WasAnnon Slow pace in the most part of the movie.

Matialth Good concept, poorly executed.

JinRoz For all the hype it got I was expecting a lot more!

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

meganweinand I say this is not a true lesbian movie-why? Because I as a lesbian I don't think having a lesbian-male relationship is good enough! In addition, the relationship is non-monogamous! If you enjoy watching a movie about a woman who cheats on her lovers (both male and female) while simultaneously claiming to be a lesbian, this is for you! (NOTE the SARCASM). Sure, the movie is funny, but its not really when you realize it's just playing with people's lives. :( On top of that they lie to each other and the comedy does not balance that out! Overall cheeky but not a good movie and not worth it. The chemistry is okay but it's not great. Not recommended for lesbians either-its mainly female-male sex and relationships.

gfvaughn To me this is a decently made digitally-recorded film. It looks better than many low budget features. Photography and sound is generally good except for interior lighting that in places seems a little too flat for my taste. Yes, it follows in the "screwball comedy" tradition to some extent. Occasionally, early directorial efforts attempt to bring in more themes than they can successfully integrate fully. The operatic theme and title wanders off and gets lost somewhere about halfway through. Two sushi chef characters are funny and provide more zest and unity end-to-end than the operatic theme. Various other minor characters who speak just a few words all enhance the story as well and keep it moving. Dialog relies on psycho-babble for exposition. This does not necessarily detract if the audience can understand it. But the thought that this might be lifted from Woody Allen never occurred to me while watching the film first without, then with, the commentary. Any resemblance this film may bear to certain W.A. hallmarks as others have suggested is coincidental. This isn't a mere goofy / silly wisecracking comedy, either. It has gender identity issues that inevitably darken the mood for the major part of its potential audience. This core aspect of the narrative reduces the film to a subculture where it needs to succeed within a limited cult following to become commercially successful. Several comments in the narrative reemphasize the writer-director's gender orientation and politics. Given key career and relationship choices that most of the lead female characters make during their arc, it's questionable whether this film is going to engage a lot of general public sympathy. Nevertheless, plentiful relationship dynamics such as basic ability to communicate apply to all romantic relationships. The outcome here is more positive and carries with it greater depth that gives this film its charm.

freddiebean I saw this film at Sundance and can't wait for it to get distribution so that I can see it again and again! This is the kind of film that doesn't really get made anymore: witty, fun, intelligent, truly entertaining, reminiscent of classic Hollywood screwball comedy. Wonderful use of New York City as a set, sparkling script, winning performances. Even the smaller roles are wonderfully cast and written. Every detail of the film is beautifully executed. This is how film-making should be, and as an audience member, how experiencing a film should be. The late-night audience at Sundance LOVED this film, gave a standing ovation for the director. I am hoping nationwide audiences will soon have the same opportunity to enjoy this delightful film.

robertamaggenti This is one of the most delightful romantic comedies I've seen in a long time and one which should get wide distribution and a crossover audience in major cities as well as out-of-the-way communities. The San Francisco Lesbian & Gay Film Festival audience last night were stamping their feet and whistling along with the bravos as Maggenti attended the premiere...While it has yet to find a distributor, I'm confident, if last night was any indication, that one will be ringing her phone any minute...funny, witty, smart, a New York scene with wonderful actors, Justin Kirk, the adorable Gretchen Mol and beautiful Elizabeth Reasor...wait till you see it...you'll fall in love with all the characters...congrats, Maria, another success (The Incredibly True Story of Two Girls in Love; The Love Letter, Without a Trace (TV)...)