Onlinewsma Absolutely Brilliant!

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Cheryl A clunky actioner with a handful of cool moments.

Lee Eisenberg First I should note that "Ai no bôrei" ("Empire of Passion" in English) is the first Nagisa Oshima movie that I've ever seen. It struck me as part horror, part drama, as the woman has an affair and then decides to kill her husband, except that he haunts her. What I wondered was whether this was an issue of guilt or grief. Whichever it was, the result is one intense movie. In the interviews with the cast members, they described the movie as a sort of extension of Oshima's previous movie "In the Realm of the Senses". Having never seen it, I can't confirm that. What I can say is that "Empire of Passion" makes outstanding use of the setting - a small village in 1890s Japan - and the characters' sexuality (there's nothing gratuitous about the nudity).All in all, I would now like very much to see "In the Realm of the Senses" and other movies by Oshima. In the meantime, I recommend this one.

Chris Haskell What a curious film. I think I enjoyed it, but it's difficult to say. Plot aside, to me this is a story about vanity and selfishness blinding two individuals and guiding them to make ill-informed decisions. One of the most interesting lines in this film for me was when the daughter says that her mom wanted a good life when she was young. It seems that desire never left Seki (now a mom and the wife of a rickshaw driver), and she is immediately willing to follow the advances and promises of a younger man who offers her intimacy and (I'm guessing in her mind) a chance to start over. There is a period of calm and then chaos following a major decision Seki makes, and the way she handles the world crashing in around her is to be expected. What was surprising, and I think what ultimately redeemed this movie for me, was the lack of support she got from the one person she trusted to stay by her side. This forces her to face a decision she was never 100% comfortable making, and brings out the emotional torment she endures beautifully. There are moments in the film I didn't enjoy, but it's a very original take on an age old conundrum, and a very strong performance from the leading two actors. Rating 26/40

Rapeman Empire of Passion is Nagisa Oshima's follow up to his infamous 1976 film In the Realm of the Senses. Based on a novel by Itoko Namura, Empire details the love affair between a young soldier and an older woman.Toyoji is becoming more and more obsessed with Seki, the wife of a rickshaw jockey. He begins by bringing her little treats and having tea with her while her husband is at work, then eventually works his way up to raping her. Of course, seeing as this is a Japanese film, Seki ends up enjoying the rape and falls head over heels for Toyoji.The only problem facing the newfound couple's domestic bliss is Seki's husband, Gisaburo. Fortunately, Toyoji thinks of a solution - homicide. So the pair hatch a plan wherein Seki will ply her husband with sake, then when he is well and truly sloshed, Toyoji will pop in for a drive-by strangulation, thus leaving the two in peace.Everything goes according to plan and the couple dump Gisaburo's body in a disused well. Now they are free to live happily ever after… or are they? When the village-people begin to gossip about Gisaburo's death and his ghost starts appearing to Seki, her daughter and random townsfolk in their dreams and, finally, reality, Seki and Toyoji begin to get a little worried.Intertwined with the doomed lovers scenario is a traditional Japanese ghost story. Gisaburo returns as a vengeful ghost and harasses Seki while having her serve him sake and gives her a ride in his rickshaw, but in the end gets his retribution.Empire of Passion is an entirely different film than In the Realm of the Senses, for one it has none of the explicit sex, perverse fetishes or indeed the powerful emotional pull that Senses has (no penis-lopping here folks). It's true that both films portray fanatical love affairs and show the lengths two people bloated with love can go to but they do it in two completely different ways.In contrast to In the Realm of the Senses, which had an obsessive/possessive female lead, Empire of Passion has a young male playing the role of the infatuated lover. But once Toyoji conquers Seki and has her all to himself he begins to loose interest and she becomes the insecure one. The couple of sex scenes that are shown are not shot from an intimate, candid angle like Senses but more from a voyeur's point-of-view.All in all Empire of Passion is a decent portrayal of illicit love set against the gorgeous backdrop of the Japanese forest. See this if you have a fondness for arty love stories and/or vengeful ghost tales.

valadas Eros and Thanatos, Love and Death command the dialectics of Life. By the end of 19th century in a remote Japanese village a young man and a married woman, older than he, fall in love with each other and decide to kill her husband to be free to enjoy their love. But they never enjoy that freedom since Remorse begins to haunt them beginning as usual at the time by the weakest member of the couple, the woman of course. Henceforth in an atmosphere where dream (nightmare) mixes up with reality the ghost of the murdered husband appears first to the woman but then also to the man. It also haunts the dreams of the other villagers creating a climate of suspicion and gossip around the couple which is aggravated by the arrival of a police officer that comes to investigate the disappearance of the murdered husband. But which makes this movie more interesting besides this almost common story of adultery is the evolution of the couple's feelings in a Shakespearean deep psychological and dramatic development of remorse, anguish and fear which turns their love relationship into a nightmare until their final doom. The expressionism so dear to Japanese theatre or movie acting is also present in the players' performances but not in an exaggerated form. Just only in the necessary measure to show more effectively the most deep feelings of the depicted characters. This is indeed a solid good movie.