Seventeen Years

1999
7| 1h30m| en| More Info
Released: 01 September 1999 Released
Producted By: Xi'an Film Studio
Country: China
Budget: 0
Revenue: 0
Official Website:
Synopsis

Yu Xiaoqin steals money from her father and blames on her sister Tao Lan, who accidentally kills her sister while attempting to prove her innocence. After 17 years in jail, Tao Lan is escorted by a guard only to find her home long demolished. The two go to the new address of her ageing parents, and the guard becomes witness to the family's difficult reunion.

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Xi'an Film Studio

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Reviews

Mjeteconer Just perfect...
Marketic It's no definitive masterpiece but it's damn close.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
anthony_retford I got this movie from the local library. I have lived in China for over 4 years in different cities. My wife is Chinese, so is my son. He just got his visa so we will be together very soon.I rate this movie up with To Live with Gong Li. It should be required viewing for Hollywood producers and directors. From the opening I was drawn in and remained fixated on every movement and most articles (all of which are familiar to me). The story is very powerful and, as another reviewer wrote, can be from a long time ago or a long time in the future.The water bottle was interesting when the father got more hot water. When I first went to China the bottles had large stoppers in them and you would have to tip and pour them. Later the siphon bottle came to make life a little easier.I was mesmerized by Lui Lin (the correct way to list her name). I was amazed by the actions and caring of the prison guard in making sure Tao Lan did get home despite her great resistance to moving anywhere near home. She displayed great wisdom for someone so young. By the way, she said she was almost 28 and should anyone question why she was unmarried it should be noted that in China many women do not marry until their late twenties.I could not stop crying too. The emotion was so strong, coupled with my remembrances of China. Really, really ask your library, Netflix or anyone else for a copy of this movie.
MartinHafer This is an interesting tale that is shown almost documentary style. The film begins with a blended family living with China. The husband and wife don't get along all that well and some of this contention is because they both have teenage daughters from a previous marriage. The daughters also don't particularly like each other and the "good" one actually is pretty cruel for making it look like her step-sister is a thief. However, when the step-sister attacks and accidentally kills her, the story takes a dramatic twist.The film changes to 17 years later. Here we see that the surviving sister is a model inmate in a prison that seems much more like an indoctrination center. I found this pretty fascinating. While this sort of program could easily be used for evil (such as political prisoners), such strong and consistent messages and classes on "correct" thinking and behavior do offer an alternative to the traditional Western-style prisons--that often have inmates leave worse off than when they entered them. In this case, the girl did deserve to be punished but she was also rehabilitatable--mostly because she truly was sorry for what she had done in a moment of anger at age 16.Because she is so committed to change, she and several other model prisoners are given holiday furloughs. However, given her past, it's obvious she is concerned her mother and step-father don't want her to return. What happens next is slow to unfold but very satisfying, as a worker from the prison helps the lady to find her parents (they'd moved) and renew their relationship--if it is still possible.
kmukh_73 Perhaps one of the best (Chinese) movies I have seen in recent years. Very realistic and subtle as well as crisp storyline, cinematography, screenplay as well as direction. Well, may be I understand the situation and the fact of the story better, as I am from India and we (asians) almost have the same community and family values/priority (though different language and culture). It coincides with lots of family wherein, the children are bound to study hard and slipping partiality from parents intrudes on the child who is more obedient and study-bound. These facts might not match with the western children as well as parents.The brilliant performances on the part of parents as well as the expressions of the prisoner and the prison-captain really captivates ones hearts. The story itself is so powerful on human psychology that the film and the story are pieces of course to study and analyze. This is what we still deserve from Hollywood movies, at least bring some of the burning issues in front of viewers eyes.I just saw it today and I am simply spellbound; I recommend this film highly. One of the best Chinese movies since Farewell My Concubine. I don't understand really, after having such a wonderful movie why 'House of Flying Daggers' etc are sent for Oscar nominations.I would give a score of 9/10
zzmale I would not want to waste time here on plots and other comments about the story, which you can find by looking at other posts. What I want to point out here is that the Chinese title is as equally philosophical as the English one:17 years implies the 17 years of totalitarianism, after which humane side is finally appearing. The Chinese title has the literal translation as Going home on New Years, and it needs more explanation:In the Chinese tradition, the new year is the time when all family members get together, reflection on the story of the protagonist being released from jail to go home to unite with his parents.

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