Acensbart Excellent but underrated film

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

mark.waltz Bad girl Mae Clarke is too involved in a racket that results in payment over being wrongfully accused of being a pick-pocket. Along with shady partner Hale Hamilton, Clarke goes from department store to department store, using the phony accusation of stealing Hamilton's wallet as a way of extorting money from the department store management. She doesn't count on an insurance company catching onto her racket, ending up in jail for her petty crime yet paroled for trying to put out a fire she deliberately started simply so she could be paroled. Recognizing drunken department store insurance manager Ralph Bellamy who had refused to help her escape a prison sentence, Clarke sets up a phony marriage (with Hamilton as the justice of the peace) and sets up house with him. When con-artist fellow prisoner Marie Prevost shows up at her door, Clarke is too tempted to join in on other rackets, but will her growing feelings for Bellamy, the sap of all saps, keep her from going through with abandoning him? A clever, if somewhat preposterous plotline, helps make this pre-code drama about bad girls turning good work, along with the great performances of Clarke (aka "the grapefruit girl" from "The Public Enemy"), Bellamy, Hamilton, Ferdinand Gottschalk (as Bellamy's boss) and especially Prevost. The script by Norman Krasna is filled with clever innuendos and plot developments, and the direction by Edward F. Cline is fast moving and tight. Every set-up of each plot development is exceptionally clever, and as a result, this ends up being one of the great sleepers of the pre-code drama that just a year later would be too scandalous to be made into a film. Clarke is extremely unique as a leading lady and gives one of her best performances. Gottschalk is adorable as the lovable old coot who loves to cook and enjoys watching Bellamy and Clarke be affectionate as they dine on his delectables, even if their marriage unbeknownst to him is a sham. Prevost, in her last major role, is an absolute delight, stealing every moment she is on screen, making me wonder why she would soon be reduced to bit parts that lead to an early death just a few years later.

Richard Chatten With a title like that - and with Mae Clarke best remembered today as a punchbag for Jimmie Cagney - one approaches this film expecting gritty lowlife drama. This expectation is reinforced by an extremely atmospheric opening sequence (which makes excellent use of tracking shots and realistic sound), seemingly shot in a genuine department store, with store detective Lee Phelps pursuing Miss Clarke as she heads for the exit after a customer loudly accuses her of picking his pocket. She ends up going to jail after the manager of a different store, Ralph Bellamy, refuses her pleas for mercy for a different offence (Bellamy's explanation that "the store's rule has always been to prosecute, our insurance company insists upon it" carries the hint that the brutal, unyielding capitalist system bears some of the blame for her plight); and her time in jail culminates in a superbly staged sequence set in the prison workshop when she demonstrates neither for the first or last time her adroitness as a manipulator by deliberating starting a fire and then 'heroically' turning an extinguisher on it.The film's title and her journey through the lower depths can in retrospect can be seen as Depression-era window dressing serving as a prologue to the vengeful game of marital cat-&-mouse Clarke then begins at the expense of the hapless Bellamy when she emerges from prison, which comprises the rest of the film. Five years earlier with a racier title implying sexual rather than criminal intrigue this story could easily have been a vehicle for the likes of Norma Shearer, with both the many preposterous plot contrivances resembling those of a silent film, and Clarke's chic boyish haircut reinforcing her resemblance to a silent film heroine. Aided by elegant photography by the great Joseph August, Eddie Cline so deftly handles both the early action & drama and the later scenes of sexual tension that it may after all be worth investigating his filmography beyond the vehicles for W.C.Fields with which his name is associated.A charming cameo by Ferdinand Gottschalk as Bellamy's boss deserves particular mention in a uniformly good cast; and Mae Clarke here turns in a real star performance displaying a wide emotional range as well as a rapport with Bellamy. Unfortunately she was on the very brink of a precipitous fall from grace as the result of the double-whammy of a nervous breakdown brought on by overwork in June 1932, followed by a car accident in which her jaw was broken the month 'Parole Girl' was released in March 1933. She thus well exemplifies that lost generation whose work continues to surprise and delight discoverers of pre-Code Hollywood.

svaldez-4 I recorded this movie and watched it in the morning. It was well worth it, even though it was short and the plot is sometimes very contrived, but then again most movie plots are contrived. Mae Clark did a very good job playing a woman who is basically good but due to circumstances does not always follow the most moral path. I won't go into more but the movie was very entertaining. You can tell the movie is pre-code and that adds just enough of an edge to make it interesting. Ralph Bellamy did a good job of playing the forced upon husband. He was quite entertaining. Mr. Taylor played by Ferdinand Gottschalk was an interesting character it reminded me of the old days when having a wife and kids increased your chance of promotion at the company. Those days are gone, but it does give you an insight into what life was pre-1960's.

howdymax Parole Girl. I love that title. This is a forgotten little gem from Columbia, but really was a perfect fit for Warner's. Surprisingly directed by Eddie Cline, who was best known for his association (and patience) with WC Fields. He created some of the most memorable comedies on screen, but managed to put together an interesting and sympathetic effort in this movie.It stars Mae Clarke, best known for getting a grapefruit in her mush by Jimmy Cagney in Public Enemy. Other than that her movies were mostly forgettable as far as I can tell. But she did a great job in this one. She plays a young girl lured into a series of schemes by an old family friend played to the hilt by Hale Hamilton. I have to admit, I wasn't familiar with his work, but he certainly performed here. When Mae is caught by a department store dick in an extortion scam, she is sent up the river for a year. She blames the department store manager, played by Ralph Bellamy, for the pinch and promises revenge. After her release she meets up with him, and through a complicated series of maneuvers,convinces him they married. Since he was already married, she threatens to ruin his life if he doesn't play ball. Her plan is to take him for everything he's got, but of course, it all backfires on her. I bet you will never guess what happens.This was pre-code and there are a number of examples of that naughty dialog that we all loved so much. This is a B movie well worth watching. The entire cast does a credible job with a really stand out performance by Mae Clarke. She was appealing and sympathetic without being annoying. That is sometimes a fine line to walk, but she did it.