Acensbart
Excellent but underrated film
Nessieldwi
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
museumofdave
This film is loaded with allegory, much of it evident, I suspect, only if one is intimate with Japanese culture; to Western eyes, it is obvious that Oshima is dealing with disaffected youth, as four lads in school uniform aimlessly follow various paths that seem to offer opportunity for misbehavior of all kinds, especially sexual adventure; while on the quest, references are made to education, to the era of protest, to national relationships to China and Korea--recall that this film was made two years previous to Easy Rider (and makes that film look like Rebecca of Sunnybrook Farm)--much of it can be confusing, but repeated viewings payback with rich rewards for those willing to look for more than entertainment
MisterWhiplash
Sing a Song of Sex, or 'A Treatise on Japanese Bawdy Songs' (frankly I can't really tell you which title is better) is done by a filmmaker who has a kind of poker face, and only reveals his hand just slightly half-way through, so that by the end you really feel the collective punch of his full show of cards. It's a story that has a melancholy air to it, but suffused with a captivating sense of irony and self-consciousness ultimately with itself. Its main characters really couldn't give a damn, except to get laid, and in a way it's like the twisted older cousin of an American Pie movie... only without the bawdy jokes and replaced with bawdy songs, I guess.This film takes a look at aimless youths finishing high school and getting ready for college who after the sudden death of a teacher wander about singing the same song of sex (going through ten scenarios through the song), and imagining raping a girl in a classroom. There is also a girlfriend of sorts (or two) who follow with their pack, and at one point they come across a group singing protest songs in English. But mostly not a whole lot "happens" except that Oshima gets precisely and dangerously into the minds of his politically conscious - or un-conscious- minds. What do these four boys think about? What's their plan or play? What about the one student who may or may not (or not likely) have been able to save the teacher's life? The style starts out very realistically, which opens it up for how bizarre it gets later on since nothing seems too self-conscious, but everything has on another air of fantasy to it. The last ten minutes gets especially brutal, though all with a slow and uncomfortably surreal boil (by uncomfortable I mean as a compliment). It's a mature, super-black comic work by a director who knows how to put the camera in positions that make his characters more than just figures in a frame but figures set against the backdrops they're in (snow, city buildings, bridges, crowds, the empty school room).
zetes
A difficult experimental film from Nagisa Oshima. One needs some historical context, which is helpfully found in the one-page article in the Eclipse edition DVD. But even with that, it's one of those films that I found interesting, but ultimately a little difficult to think much of. It concerns four male college (high school?) students who, along with four female students, accompany their bawdy teacher to a bar, where they listen to him sing a dirty sex song (which sounds kind of tame translated into English). This makes the male students believe the teacher was encouraging them and the gals to screw around, and they begin to fantasize about raping and harming the women. I thought that perhaps this was a treatise on Japanese sexual oppression in the light of the sexual revolution that was occurring in America and elsewhere at the time (frequently characters are singing American folk songs, protesting the Vietnam War), but, according to the liner notes, Oshima was much more interested in the treatment of Koreans (at least three of the films in the Eclipse box set are), as the one girl in particular whom they fantasize about raping is half Korean or something. Just watching the movie, I would never have gotten that. I don't remember at all her race mentioned, but apparently that fact would not be lost on a Japanese audience. Or maybe it would. Who knows, it's not exactly like this film is considered a classic or anything. I'd say it's marginally worth watching for fans of Oshima or Japanese films in general.
tedg
Four Japanese high junior school boys are obsessed with sex. They encounter their teacher out drinking and he sings/teaches a bawdy song about whose permission you need to ask before sleeping with a girl. "Sleeping with" means essentially raping. The drunk teacher accidentally dies, kicking off a more abstract round of imaginary acts of the quartet, beginning with the rape of their female teacher in class while other students placidly watch. They incessantly chat about and imagine what they would do with their classmates.The leader of the gang ties up with the teacher's girlfriend and that's when some of the most impressive imagery appears, during a party-funeral peppered with bawdy songs. The casket is draped in an American flag. The funeral devolves into a battle between those songs and religious ones, mirroring a battle between Japan and the US (or alternatively Korea). I'm uncharacteristically explaining this because you probably will not ever the film.The last ten minutes is a lecture in the class by the girlfriend about the honor of the Japanese people while the students hesitantly attempt the much discussed rape of the girl in seat 468. The lead student kills the girl to prevent the rape.I came to this because I valued my experience with "All About Lily Chou Chou," and wanted to experience much the same thing in a more vintage original. It lacks the power I expected. Stick with "Lily Chou."It is much more complex but less effective than "Realm of the Senses" shot a decade later.Ted's Evaluation -- 2 of 3: Has some interesting elements.
