Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Spikeopath Satan's Slave is a cult film, a horror pic for those with a bent for occult based euro trash made on a small budget. Plot has a young woman played by Candace Glendenning caught up in a devil worshipping cult run by her uncle Alexander Yorke (Michael Gough).It's full of the familiar tropes of such movies, plenty of nudity, violence and blood, and of course some interesting attire - gotta love those goat head masks! But it's all so tediously ridiculous and acted accordingly. Yes the violence is cold and nasty, and there's shock value here, including attempted rape, making this one that for sure would have had the censors of the time looking nervously through the print. But the interim passages of dialogue, of which the pic is predominately built, are borderline yawn inducing. Director Norman J. Warren is guilty of overdoing the horror cliche's, and the garish luridness of it all wears thin by the midpoint, but in the plus column is Les Young's intense colour photography.Cult fan base for it does exist, understandably so since there is a big call for this type of cinema, but with that comes the fact that it's an acquired taste and obviously not for all horror buffs. 4/10

Michael O'Keefe EVIL HERITAGE, also known as SATAN'S SLAVE, is low budget horror. Catherine Yorke(Candace Glendenning)travels with her parents to visit a recluse Uncle Alexander(Michael Grough). Upon arrival they have a mysterious flaming car crash that kills Catherine's parents. The young woman is taken in by her uncle and some cousins. She has no idea of the role she will be taking in the house. Soon she will start having strange nightmares. Catherine will have visions that she doesn't trust as being real. Unbeknownst to her, Catherine's Uncle Alexander is the head of a coven of witches needing the young woman for a sacrifice. No stress, nothing of a frightening nature and any horror is minimal. Norman J. Warren directs. Rounding out the cast: Barbara Kellerman, Martin Potter, Celia Hewitt and Michael Craze. This is no winner.

Navajas Perhaps because of the success of ROSEMARY'S BABY (1968) and THE EXORCIST (1973) and, to a lesser extent, THE OMEN (1976), the 1970's were a time in which the genre of horror in film was saturated with movies about evil Satanic cults, demonic possession, and incarnations of the big cheese Satan himself. Dozens, if not hundreds, of very low-budget movies revolving around this theme were made in the western world during this era, some with more success than others. It is within this period that SATAN'S SLAVE (1976) was made as a pleasant little contribution from England. While the budget is not as microscopic as that of some of its peers, this flick did not have the sort of funding possessed by the more successful examples of the genre.This movie is not, by any stretch of the imagination, the worst of its type. It has a reasonably interesting story, attractive characters, at least one sleazy psycho guy, and plenty of nakedness and blood. Since its about an evil Satanic cult, there's also a few cool ritual scenes with daggers and baphomets and robes, along with an attractive young blonde being offered up to the dark lord. What more can a viewer ask for, right?One of the coolest parts of this movie is the opening sequence, if only because of the eerie off-key piano music and bizarre artwork--there was a certain look attributed to Satanism in the 1970's, and this movie definitely gives the audience that feel. It then transitions to an outdoor scene with a bunch of goat-headed cultists performing the sacrifice of a naked blonde woman upon the altar for the generic reasons that Satanic cults typically do such things in movies of this nature.From there, we are introduced to Patrick Bateman's wealthy British counterpart, Stephen Yorke (Martin Potter), who romances a young woman. Things are going well for our anti-heroic psycho and it looks like he's about to score a bit of crumpet (if you know what I mean) when suddenly his companion changes her mind for some inexplicable reason. He isn't about to give it up, however, and suddenly clothes are torn and rape seems almost imminent. She does flee the immediate scene, only to have Stephen smash her skull in the doorway before she can exit the manor.Finally, we meet our heroine, pretty Catherine Yorke (Candice Glendenning), who has spent the night with her long-term lover John (Michael Craze). The two discuss the trip she is about to make out into the country for a week with her parents, to visit a long unknown uncle. Oh yes, and we also find out that Catherine is psychic. No specific psychic powers, mind you--just the generic extra-sensory perception that operates as the plot deems necessary.Catherine leaves London with her mother and father and they travel by car into the countryside. As they approach her uncle's estate, her father has a flash headache and steers the car directly into a tree. When Catherine is sent for help, the car explodes into a fireball, incinerating her parents and leaving her in the care of her uncle Alexander (Michael Gough).From there, things go from bad to just plain weird. While Uncle Alexander remains the cool center around which everyone else revolves, his "secretary," a young woman named Francis, does everything she can to maintain Stephen's affection and attention despite the fact that he only has eyes for his cousin. Catherine, meanwhile, has repeated psychic flashes of witchcraft and other assorted Satanic activity around the area, only to end up falling in love with the cold-hearted Stephen and having incestuous relations with him.Eventually the secrets of the evil cult are revealed, much to the surprise of Catherine but not so much to the surprise of the audience. There are a few twists, but given the age of this movie, expect numerous clichés.This is a super-cheap movie and there's absolutely no reason you should be paying full price for it. I personally got mine with one of those Mill Creek boxed sets in the dump bin at a local department store. It's not too bad for what it is, all things considered.

Aaron1375 I got this movie in a pack of twelve movies called gore house classics or something. I figured they would all be total crap, but as I like watching horror movies and reviewing them I had to buy it, especially seeing as how I had never seen any of the movies on it. This is the first one I have watched on it and while not a good movie by any means it had its moments and did entertain me for its run. The movie does have gore in it, nothing that looks all that great at times, but it is the 70's, a time for the red paint to come splashing out. It also had a good deal of nudity too, I always enjoy seeing 70's ladies nude from time to time as they have a natural look that is just hard to find these days. The story has its moments as I really enjoyed the beginning of the movie and the end quite a bit. It is the middle that at times muddles the movie down as there is a strange love story going on between the female of this tale and her cousin that really seems to be added to pad the film. Basically, she is visiting this uncle that until recently she did not even know she had and there is tragedy shortly after she arrives with her parents. The rest of the film is watching her try to figure out and realize what you the audience already knows, she is in deep trouble. So while not great it was entertaining, rework the script a bit and this one could have been a classic. Though Michael Gough's performance in this one does help the more talkative scenes seem more tolerable.