PodBill Just what I expected

Claysaba Excellent, Without a doubt!!

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

atinder Only seen this once before and I really enjoyed back then, It's been a really long time since I seen it and I gave it another re-watch. I love the plot , it started of really well, I really enjoyed the effect of Car scene and little one acted really well. It did have some part of the movie, that were a little slow in the middle but dose not last toolong as it's picks up again.I loved the crazy scenes , when end up being from one place to another, I did jump in one scene. I loved the ending, yeah it might seem a bit predicable but it worked really well with the rest of the movie. It's odd that some sites say Premonition (2007) Is a remake of this, Which is NOT! , both movies are Very different and don't even have the same plot.I am giving this a 7 out of 10

MartinHafer "Premonition" is an exceptional horror film--with a very original plot that kept me on the edge of my....well, actually, it was not my seat--I was actually watching while walking on my treadmill! But either way, it's a dandy film, that's for sure.The film begins with a family coming back from a trip. The father, Hideki Satomi, is too busy with work he's doing in the back seat of the car to pay any attention to his wife and daughter. When they stop at a pay phone, things get VERY strange. Hideki sees a newspaper on the ground under the phone and something grabs his attention--a clipping that talks about his daughter's death!!! And, the article tells the time she was killed--just a moment away! Hideki tries to run from the phone booth to the car parked across the road--but he's too late. An out of control truck careens into the car and kills the little girl.Several years pass. Hideki's marriage has crumbled and he's divorced. It seems that his story about seeing the article has ruined his marriage--ask she doesn't believe he saw this weird prescient clip--and it was lost in the confusion of the accident. And, he's simply obsessed by it--as well as quite depressed. The wife returns to him, however, when she realizes that there are others who have described similar things---claiming to have knowledge of deaths JUST BEFORE they occur! There is much more to the film--but I really don't want to ruin the film. Suffice to say, it's extraordinarily creepy and original. And, although technically a horror film, it's also a wonderful film about love and sacrifice. Well worth your time, that's for sure.

hoggaglust-1 Much criticism is being pointed at the new(ish) crop of Asian horror, due in part to a lack of originality. Yogen, aka Premonition, can at least be spared this criticism - not one grumpy long haired female spectre in sight! The story itself is also fairly original, with our protagonist stuck in an eternal hell as the curse of the 'Paper Of Death' weaves its evil spell over him and his family. Unfortunately, the director never quite delivers on the scares the premise promises, and too many missed opportunities to strike genuine fear into the audience leave us with yet another Asian Ghost flick that, whilst it has its moments, overall will disappoint those looking for genuine creeps.Having watched the film several times, along with its J-Horror Theatre predecessor 'Kansen' (amongst others), one criticism I do have of the 21st Century glut of Asian horror is that most simply aren't that frightening, and Yogen is no exception.The reason I began collecting Asain horror DVDs was that they brought a genuine breath of fresh air to a genre long since left stale by a seemingly endless run of American slasher flicks, with their annoying, half naked teen protagonists, cartoony killers and cheap 'scares'. The Japanese showed us that horror lurks, not in 250 litres of fake blood, but in the darker corners of the imagination. Using intelligent, often sensitive stories, minimal special effects and striking imagery, fans of the genre were buoyed by the knowledge that the Horror film was not, after all, dead. I quickly began to buy the films that I had read about; Audition, Ju-On, Dark Water etc etc and eagerly looked forward to new releases, only to realise quickly that I already had the creme de la creme of Asian Horror. It is with each new release, and subsequent purchase that I again look forward to, if not stunningly original, then at least frightening films, and can honestly say that that hasn't happened in a while.Yogen appears (for the moment at least) to be the last of the J-Horror Theatre releases, the promised remaining 4 proving elusive. It also continues the trend of heavy atmospherics, interesting visuals and mainly scare free script. Not that Yogen doesn't have its moments, but the majority of the film follows the usual 'investigation' plot, where our heroes must find out 'why' the events are occurring. Surely much of the fear factor is 'not' knowing? Anyway, suffice to say that Yogen still entertains on a level, it's just that that level is more psychological than genuine horror, and with a (literally) big bang start and intriguing conclusion, the mid section drifts through a desert of scare free exposition and ubiquitous, sometimes dull plot development that sadly, I have come to expect from more recent releases. I'm just hoping that the next in the series, the writers and director remember that they are producing a 'horror' film.

Two_Pieces_of_Christina Yogen begins with a tight sequence full of foreboding. A married couple with their young daughter are driving home from vacation when the father, Professor Hideki Satomi, needs to send an email. To get an internet connection they stop at a phone booth, and whilst waiting for his email to connect Hideki receives a shocking premonition. He discovers a newspaper depicting his daughter Nana's death: she dies in a car explosion, alone, after an impact by a lorry. He spots the date - it's today's - he sees the time - it's now - it happens right behind him, his wife Ayaka having tried unsuccessfully to release Nana from the back seat. This opening is suspenseful and subsequently sets a high expectation for the rest of the film.We now travel three years into the future where Hideki and Ayaka are divorced, their marriage not having survived the horrific experience and aftermath of Nana's death. Their continuing relationship is explored with surprising depth: no character is wholly blamed for past events and both leads are written believably and with sympathy. Hideki soon becomes haunted with other premonitions, and with his ex-wife's help finds some answers about his own fate and others. This leads to the most disappointing part of the film, the meandering middle section, where audiences fidget and become eager for a pay-off.It's worth the wait. With a journey into hell, one shocking sequence in particular and some genuine 'jump' moments, Yogen also manages to incorporate familiar concepts from films such as Groundhog Day and The Butterfly Effect. Despite this, the premise still feels fresh and the last twenty minutes deserve full attention.I wouldn't classify Yogen solely as a horror, as the conventions of mystery, thriller and even some romance are also apparent. This film relies more on character development and a well thought-out (albeit sometimes slow) script than cheap shocks or blood and gore. With strong acting (most notably the stressed-out and suitably skinny performance from Hiroshi Mikami as Hideki), nicely crafted sequences and a pervading score, this film is predictable and unpredictable in equal measures. Admittedly uneven, if a viewer has enjoyed films of a similar premise, they can be confident Yogen ultimately delivers and entertains.