Remember My Name

1978 "Everyone knows a woman is fragile and helpless. Everybody's wrong."
6.3| 1h35m| R| en| More Info
Released: 10 February 1978 Released
Producted By: Lion's Gate Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Just released from prison, a young woman arrives in town to "start a new life," but soon begins stalking a married construction worker for no apparent reason, turning his life inside out and eventually terrorizing him and his wife.

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Reviews

Karry Best movie of this year hands down!
Cebalord Very best movie i ever watch
BoardChiri Bad Acting and worse Bad Screenplay
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
bregund There are only a few movies I watch more than once, this one is on my list because of Geraldine Chaplin's psychotic performance as Emily. Here is an actor in top form, playing the role for all it's worth, and she is a joy to watch. Anthony Perkins's unstructured acting style serves to emphasize Chaplin's, while Jeff Goldblum and Alfre Woodard (does she ever age?) provide dramatic background characters. I'm less sold on Berry Berenson, who seems out of her depth here, but her tangible fear when Emily pops up in her house is serviceable.Okay, so about that ending, it's almost like they ran out of money and just called it a day, leaving an unfinished story. It's frustrating, but hear me out: this is how it feels when someone close walks out of your life, this is exactly what Emily experienced when Neil dumped her, and she wanted him to feel that way. I know it's a stretch and probably not intentional, but it's the only explanation that makes sense.
Wizard-8 Although I liked for the most part "Remember My Name" and I am recommending it, I do agree with one critic's viewpoint that I read, that being that the movie is not for all tastes. I know that many viewers will probably be frustrated that the past of Chaplin's character (namely what she did in order to be imprisoned for years) is not fully spelled out. These same viewers will probably be also annoyed that the ending of the movie is left vague and with several plot threads not finished. But if you are a viewer who wants to see an unconventional look at stalking, the movie does have its rewards. For starters, it's a rare look at when the stalker is a woman and is stalking a man. And the performances are very good. Certainly, Chaplin gives a very good low key performance that all the same suggests serious mental disturbance, but Anthony Perkins also deserves kudos for playing a more "normal" type of character than usual, yet effectively. This is a slow moving drama, I admit, which also may throw off viewers. But if the plot description and cast interest you, and you are in a patient mood, you'll probably find the movie does have enough rewards.
twhiteson An odd movie with a very abrupt ending, but underneath its oddness and artistic flourishes it's still a spurned-woman-getting-her-revenge story.The plot: Extremely pretty "Emily" (Geraldine Chaplin looking like she hadn't aged a day since playing "Tonya" in 1965's "Dr. Zhivago") is an oft-kilter ex-con who tries to readjust to society while at the same time stalking a married couple, the "Curry's" (Anthony Perkins and his real-life wife Berry Berenson). She decidedly fails at the former despite adapting a feminine appearance by re-teaching herself to walk in heels and getting a job as a cashier at a dollar store owned by the son (young Jeff Goldblum) of a former prison friend.Twelve years in prison has turned Emily into a bundle of jangled nerves with a hair-trigger temper and finely-honed defense mechanisms for dealing with "snitches" and "predators" which is how she seems to view everyone. Her revenge on a conniving co-worker (Alfre Woodard in an early role) and then avoiding retaliation by that co-worker's boyfriend (Alan Autry) make for the comic highlights of the film. (Watching Mrs. Tonya Zhivago "shank" someone has to be seen to be believed.) She's also learned that offering-up feminine vulnerability to authority figures is how to get what she wants as shown by her manipulating her super (Moses Gunn).The bulk of the film, though, involves her aggressively stalking the Curry's. The wife, "Barbara," is bewildered and frightened by the behavior of this complete stranger. The husband, "Neil," is far less confused by it upon getting a good look at the stalker. You see Emily was his first wife- a fact that he conveniently forgot to mention to Barbara. Also (SPOILERS), Neil was not faithful to Emily while they were married which apparently led to Emily removing his mistress from the planet and landing herself in prison. Neil is circumspect about what actually happened claiming that Emily didn't really commit murder even though it "looked" like she did. Did Neil set her up? Yet, that all appears to be water under the bridge for Emily as she seems set on winning Neil back. Still sporting her wedding ring and donning very feminine attire that she knows appeals to him (in contrast to Barbara who never seen wearing anything but blue jeans), she sets-out to seduce him back. Or does she? By film's end, it appears that twelve years in prison that resulted out of her husband's philandering and his moving on with his life as if she never even existed were not so readily forgiven by Emily.In some ways, "Remember My Name" is a slow-moving and artsy early version of the "Fatal Attraction" story with its warning to men not to sleep with crazy, but without the bunny-boiling extremes. Underneath its blues score and talky script, "Remember My Name" has a pretty standard scorned woman exacting her revenge plot. Yet, it's watchable for the performance of Geraldine Chaplin. As mentioned above, seeing the prim and pretty Ms. Chaplin as a hardened ex-con can be quite amusing. With her comes-and-goes "Nu Yawk" accent and a socially awkward persona even when she's trying to be "normal," Chaplin gives a very interesting performance and it's the highlight of this film.
R Norman I'm a big fan of Alan Rudolph's. There's something "real" about his movies. I haven't seen this movie in a long time (where do you find it?), but I loved it.There is one scene in which Tony Perkins and Geraldine Chaplin go into a bar. They decide to drink their way through the "menu," and hours later, they are pictured sitting at a table covered with empty glasses of all shapes and sizes, quite inebriated. For some reason, I have never forgotten that scene. (Perhaps because I thought it would be an interesting thing to try.) The movie also introduced me to the blues of Alberta Hunter, which I still love.