Promises Written in Water

2010
6.2| 1h15m| en| More Info
Released: 07 September 2010 Released
Producted By: Vincent Gallo Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.promiseswritteninwater.com/
Synopsis

Kevin is a long-time, professional assassin, specializing in the termination of life. Mallory is a wild, poetic, beautiful young woman confronting her terminal illness and eventual suicide. She reaches out to Kevin to take responsibility for her corpse once she passes, requesting his protection of her dead body’s dignity until her cremation. Kevin’s acceptance of this request causes uncomfortable self-reflection and changes the lens through which he views death.

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Reviews

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Kayden This is a dark and sometimes deeply uncomfortable drama
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
mattkindred900 Saw this film at TIFF the other night. I must admit I was a Vincent Gallo fan while growing up, having loved both the offbeat Buffalo 66' and The Brown Bunny but Promises Written in Water is an absolutely terrible film. Narcissistic in the worst way imaginable and grotesquely misogynistic throughout. As per usual, Gallo was not in attendance to promote his film, having instead opted to go back to New York or LA to avoid the cacophonous sounds of laughter at the puerile dialogue, terrible editing, awful photography and amateur acting. There is nothing remotely noteworthy about this film other than the running length which is a mere 75 minutes. Gallo is an original artist to be sure, but that doesn't mean what he makes is all that great. See it as a curiosity piece.Better luck next time....
ouroborosco Vincent Gallo's Promises Written in Water defies both convention and categorization. From its beautiful black and white cinematography to its skeletal narrative structure, the film plays like a great novel where rather than spell out every single plot detail, the author (or in this case director) has instead chosen to give the reader (or the viewer) the joy of discovering key elements and using those elements to synthesize storyline on their own.The film's sparse narrative tells the story of a dying girl and the unlikely man she asks to assist her during this time. It features two very strong acting performances from Vincent Gallo (who also wrote, directed, produced and edited the movie) and newcomer Delfine Bafort.Watching this movie one can't help but reflect on the current state of experimental, independent, or whatever you name you choose to call non-mainstream filmmaking. You would not be alone if you come to the conclusion that the only filmmaker today who is willing to take the risks associated with living outside the mainstream film world is Vincent Gallo. He is also the only person who possesses the sensibility and the talent to consistently turn out films that resonate on multiple intellectual levels while maintaining a unique cinematic beauty.Gallo has made another truly original film. And that is something one would be hard pressed to say about any other filmmaker working today.
armadillo_smuggler I truly loved this film. It's a gorgeously shot, minimalist, sensitive and tender chamber-piece. Gallo is a master of improvisation and in total control of every gesture, expression and body movement. His female co- lead, Delfine Bafort, is a revelation. The DP, Masanobu Takayanagi, deserves a great deal of acknowledgement. Elsewhere, the film's judicious and meaningful use of silence is worth noting. What I think will be referred to as "the Collette scene" (the film's first dialogue sequence) alone I would happily re-watch a dozen times over. Let's hope this film is around long enough for those of us who continue to recognize and appreciate those impossibly rare examples of pure cinema.
trouverite the best thing about promises written in water is how it reveals the narcissism, not in the director, but in consumers of cinema today. by presenting an impressionistic cycle of events that belie the richness of love beyond the walls of a cinema and providing the opportunity for an audience to re-experience them purely empathically--anyone with whom the events do not resonate is just expressing both an inability to empathize and the personal tragedy of never having accidentally loved in the absurd way that love should exist. everyone knows asking an audience to think about anything is hard. we now know that asking them to recognize their own vulnerability is even harder.