Schizoid

1980 "Hide the Scissors."
5.1| 1h29m| R| en| More Info
Released: 01 September 1980 Released
Producted By: The Cannon Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When Dr. Pieter Fales' patients start receiving ominous letters and getting murdered by an unknown black-clad assailant, he and his daughter both come under suspicion.

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Reviews

Exoticalot People are voting emotionally.
Moustroll Good movie but grossly overrated
Acensbart Excellent but underrated film
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Sam Panico Julie (Marianna Hill, Messiah of Evil, The Baby) writes the lonely hearts column for a newspaper, but she's suddenly getting more than letters from the lovelorn. An anonymous person is sending her letters threatening to murder people. And at the very same time, members of her group therapy session are getting stabbed and killed, one by one. Is there a connection?Schizoid has all the markings of a giallo - the main character is in the middle of a murder investigation and has no idea who is behind it, while many of the killings are from the murderer's POV. And let's not forget the black leather gloves!It's missing the insane devotion to fashion and interior design, but we can't hold that against it, as at least Dr. Pieter (Klaus Kinski, a legit real life maniac who always plays maniacs on screen) has an interesting home.Right from the beginning, when the ladies of Dr. Pieter's encounter group luxuriate in a hot tub, we get the idea that someone is watching. When one of them leaves, she is run off the road, chased into a farmhouse and repeatedly stabbed with a pair of scissors. Several days later, a couple that's trying to have sex is surprised by the body.Are the letters connected? Why do they mention a gun when the murders are done with a knife? Who is the killer? Is it Gilbert (Christopher Lloyd, The Adventures of Buckaroo Banzai: Across the Eighth Dimension), the weirdest person in her therapy group? Is it her ex-husband, Doug (Craig Wasson, Body Double) who argues with her every day because they work in the same place? Or how about Dr. Pieter, because he's Klaus Kinski? Beyond that, he's having sex with every single one of his patients, including a stripper named Pat (Flo Gerrish, Don't Answer the Phone) who he takes against a hot water heater! And hey - his relationship with Alison, (Donna Wilkes, Jaws 2, Angel) his daughter, feels super incestual. Maybe that's who the killer is!This film also follows the giallo tradition by having police officers that are so ineffectual that they depend on the heroine to do her own investigation with no protection and only a special phone line to help her.Alison and Dr. Pieter argue repeatedly, especially after he grows closer to Julie, bringing her home to dinner. She begins to dress in her mother's clothes or as a little girl and even steals her father's gun.The police put in the phone line, but every single call seems to be cranky readers who are angry about Julie's column. Then, Alison calls her from a payphone, gun in hand. Julie gets Alison to come visit her at her house, where her husband (she doesn't call him ex-husband) is doing some repair work. Alison throws out a whole bunch of the letters and brandishes her gun, but it's unloaded. Then, the phone rings.It's Dr Pieter, who demands to know where this number reaches Julie. He comes to visit, but someone takes a shot at him. We don't see who, but he assumes that it is Alison. The lights go out and we have no idea who is in the room with him. The phone rings again, but it's not Alison or Julie on the line. They're both tied up and a man is on the other line - but who!Should I reveal it here? I won't. But I will say that this movie is truly a giallo because it's the person that is the least likely suspect and the police come running at the last moment. And by that, I mean just in times for the credits.Director David Paulsen also brought Savage Weekend to the screen, but is more well known for his primetime soap opera work on shows like Knots Landing, Dallas and Dynasty.
deacon_blues-3 First saw this film as an Elvira, Mistress of the Dark feature. Kinski is hilarious! He runs around having sex with everyone and yelling "Vhat are you dooing!" constantly. Kinski plays psychoanalyst Dr. Fales (no pun intended, I think but the shoe fits pretty well!), whose therapy group is being murdered by an unknown assassin one-by-one. Fales also has to cope with his rebellious daughter, Alison, who's hopping from bed to bed with numerous guys. Daddy can't understand why she's like this, even though he himself is shtupping practically every woman in sight. Basically, Fales becomes a caricature of Kinski himself. Chaotic plot (if you can call it that) and scene pacing. After watching it through, all I could say was "What are you doing?"
Coventry Although the plot and rating of "Schizoid" didn't look too promising, I nevertheless really wanted to see it for three (very good) reasons… Number one: I generally like slasher movies from the year 1980 or 1981, because back then this sub-genre wasn't yet impacted by the overload of "Halloween" and "Friday the 13th" clones. Number two: I was really interested to see a horror/thriller that starred both Klaus Kinski (one of my all-time favorite actors) and Christopher Lloyd in the earliest phase of his career (or at least, prior to the successful "Back to the Future" movies). And perhaps the biggest reason for me to track down "Schizoid" is the fact that it features so many typical trademarks of an Italian giallo! The killer, as he/she is briefly introduced during the opening sequences of the film, wears a long black raincoat and black leather gloves while his/her murder weapon is a sharp pair of scissors. These are preferred accessories of giallo-killers and, on top of that, he/she exclusively targets female victims and the murders bathe in a sexist atmosphere. My conclusion is that "Schizoid" is a moderately absorbing thriller with a handful of tense scenes and original touches, but regrettably also a large number of implausible twists. Beautiful Julie works as a columnist for a Californian newspaper, but she's caught in a difficult divorce and participates in the group therapy sessions of the acclaimed psychiatrist Dr. Pieter Fales. Julie starts receiving eerie letters that exist of newspaper clippings and talk of gruesome murders. The female members of her group therapy sessions are being killed off one by one as well. Who is the culprit? Is it the perverted Dr. Fales, who has sexual relations with all his patients? Or is it Dr. Fales' pre-ripe 16-year-old daughter, who hates her father and all the women he has sex with? Is it the mysteriously roaming and voyeuristic janitor Gilbert or Julie's ex-husband Doug who never wanted the divorce? Or perhaps Julie herself is the killer because, after all, the murder cases help increasing her popularity as a columnist! Like other reviewers already righteously pointed out, the biggest default of this film is the credibility of Klaus Kinski's character. As much as I worship this eccentric actor, he simply cannot pass for a psychiatrist; let alone a psychiatrist who manages to seduce and sleep with all his female patients. The search for the killer's identity, on the other hand, results in a couple of exciting sequences and a tense climax. The body count is sadly low for an early 80s slasher (only 3 victims) but the murder sequences are grim and atmospheric. The performances from the ensemble cast are just mediocre, with the exception of Donna Wilkes… She's downright fantastic and amazingly makes her young character Alison simultaneously sensual, creepy and forbidden. Solely based on her performance in this film, I've added the film "Angel" to my must-see list.
Jonny_Numb "Schizoid" is a fair early-80's slasher flick that suffers from a distinct lack of personality. It boasts a somewhat name, B-list cast, and derivative yet effective stalking scenes. Writer-director David Paulsen tries, in vain, to make everyone a suspect, but you eventually stop caring because of the clumsy script contrivances he expects us to swallow. But there's nothing here you haven't seen before, except maybe Klaus Kinski, wildly miscast but still highly entertaining as a marriage counselor who carries on affairs with his patients! I'm not ashamed to admit he kept me watching the whole way through. 2.5 stars out of 5.