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VeteranLight I don't have all the words right now but this film is a work of art.

Beanbioca As Good As It Gets

weezeralfalfa Tells the story of an outsider(Paul Robeson, as Bosambo) who migrated into central Nigeria(then part of British West Africa), along the Niger River, and soon became a chief of the Ochuri people(sounds very unlikely). He is tall and robust: a good warrior when he has to be, but prefers to promote peace among and between the various tribes of the region, against raids for slaves and wives. Hence, Bosambo has become a favorite of the district commissioner: Sanders. He hopes to make him chief of all the tribes along this stretch of the river, as a first step toward detribalization of the region.Opposing this plan is King Mofolaba, who wants to continue raids for slaves and more wives. He is especially angry at Bosambo for making him give up the people in his last raid. Among these people was Bosambo's future wife: Lilongo(Nina Mae McKinney). In the temporary absence of Sanders from the region, Mofolaba wants to capture and kill Bosambo, using his captured wife as bait. His wife is captured, and Bosambo decides to treck alone to Mofolaba's village to negotiate the release of his wife, a very dangerous move. He is also captured and tied to a stake, ready to be killed. But, Sanders has returned, and is commanding a gunboat, making the difficult journey up the rivet to Mofolaba's village. He arrives just in time to free Bosambo and his wife, spraying machine gun bullets toward the village(although,I didn't see any warriors fall, just runaway!). After Mofolaba is dispatched, at a gathering of all the chiefs in the region, Sanders asks them to accept Bosambo as their higher chief. I should mention that 2 white men were smuggling rifles and liquor to the natives. They spread the rumor that Sanders had died, thus inducing Mofolaba to resume his slave raiding. But, when he found out this wasn't true, Mofolaba had these 2 killed. It was interesting seeing the native people being themselves, including their ritual singing and dancing. Robeson sang several warrior songs: "The Song of the Spear", and "The Lion Song". Nina Mae McKinney sang the lullaby "My Little Black Dove" to her infant child. Paul Robeson was very appropriate to play Bosambo. He was born in America, but came to spend much time in Britain and Europe, away from the racial prejudice of America. He was a superb athlete, and genius: learning many languages and was valedictorian of his Rutgers class. He was an accomplished singer and actor, having sung "Ole Man River" in the 1936 film version of "Showboat". Later, he became involved in civil rights, and flirted with Communism. After finishing the present film, he was sorry he had participated in it, feeling that it rationalized colonialism more than bringing the native African to the attention of American audiences. Nina Mae McKinney, who played Bosambo's wife, was also born in the US and also spent much time in Europe, getting away from the prejudice in America, and especially Hollywood. She was regarded as quite beautiful, and talented in acting and singing. Her beauty was actually a handicap for Hollywood roles, at this time.

atlasmb This British release from 1935 gets a mixed review from me.On one hand, it is wonderful to see Paul Roberson in a film role, but that enjoyment is tainted somewhat by the way the film portrays native Africans. Sanders is the white man in charge of the district. He treats all of the tribal chiefs and their subjects as if they were his black "children". This theme is repeated so frequently in the film that it seems the filmmakers were--rather defensively--trying to make a point. On the other hand, such arrogant hogwash is routinely part of colonialism wherever it is manifest, so the film's depiction of such racism is accurate.In my opinion, the best part of the film are the many shots of native life, especially native dances and rituals. We also see various African animals in their natural habitats, even if they are sometimes being stampeded by low-flying aircraft.The plot of this film was not very engaging. But it is worth noting that the real villains of the film are two white men who wish to stir up the tribes by giving them gin and rifles--apparently just because their only goal in life is to stir up trouble.The African chiefs and kings seem too Anglicized, and Robeson sings some songs that feel out of place in the mouth of a chief. But I found enjoyment in pieces of this film, if not in the whole.

qatmom "Sanders of the River" is trapped in the time of its creation like an insect in amber, but it's worth seeing if only to understand the expectations of that time.The British characters are supposed to be the heroes of the tale, but they are wooden and unsympathetic, even interchangeable. It is impossible to care about them. They even chase animals from a plane Just For Fun.Africans are portrayed as simple minded, but they are also clearly loyal, brave, loving individuals with some (limited) depth to them, which is more than can be said of the cardboard cut-out white characters. In fact, the real rotters of the tale are trouble-making whites.

tavm In reviewing films involving African-Americans in chronological order for Black History Month, it's now 1935 when singer/actor Paul Robeson has gone to England for this movie produced by Alexander Korda's London Films with direction by Korda's brother Zoltan. It takes place and is partially filmed in Africa and concerns a British colonialist (Leslie Banks) who places Robeson in charge of keeping peace among various tribes especially when the tribal king (Tony Wane) seems intent on abusing his power. Later on, Robeson meets Nina Mae McKinney and makes her his wife and they have a couple of kids. I'll stop there and just say despite some questionable politics that permeate the film, this was quite a rousing adventure to watch what with many of the wonderful scenery along the countryside with various beautiful animal shots not to mention the wonderful singing voices of Robeson and, in one instance, Ms. McKinney. And the sequences of the tribes, whether chanting or going into battle, bring plenty of excitement to bear. So on that note, Sanders of the River is at the very least, well worth a look.