Colibel Terrible acting, screenplay and direction.

MamaGravity good back-story, and good acting

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Ken Potocki "Destroyer" is a low-budget 1988 horror film, with slight touches of comedy here and there. It stars ex-football player Lyle Alzado (R.I.P -- never been a huge football fan), 80s actress icon Deborah Foreman, and Norman Bates himself, Anthony Perkins. It sort of plays off of the ideas of late 80s supernatural thrillers, which involved supernatural revenge. (Much like "Shocker", "Prison", and "The Horror Show.") In this case, our killer is not necessarily supernatural, he is more pumped up. It's a fun movie. Yes, it has its issues, it is not perfect, but it still makes for a fun watch when you need to take your mind off of things. Lyle Alzado does a GREAT job for his original profession at being an NFL lineman. He is incredibly scary and ruthless in scenes, and....we'll just say you wouldn't want him chasing you. Deborah Foreman & Clayton Rohner do a solid job as our main hero & heroine, acting-wise.Problems with the movie: I think Lyle Alzado could have been incorporated more into the movie, and when he was there, in a more violent, destructive way. In the movie, he kills people with mundane tools. A jackhammer, blow torch, hanging, and off screen decapitation. Nothing that would involve super-human strength as the poster and plot suggest. I also think certain characters should have had more screen time, AND more actions and events they performed. (Including Anthony Perkins, who is fun as the sarcastic director, but his scenes are limited. Rewire, the comic relief, is also someone who should have had more screen time.) Overall, without spoiling anything; "Destroyer" is a fun watch if you like low-budget movies and movies that are fun. It has issues, and it is not to be dissected. Just watch it for fun, take it for what it was made on, it's a fun time.7/10

Coventry Totally obscure slasher/action "thingie" from the late 80's that really doesn't have such a bad basic premise, actually. It's just suffering slightly from an overall clumsy execution, like pitiably written dialogs, lousy acting performances and not enough usage of great set pieces. "Destroyer" opens with the pretty awesome electrocution of a beefcake serial killer Ivan Moser, whose last wish was to watch an episode of Wheel of Fortune. It's a bit of a weird sight, but later it becomes clarified that the show's hostess was one of the killer's last victims. The first attempt to barbecue Ivan fails, and then riots break out in prison and the killer mysteriously vanishes. Years later, the abandoned prison is used as the setting for a sleazy and so-called "women-in-prison" flick; although the writer is convinced his film is a drama based on true events. Mr. Beefcake killer comes back to life and apparently one of the film's crew member, stunt woman and girlfriend of writer Susan Malone – has a psychic link with him. "Destroyer" is a very uneven horror effort. The film starts off very slow with a few extended and gradually build up towards murder sequences, and then suddenly shifts in high gear with multiple off-screen killings. The few on screen kills are disappointing and the giant jackhammer illustrated on the VHS cover hardly makes an appearance. Thanks to the film-within-film structure, however, there are some very welcome gratuitous nude sequences to enjoy. There isn't any real tension to detect in "Destroyer" and the beefcake dude, regardless of how ugly, isn't menacing at all. The guy, Lyle Alzado, apparently was a famous American Football player during the 70's and 80's. Hey, I'm European so I never heard about him before. To me, he's just a lousy wannabe actor who looks like the bodybuilder version of Luciano Pavarotti or maybe even Dom DeLuise on a really bad day. There's also a miserable little supportive role for washed up superstar Anthony Perkins as the director of the sleazy WIP-flick. At times, you can actually see him think back about the glorious days of "Psycho".

hop21711999 Yeah i love this movie, lots of people will say its terrible but those are also the same people who try to take this movie seriously which you can not. Its funny as hell, now was it meant to be funny? Yes and no i think, i am thinking they were looking for some laughs but not nearly as many as you will get from watching it. My favorite part is where Lyle is dressed as a cop or security guard, something along those lines and this guy comes up to him and asks him about the outfit and Lyle says "its a disguise" and the guy says "disguise from what?" and Lyle says "From You!!" and i think thats the part where this real big jackhammer comes out. Real funny stuff there, also there was a cool part with Anthony Perkins in the electric chair trying to get out before the current cameup to get him. Great stuff, now if only i could find this somewhere to buy since its getting very hard to find now.

FieCrier I thought this movie might be like Shocker or some of the other "electrocuted serial killer comes back to life more dangerous than ever" kind of horror movies, but that's not quite what it was. The "Destroyer", though I don't believe he was ever called that, is electrocuted, and he does seem to come back to life, but since the opening scenes aren't necessarily accurate, what really happened isn't ever clear.What is definite is that sometime after his execution or attempted execution, a film crew directed by Anthony Perkins' character is shooting a women-in-prison type film. Unfortunately for him, there's a killer or killers on the loose. The killer is not a big jackhammer fan as the cover suggests. One is used, though it has a much smaller tip and no scope on it. At least one person is killed with a welding torch of some kind, and there are other sorts of deaths, none particularly memorable or graphic.The movie starts off OK, but it rapidly become boring to me. The special effects guy "Rewire" sounds like the 1980s MTV character "Randee of the Redwoods" and as it turns out, it was him. There's several scenes where characters go into the basement of the prison, and inexplicably it is full of flashing yellow roadblock lights. The explanation is that the prisoners used to make them - OK, why weren't they removed from the prison after it closed and sold? Why are they all on? Just to make the scene more colorful?Perkins has a few marginally funny lines, and he does a good job in his small part.I can't recommend this movie at all.