Hellen I like the storyline of this show,it attract me so much

Evengyny Thanks for the memories!

Listonixio Fresh and Exciting

CommentsXp Best movie ever!

lemon_magic Without meaning to, I've ended up watching a fair chunk of Al Adamson's film output. "Satan's Sadists" seems to me to be the best of this bunch, probably because his style fits in better with drive- in biker films than some of the science fiction ("Brain Of Blood") and action oriented ("East of Watts") things he's tried. As usual with Adamson, there's a great deal of filler as characters play "hide and seek" with each other across an empty landscape, and there are a large number of aggressive non-performances here. (A few of the actors have their characters killed off before they can really show anything,maybe not their fault.) "Tracy" is particular is nothing more than a walking Kewpie doll. And Russ Tamblyn is aggressively awful when he's not being totally flat, hiding behind sun glasses and a really stupid hat. But "Firewater" is pretty good - in fact, he's the most interesting thing in the movie. And "Johnny" has a fairly predictable role, but the actor playing him is a good combination of he-man and sensitive guy. Plusses: The rocky, dusty, open landscape works to the movie's advantage, and someone had the good sense to work some heavy "Ventures" style guitar themes with an Indian war dance motif into many desert scenes that would otherwise be much duller. It was also kind of fun to see some familiar faces from other Adamson movies in the mix. (Even if I hate a movie, I generally have sympathy for the actors in it, most of whom are just trying to earn a living.) 3 stars, but I'd watch this 10 more times before I'd watch "Brain of Blood" or "Girl In Gold Boots" again.

Woodyanders This fabulously fetid flick may very well be the foulest, most offensive and utterly insalubrious hunk of disgusting biker exploitation junk to ever ooze its vile way onto celluloid. In fact, if this wonderfully rancid cheeseball was any more slimy and abhorrent, the negative would probably have fungus growing all over it. A thoroughly despicable gang of cheerfully repugnant Harley hounds led by a deliciously hammy Russ Tamblyn kill old geezers Kent Taylor and Scott Brady. They incur the wrath of take-charge, no-nonsense Vietnam veteran Gary Kent, spike a group of young girls' coffee with LSD and rape 'em while they're tripping, and generally conduct themselves in a rather distasteful, anti-social and unruly manner which could be most politely described as somewhat lacking in proper decorum. The remarkable Regina Carrol really ignites the screen with her searing portrayal of Tamblyn's delectable motorcycle mama Gina, "the freak-out girl" (Carrol's slutty tabletop dance at a grungy diner rates as a definite highlight). Future schlock movie director Greydon ("Without Warning") Clark also scores with his offbeat turn as Acid, a doped out of his skull biker whose brain has become irrevocably addled due to the ingestion of far too many sunshine tablets. Fellow future schlock movie director John "Bud" Cardos likewise impresses as Mohawk-sporting Native American biker Firewater. Gary Graver's chintzy cinematography captures the assorted sordid antics in all their ghastly glory. The opening credits theme song "Satan" smokes in no uncertain terms: "I was born mean/By the time I was twelve I was killin'/Killin' for Satan". This inarguable sludgewad masterpiece was made by the late, great Al Adamson, who also blessed us with such choice nickel'n'dime drive-in dross as "Dracula vs. Frankenstein," "The Female Bunch," and "Death Dimension."

Johann This film is a kind of guilty pleasure of mine. It's not that good, but it definitely delivers on the drive-in schlock that made the late 60s and early 70s exploitation films fun. The cast was mostly unknown at the time (most of them still are) with the exception of Russ Tamblyn (still can't get plum roles like in West Side Story). I wouldn't say that it's a true biker film, but it's still pretty wild.The Sadists stop at a gas station/diner in the middle of nowhere in Death Valley. At this diner there is the old man who runs it, a waitress, a middle age couple on vacation, and an ex-marine who is traveling to California. The gang decides to have a little fun at the diner, but things go sour when the old man tells them to leave. They take it badly and go on to kill everyone except the marine and waitress. The marine kills two of the gang, and then he and the waitress escape into the desert. Of course, the gang chases them down because they don't want any witnesses.The acting wasn't great, but it sufficed for a low budget biker film. The bikers, of course, were stereotypes of the typical members of biker gangs at the time. There's the sadistic leader (Tamblyn), the acid freak (cleaverly nicknamed acid, those zany bikers), the tough guy, the sex fiend, and leader's strung out girlfriend. Most of these characters were pretty one dimensional, but you really don't need to know much more about them anyway. The plot of the film keeps moving at a decent pace, so I can't find too much of a problem with it. Of course there are some psychedelic scenes (it was the 60s after all) and some interesting deaths. Overall, it wasn't great, but it suffices as an exploitation film and if you get into it it is kind of fun.MST3K fans look out for the teacher in "Angel's Revenge" as the waitress, and Acid (Greydon Clark, the director of "Angel's Revenge").

Bogmeister There are several things this picture cannot overcome with its very low budget: the pacing is very slow at points, photography is almost amateurish in places (blown up from 16mm, I think), there's filler - too many shots of motorcycle riders moving on the freeway, and lousy dialog/acting. But, there's enough entertainment value for 3 stars from me. The credits song, 'I Was Born Mean...' is just super. Then you have star Tamblyn, the biker leader, overacting or subverting his persona, depending on how you look at it. He makes this weird speech a third of the way in (famous to people familiar with the flic) about how peaceful hippies are persecuted by cops; this is how he justifies his murderous actions (yes, I do this for the hippies, since they're too peaceful to do it). Scott Brady is a cop on vacation and the object of Tamblyn's antagonism. It doesn't explain why Tamblyn kills 3 young women later - what do they have to do with it? He giggles like a madman as even his own fellow biker (Cardos) rebels against such pointless murder.Is Tamblyn just playing a joke on the audience? Here I am, he seems to be implying, once a nice boy in Hollywood movies. Look at me doing all this crazy stuff! I am one crazy dude. The 2nd half of the pic is all in the bleak desert, with the various surviving characters running about. There are no other police or establishment figures intruding; it's mentioned in the beginning how desolate the area is, that you can go 200 miles(!) without seeing another person. Greydon Clark is amusing as another biker who lives to get stoned on acid or LSD; his goal is to go on a one-way trip. And this was Regina Carrol's first big role, as a biker momma. Some of her dialog, as mentioned, is atrociously dated and poorly delivered besides; pining for Tamblyn, she asks another biker, "doesn't he know I dig him?" So what were they all rebelling against, these lowlife bikers? It's anyone's guess. Like in other such pictures, they just looked bored with everything and spewed moronic rationales out of their dirty little mouths - but the filmmakers put them there. Next was "Dracula vs.Frankenstein" - a reworked biker tale.