and profound, and so forth. But the ongoing story of the film has cinematically advance hints, and even offhanded meeting of Anna and Peter, who are first and last strangers each other, has something latently important and therefore their otherness has its own meaning. The director/co-writer E.G.Castellari could do more than what really did, but what he did was, I think, cinematically sufficient.