Stephen Abell
This is a terrible film that had the opportunity to have been considerably better. It has an admirable start with Goblin's electronic music mixed in with story narrative, this gives it a modern feel. As the movie begins we are at a chemical plant that is not as secure as they thought. A rat is found in one of the rooms, though it's not dead as the workmen first think. It attacks one of the workmen killing him, unfortunately, he doesn't stay dead. As the trouble progresses the noxious gas starts to leak out of the facility and infects the air... bringing on an extinction event.From here on it should have been an awesome film but the Directors, Bruno Mattei (who used the name Vincent Dawn) - this action speaks volumes - and Claudio Fragasso (who also co-wrote the story with Jose Maria Cunilles) decided to go an entirely different route than you would ever imagine.The viewer is then subjected to some really bad over-the-top acting (more than usual for an Italian horror) as we are introduced to a crack army assault team who stop a siege at an embassy. This ten minutes is a waste of time as it's really bad and is only there to let the audience know their next mission is in New Guinea.It appears the location was only introduced into the story so the director could hop onto the tribe and animal cruelty bandwagon, as they weave stock film of death rituals into the movie. Once again, these are not actually required and are not relevant to the film. However, it does mean the lead lady can get her boobs out and they are nice boobs.Another handicap is the speed of the Zombies, these are your old-time shambling dead. Even Richard Briars on a Zimmer-frame could out run these stiffs (Cockney's V's Zombies). It's even played up in the film. Even the zombie make-up is poor most are just covered in light blue powder and any other embellishments are large, bulky, and unrealistic.The twist at the end is a nice one and again if they hadn't gone the wrong direction with the story then, it could have been an outstanding Zombie movie.I wouldn't recommend this one to anybody as there are much better Zombie flicks about, my favourite being Return Of The Living Dead... "Brains... We Need More BRAINS!!!"
loomis78-815-989034
A chemical plant in New Guinea accidentally releases a deadly virus that turns everyone that it comes in contact with into the living dead. Supposedly a SWAT team is called to the location to take care of the problem. A Reporter (Newton) and her photographer tag along to the island and cannibal zombies munch natives and everything else eventually ending up back at the chemical plant. Where do you start with such a notoriously bad movie? The plot and story makes little to no sense. The characters act stupid from start to finish and Director Bruno Mattei doesn't seem to care. He fills this movie with stock film footage of natives on the island. The problem is he's cutting back and forth with the actors and the film stock isn't even close to matching, apparently no one cares. The elite SWAT team is made up of four clowns who are more interested in getting tail than doing their jobs. The dubbing is the worst, the music is by Goblin and tracks are stolen directly from "Dawn of the Dead". This is truly lazy film making at its worst. Director Mattei started in adult films and it shows. The compositions are boring and stale and everything feels sleazy even when it shouldn't. Yes there is some cheesy gore shown in disgusting well lit close ups. Intestines are splattered and a tongue is ripped out and shoved up inside until the victim's eyeballs pop out. The gore and everything else involved in this Italian Zombie flick is unconvincing and extremely poor, it's not even worth watching for laughs.
ma-cortes
This low-budget terror motion picture deals with a group formed by a four-man commando squad who run into a pack of natives terrorizing island of Papua . After a chemical leak at the Hope Centre in New Guinea , an enterprise devoted to feeding underdeveloped countries, turns its staff into flesh-eating zombies , there a special force led by Mike London (Jose Gras 0r Robert O'Neil) are sent to investigate it . They run into a TV news crew led by celebrity journalist (Evelyn Newton) , who are after the same news . As a female reporter and her cameraman boyfriend team up with a four-man commando unit in the New Guinea jungle whom are fighting flesh-eating zombies . Then , the group discovers that the entire country has been overrun by zombies .Gory, gruesome , pretty repellent , and ghastly cannibal feast in which the stumbling flesh-eating stiffs and can be only destroyed by fire in the head . Unrelenting shock-feast plenty of disturbing images laced with brief touches of black humor . Army of Zombies appearance roaming the countryside , village and some people besieged inside a mansion and a factory deliver the goods , enough to be interesting . Bruno Mattei's main great success is regularly directed with startling visual content and acceptable production by Jose Maria Cunilles , also producing to Mattei and Fragasso a pair of "spaghetti westerns" titled ¨Scalps¨ and ¨Apache Kid¨ ; furthermore special mention to filthy make-up by the craftsman Giuseppe Ferranti. In the first draft, Claudio Fragasso had followed the idea of an entire Third World made up of an army of zombies against whom the armed forces of the industrialized nations would have had to fight. However, the script had to be altered considerably due to budget limitations. This frightening movie is plenty of thrills , chills, body-count executed by the eerie Zombies and photographed in pallid color with lurid images and passable results . Stock footage from the film Nuova Guinea, l'Isola Dei Cannibali was used for the native scenes , it has been recently re-released on DVD as The Real Cannibal Holocaust. This is an ordinary excruciatingly Zombie film where the intrigue , tension , suspense appears threatening and lurking in the sunny outdoors and every room , and corridors from a house , a shack , a native hamlet , jungle and many other places . At the time considered the plus ultra of thoroughly disturbing movie is less stomach-churning by nowadays's standards, yet its fundamental power to thrill remains undiminished. This genuinely frightening story with correct utilization of images-shock is professionally photographed by John Cabrera on location in Barcelona , Catolonia , Spain . Using yet another alias, "Vincent Dawn", Mattei middlingly directed this "Hell of the Living Dead" or ¨Virus¨ , a low-budged zombie picture inspired by other zombie cannibal movies such as Zombi (1978) and Lucio Fulci's Zombie 2 (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad . ClaudioFragasso, the writer of the screenplay, also directed one half of the movie, he said in an interview .Mattei directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, "Women's Camp 119" and "SS Girls"(1977) . Mattei followed these taboo-breaking films with excursions into porno films and Mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotic (1973) and "Libiodomania" . Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the soft-core sex film La Monaca di Monza (1980) and the violent sex thriller "Guardian of Hell" (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions . After directing two women's prison films starring Laura Gemser , Mattei moved to directing sword-and-sorcery flicks , starting with I Sette Magnifici Gadiatori (1983). Both Mattei and Fragasso collaborated on the Sci-Fi/horror flick "Rats " (1984), inspired by the futuristic movies of the early 1980s . Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, some action flicks and about half of Zombi 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it.Rating"Hell of the Living Dead" or "Night of the Zombies" : Passable , this is one more revolting , foul Zombie horror pictures in which the camera stalks in sinister style . It's just one long unrelenting cannibal feast and average budget terror movie that still packs a punch for those who like to be terrorized out their wits.
