D_Burke
A Irish man living in Dublin returns home from the pub to a wife who is angry at him for staying out late. The next morning, the wife awakens to find that her husband has turned into a white rat. There are many ways in which this premise could provide hilarious results. Unfortunately, Wesley Burrows, who wrote the script to "Rat", failed to think of many good ones. What results is a story that feels half-baked, a premise that was obviously not thought out very well, and questionable motivations on the part of the main characters.It takes only ten minutes for the setup of the story to be complete, and it is not enough time to get this story going. You see Irishman Hubert Flynn (Veteran actor and Academy Award nominee Pete Postlethwaite) going to a pub one night, then going home to angry wife Conchita (future Oscar nominee Imelda Staunton, "Vera Drake" (2004)). The next morning, you see Conchita and her two grown kids (daughter Kerry Condon and son Andrew Lovern) at the breakfast table. When the camera turns to show you Flynn, Postlethwaite is not there, but in his place is a rat.How did he turn into a rat? Why did he turn into a rat? Why a rat? Why not a dog, or even an elephant? The movie never explains. It could be that Hubert led a selfish life which involved being cruel to his wife and kids. However, all you see is him going to a pub, then going home. Wow, THAT makes his a really unique Irishman (Note my sarcasm if you haven't already). Even stranger, Conchita is still yelling at her husband to finish his breakfast, and doesn't care if he turned into a rat. What the movie should have shown you is Conchita discovering that her husband turned into a rat, and reacting in some way. She could have screamed in agony, or she could have thought that her husband left her, and that a rat just happened to dig around her husband's clothes. Any of those scenes would have been preferable to seeing them at the dinner table together without any explanation whatsoever as to this predicament.Even stranger than that character flaw is that the news of her husband's metamorphosis makes the local radio report. Did a reporter actually come to the house and observe the husband as a rat? If he or she did, you never see it happening. Plus, throughout the movie, you see some townspeople already knowing he's a rat, and others that don't know.As you find out, the radio report is just a cheap excuse for Phelim Spratt (David Wilmott) to appear in this story. Spratt is like an ambulance-chasing lawyer, only he's a newspaper reporter who wants to write a nonfiction book about the Flynn family and how they live with their husband as a rat. Spratt's motivation is to cash in on a phenomenon, which is wicked, but understandable.To make the story even more confusing, son Pius (Lovern) is studying to become a priest, and somehow gets it in his head that it is best to kill the rat that is his father. Why? Despite the 5th Commandment, which Pius even quotes, he also picks out a passage in Genesis about intelligent design, and how man rules over animals. Amazingly, Conchita is in favor of the idea. Even though daughter Marietta (Condon) is understandably not, I could not help but think to myself, "What is wrong with you people!?!?"Not only does this Biblical "logic" fly in the face of why Phelim Spratt is living with them, but shouldn't the family be concerned with (Gee, I don't know) trying to turn their father/husband back into a human being!?!?!I feel compelled to fault this film for being illogical, but it is a fable and it is not supposed to be realistic. However, I just don't understand the motivations of this family. If they don't want to cure Hubert, and they want to kill him, there has to be an explanation for it. If he was abusive, then there is a motivation for killing him as a rat. But if you, the audience, only know the human Hubert for five minutes, that's not enough time to establish a credible motivation on the family's behalf.There are some mildly amusing scenes, like the one where the family takes the rat Hubert to a pub, and someone buys the rat a Guinness. The rest of the movie sucks, though. It's not funny, and you spend more time wondering what is going through each family member's head than what becomes of the main characters. I like movies that are made by Irish people for Irish people, but this movie is just lazy and vapid.It's a shame too, because the director is Steve Barron, who directed the far more memorable "Teenage Mutant Ninja Turtles" (1990), "Coneheads" (1993), and Michael Jackson's iconic music video for "Billie Jean" (1982). Also, the Jim Henson Company did the special effects for the rat, and did a very good job making the rat look realistic. In fact, there are some great camera zooms where you see some great close-ups of the rat. If the script writer had put more effort into the story as other people did the special effects, this movie would be considered an underrated gem. As it stands, I don't think kids, adults, Muppet fans, or Irish people will like it.
merklekranz
First, "Rat" gets extra points for a very original screenplay. The fine acting is what carries this unique comedy, because the only way "Rat" works is if the characters come across as dead serious, which they do. Any decent into slapstick would have been disastrous. Another plus is the unique camera angles giving a rat's point of view. Different reactions of the various family members, to what is obviously a highly unusual situation, fuels this dark comedy. In order for a black comedy to work, it must be outrageous, not mean spirited, and deadly serious, and "Rat succeeds on all counts. I liked this clever and highly original comedy. - MERK
Bockharn
When the father of a Dublin family is transformed into a rat, the family dynamic changes not at all! The daughter is still Daddy's Little Girl, the son -- Pius! -- is piously creepy, his vocation to the priesthood notwithstanding, and the mother alternates (as usual) between wild-eyed outrage and sentimental tears. Writer, director and cast all seem to be making the same movie -- a dissection of some of the more peculiar aspects of the Irish "character" with some of the insight of Huston's/Joyce's THE DEAD -- and even more laughs. Imelda Staunton is devastatingly funny as the mother who views her husband's transformation as just the latest in a series of crosses she's had to bear. Certainly this movie is not for all tastes, and I can imagine that some viewers would be simply baffled. It helps if you DO understand (sort of) why anyone would name their son "Pius." But if you're Irish-American and have mixed feelings (are there any other kind?) about your "heritage," just sit back and enjoy!
PhildoNU37
Franz Kafka blends well with Jim Henson - who would've thought!?Rat loosely follows Kafka's Metamorphosis and turns it upside down into a comedic gem.What I found to be the most interesting about this movie is the different family members reactions to Hubert as a rat. Each one reacts differently and Conchita (wife) exhibits an almost bipolar feel as her mood swings violently depending on many variables (whether or not Hubert is around, what Hubert does, etc. versus her tough and unfair love toward her husband).Amidst the chaos of boarding a human/rat, the family, who once had very indifferent feelings toward Hubert, start to really show their love. It's a great movies that explores a number of emotions from greed to love and even hatred.My vote: 9 out of 10
