Cathardincu Surprisingly incoherent and boring

Listonixio Fresh and Exciting

Ceticultsot Beautiful, moving film.

Intcatinfo A Masterpiece!

zardoz-13 James Cagney made his cinematic debut as a reckless, irresponsible, narcissistic bootlegger who conceals his criminal endeavors from his long-suffering mother in director John G. Adolfi's "Sinner's Holiday," co-starring Joan Blondell. This early black & white movie is an adaptation of Marie Baumer's stage play "Penny Arcade." Since I haven't read Baumer's play, I cannot attest to the film's fidelity to its source material. This Warner Brothers/First National release concerns the activities of a Penny Arcade in New York City and the various hucksters who operate on W.C. Fields' credo that "There's a sucker born every minute." Character actor Grant Withers, who you might have seen in John Ford's memorable westerns "Fort Apache," "Rio Grande," and "My Darling Clementine," takes top billing as smooth-talking Angel Harrigan, and he has his eyes on pretty young Jenny (Evalyn Knapp of "His Private Secretary"), whose mother (Lucille La Verne of "Orphans of the Storm") owns the premises and rents out booths to various entrepreneurs. One of those entrepreneurs is a shady guy, Mitch (Warren Hymer of "Meet Joe Doe"), who bootlegs beers on the side. Ma Delano's son Harry (James Cagney) has fallen under Mitch's evil influence. Appropriately enough, Harry has learned not only the ropes of the bootlegging business, but he also plans to double-cross Mitch after the latter is pulled in a warrant by the police. Mitch happens to like Jenny, but she won't give him the time of day. One day when Angel irritates Mitch, Mitch gives him the boot, but Angel quits before he is officially fired. Ultimately, Angel and Jenny become a couple and she persuades her mother to hire Angel as a mechanic. After Mitch gets out of the slammer, he discovers that treacherous Harry has been swindling him. They encounter each other in an ally with firearms, and Harry plugs Mitch and then stashes the body out of sight in a building on the premises. Ironically, Harry's sister witnesses the shooting, but she clams up about it until the police decide to arrest Angel for the homicide. As it turns out, the revolver that Harry used to ice Mitch belonged to Angel. Ma Delano, who has already lost her husband, doesn't want to lose Harry. Initially, she tells Harry to put the revolver back in Angel's suitcase. Reluctantly, Jenny informs the police about the identity of real killer. Since the cops had closed down the arcade during their painstaking investigation, business resumes as usual with Angel back at work. This dated outing has some interesting period flavor, particularly in its blue-collar argot. At one point, Cagney's sniveling Harry perches himself on his mother's knees just as he would do decade later as Cody Jarrett in Raoul Walsh's classic "White Heat." Joan Blondell plays a woman who allows men to have their pictures taken with them. One of the most amusing sights—pretty risqué if you think about it—is a game where you get to sling balls at women sitting on chairs to win a prize. If you like old Warner Brothers' melodramas, you cannot do better than the 60-minute "Sinner's Holiday."

st-shot Save for the debut of James Cagney and Joan Blondell Sinner's Holiday is a rather lifeless early sound experiment of urban lingo spoken from the side of most of the cast's mouth. Chuck full of cynicism and greed with a murder and sappy romance thrown in for good measure it flounders from the outset.Ma Delano runs a penny arcade on the midway with her three kids. Two contribute but youngest Harry (Cagney) would rather work where the big money is with bootlegger Mitch McKane. After McKane fires his barker Angel Harrigan (Grant Withers) Ma takes him on. When Mc Kane ends up dead Harrigan becomes the prime suspect.Sinner's Holiday is filled with hard boiled eggs but most are rotten. It's endless tough talk and little else as director John Adolfi, probably ham strung by the microphone does little to bring any verve or suspense to his scenes. The mercurial Cagney and sassy Blondell bring some life to their limited roles but Withers sarcastic lead looks bored most of the time and Evelyn Knapp as his love interest about as engrossed as he. Holiday is no way to enjoy one.

DKosty123 For a quickie filmed in 3 weeks at Warner Brothers in 1930, this movie is OK. Lucille Laverne, a silent actress, does a very good job talking and being the opinionated mother. When you see Joan Blondell in this, she is so young that you recognize the face and the voice immediately. The young figure is something you kind of expect. Blondell never had a petite figure but this is about as thin as you will see here. She does already have an impressive acting style, and an attention grabbing face.James Cagney over shadows all the other in the male cast. He dominates the rest so much that it almost seems like he is the star. That in spite of the fact he winds up getting black mailed by Blondell and is trying to cover up his murder of a hood.For 1930 on shooting schedule like a silent movie, and with a veteran silent movie director, it is a worthwhile film to check. Especially with Cagney, though the story based on a play called Penny Arcade is not real complicated. Lucille LaVerne's mom does kind of glue the film together when Cagney isn't around.There is a beach scene in this pre-code movie where Evealyn Knapp who plays Cagney's sister is on a beach in a bathing suit. The camera angles used were very complimentary to her though I suspect if Ms. Blondell had been used in this scene with her impressive cleavage, the scene would have become very memorable.

bkoganbing A flop Broadway show, Penny Arcade, served as the vehicle for the joint debuts of James Cagney and Joan Blondell on the big screen. Both Cagney and Blondell repeat the roles they played on Broadway and both received a lot more notice than nominal stars Grant Withers and Evelyn Knapp.Penny Arcade only ran for 24 performances on Broadway, no doubt the Depression played a part in closing it as it did many shows that season. Retitling it Sinner's Holiday, the film is about the Delano family who run an amusement concession in Coney Island. Lucille LaVerne is the tough minded mother and she's got daughter Knapp and sons Cagney and Ray Gallagher working for her. She's a tyrannical old woman, who's determined to see that none of her kids get into the illegal booze business for the quick money. Unfortunately Cagney's involved up to his eyeballs with another concession owner, Warren Hymer, whose place is used as a front for the sale and transportation of illegal whiskey. Cagney and Hymer quarrel and Cagney shoots Hymer dead.LaVerne is quite willing to see petty drifter Grant Withers take the fall for her son even though Knapp's falling for him. She holds out that Knapp can do better for herself, like this crowd of Carnies ever could.Cagney's screen presence overawes the rest of the cast with the possible exception of Blondell who provides Cagney with an alibi for the shooting. You can easily tell who was heading for stardom in this bunch.Grant Withers at the time was a promising leading man who was married around this time to Loretta Young, ever so briefly. He had a lot of substance abuse problems and faded gradually into supporting parts. John Ford used him occasionally as he got older and John Wayne always found work for him in several of his films. Cagney was still in support of Withers the following year in Other Men's Women, but in 1954 Withers had a supporting part as an outlaw leader in Cagney's western, Run For Cover. Withers committed suicide in 1959.Sinner's Holiday is an entertaining enough film, but it really could have been a classic if Cagney had played Withers's role. William Wellman eventually remedied that in Public Enemy.