Please Believe Me

1950
5.7| 1h27m| NR| en| More Info
Released: 12 May 1950 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A woman in London unexpectedly inherits a Texas ranching fortune, and takes a transatlantic voyage to collect her fortune, not suspecting two men aboard both plan on winning her hand before she reaches America. One is a gambler interested in her money, and the other, a rich man looking for a wife. The rich man's friend, meanwhile, believes the heiress is actually a gold-digger.

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Reviews

Clevercell Very disappointing...
Wordiezett So much average
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
MartinHafer When the story begins, Alison (Deborah Kerr) learns she has just inherited a ranch in Texas. She and those around her assume she's wealthy. On the cruise ship across the Atlantic to the States, three men all set after her. Terence (Robert Walker) is a crook and plans on bilking Alison. Jeremy (Peter Lawford) is rich and plans on winning her with his charm. And, finally, Matthew (Mark Stevens) is with the DA's office and falls for her...but also wonders if she might be a crook because she's often with Terence and his 'gentlemans gentleman' (James Whitmore)...a crook Matthew recognizes. The film started off well and I enjoyed it through the long ocean voyage. But when the film made it to land, it really sank. The plot just got dumb and the film dragged....so much so that I longed for it all to end.
bkoganbing The film Please Believe Me is based on a simple premise, that people who are from Texas have to be rich and vulgarly so in fact. When Deborah Kerr, a most prim and proper English lass inherits property in Texas everyone assumes she inherited something like South Fork. Especially after the English tabloids get a hold of the story and she goes sailing to the other side of the pond to claim her inheritance.On ship three guys start buzzing around Kerr, playboy Robert Walker, millionaire Peter Lawford, and lawyer Mark Stevens. Walker has a real good reason for wanting to marry her, he's owing big bucks to gangster/gambler J. Carrol Naish so his courtship is tinged with some big desperation.People will recognize the resemblance with this and the earlier RKO Ginger Rogers classic, Tom Dick, And Harry. If you think you know who Rogers winds up with after seeing that one, you'll be wrong. Please Believe Me also bears strong resemblance to another MGM film with Jane Wyman, Three Guys Named Mike.Kerr's career in America was zooming into high gear at this time, she was doing a number of classic films like King Solomon's Mines and Edward My Son. This one is funny, but it seems like it was done as an afterthought, all the men and her happened to be free so let's do this property we've had sitting around for a while.Funny, but Please Believe Me won't be on anyone's top ten.
edwagreen Just goes to show you when people are under contract.A stellar cast of Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens are put into this absolute classic stinker.Seems that during World War 11, Kerr met an old U.S. soldier who leaves her farmland that's an absolute piece of junk-just like this movie.Walker is a con-artist who thinks that Kerr has landed a lot of money and tries to woo her. On board the board, there's Lawford with his 14 million and his lawyer Stevens. Walker has his crony, James Whitmore, who is the only funny person in this.Scenes include a tie scene which is utterly ridiculous. Naturally, Walker is being financed to fleece Kerr by hoodlum J. Carrol Naish.The film becomes even more ridiculous when it's discovered that Kerr's land is worthless. Having run up debt, she tries to sell the hotel rug and of course winds up with one of our gallant 3.A weak plot is further done in by poor writing. Norman Taurog, a great director, who won the Oscar for directing "Skippy" years before is straddled with his mess. He probably needed that dog to help out with this clinker.
Kim Loughran What superb direction -- and please, hard as it is, believe this is the same Norman Taurog that basted more Elvis Presley turkeys than any other director. Here, Taurog is the star, slowed down only by an uneven cast and a script that creaked in a couple of places as it flexed its plot. Deborah Kerr is supreme, though, as the sentimental English poppy who is tricked up and down until she buckles on her sound, common sense English ingenuity and carries the day. And she had some carrying to do: co-star Mark Stevens is pure avoirdupois with no sense of the camera. Nice jackets, though. Peter Lawford is perfect as the rich guy with a sense of fun, flaunting his sleek biceps and slim waist in a swimming pool scene he steals with aplomb. The script is a beaut, too, but the way Taurog fills each scene with exposition and shtick is a joy to behold. The lighting is highly skilled 40s workmanship. And check the roulette scene for b/w colour play. But the scene that is all Seven Wonders of Hollywood script- writing rolled into one is the showdown in gangster Quinn's office. Unbeatable for its half a dozen plot twists inside three minutes. Believe me.