Hellen I like the storyline of this show,it attract me so much

UnowPriceless hyped garbage

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

HotToastyRag If you've ever seen the famous clip of Doris Day, Jack Carson, and Bugs Bunny singing together, you've seen part of My Dream is Yours. It's the cutest scene in the movie, a lyrical version of "Hungarian Rhapsody", that reminds audiences of Gene Kelly's adorable dance with Jerry the Mouse in Anchors Aweigh. If you can't find a copy of My Dream is Yours, you should at least watch that song on YouTube. It's very cute.Lee Bowman plays a big radio star, but his ego gets in the way of renewing his contract, so Jack Carson makes it his mission to find a new star to replace Lee. He finds the unknown, beautiful Doris Day, but she has a son in tow and the radio station doesn't like the idea of signing her on. As Jack tries to help her, they fall in love.Jack and Doris are always adorable together, and whenever I watch one of their films together, I pretend that they got married in real life and lived happily ever after, even though that's not what really happened. They just have a magical chemistry together that puts you in a good mood and makes you believe in true love. So, for an adorable couple, some memorable songs, and an all-around cute story, rent My Dream is Yours. It's great to watch when you're feeling blue; it's guaranteed to cheer you up!

JohnHowardReid A considerably reworked remake of "Twenty Million Sweethearts" (1934), this one features Doris Day in the Dick Powell part. Most contemporary critics found it disappointing after Romance on the High Seas, but there are plenty of songs (even if there are no musical production numbers at all – let alone Busby Berkeley set- pieces). Most contemporary critics also complained that the script lacked wit and originality. Frankly, the lack of production numbers didn't worry me. The songs themselves are put over with a great deal of verve and bounce – with the exception of the Lee Bowman numbers which are delivered at a slower pace but sung quite pleasantly by Hal Derwin. Doris Day handles herself with the same pep and confident charm she displayed in "Romance on the High Seas". As for the script, I found it very amusing. True, the plot is old-hat, but it makes a good vehicle for witty lines. Furthermore, there are so many inside jokes, that it's a real fun picture for those of us who know our Hollywood. For instance, the guy who pesters Carson for money is his real-life brother, Robert. In real life, of course, it was the other way around. And I love the bit when Doris Day's "Martha Gibson" is so anxious to meet a radio talent scout at her uncle's bar that she brushes aside one of Hollywood's greatest directors, William Wyler! And how about when Doris is gonged by Ray Heindorf (here playing a night club owner) and Carson advices Doris to take no notice: "That guy is tone deaf!" In another sequence, Curtiz himself can actually be glimpsed – smiling yet! – behind Carson's right shoulder at a radio rehearsal. Unfortunately, the film comes to a good climax when our heroine finally breaks into the big radio time – but, alas, it doesn't end there but continues for a sluggish twenty minutes or so in order to tie up all the romantic loose ends. This last portion of the film deserved to be considerably trimmed. Also rather uninspired, in my opinion, is the very well thought-of cartoon sequence in which Carson and Day cavort in juvenile Easter Bunny outfits with a technically mediocre and harmlessly unfunny Bugs Bunny. The song for this sequence, "Freddie, Get Ready", was easily the least tuneful in the whole movie. I really enjoyed all the others and – as I said above – Doris Day both sings and acts with presence and charm. She gets great support from Jack Carson and the rest of the cast, particularly Eve Arden, S.Z. Sakall, Lee Bowman, Edgar Kennedy, Sheldon Leonard and Franklin Pangborn. Menjou is only moderately effective (and despite his high billing, his role is relatively small). Curtiz's direction is certainly admirably polished. But, aside from a long take in Menjou's office, it is technically uninventive – but that's the way most fans like it!

Lee Eisenberg My mom often tells me about how, growing up in Galena Park, Texas, the local cinema was the hot place. Among her favorite flicks there were Vincent Price's stuff (deliberate camp); among her least favorite flicks were Doris Day's stuff (the wholesome girl next door).Watching "My Dream Is Yours", I can see why she had no respect for these sorts of movies. This one is an infantilizing story of a cute-and-nothing-else woman getting her break into show biz. I only knew about the movie because one of the Looney Tunes DVDs showed a scene from it in which Bugs Bunny, Doris Day and Jack Carson tell a boy to wake up to the tune of Franz Liszt's "Second Hungarian Rhapsody". The truth is, Liszt must be spinning in his grave knowing how they misused his song here. And the people behind the Looney Tunes cartoons should have known better than to let their greatest creation get used in this swill.But as it is, the Bugs Bunny scene is really the only scene worth watching; in fact, if you watch only that scene, you just might come away with a good impression of the movie. As for me, I watched the movie only to heckle it like Mike, Servo and Crow do to the crummy movies sent them by Dr. Forrester on "Mystery Science Theater 3000" (the truth is, "MST3K" would have a field day with "MDIY"). Among my jeers were: (as Jack Carson picks up a phone): "Do you have Prince Albert in a can?" (as Jack Carson and Doris Day are about to board the plane): "Hey, I bet Mohammed Atta* is one of your fellow passengers!""My dream is yours..." "Yeah? Well, my nightmare is this movie!" OK, so I think that I've done as much as I can to describe how stupid this movie was, so I'll now look at it from another angle. I watched this hunk o'junk a few hours after I went to see "Grindhouse". The only similarity between the two movies is that they're both escapism. But the Robert Rodriguez-Quentin Tarantino double feature was blatantly absurd, and quite proud of being as gross as possible; it comes out very honorable as a result. This one, on the other hand, believes itself to be as much a masterpiece as "Citizen Kane". I would just like to say that this movie reaches that one's quality about to the extent that "Ishtar" does. In fact, it makes you feel like you're turning into one of the zombies from "Grindhouse". In fact, while Doris Day's character was supposed to be cute, I just prefer to believe that she was uglier than any of those zombies.In conclusion, unless you're one of those people who thinks that any hokey movie turns into a masterpiece just because a bunch of people start singing, you'll definitely want to avoid this movie. In fact, one thing that you could do is rent the movie but go straight to the special features and watch the Looney Tunes cartoon "A Ham in a Role", in which the Goofy Gophers torment a Shakespearean actor. Stick with that one and avoid "My Dream Is Yours" (except maybe the Bugs Bunny scene).*In case you've forgotten, Mohammed Atta was one of the 9/11 hijackers. If you consider it illogical to mention him and "Grindhouse" while reviewing this movie...well, I consider this movie as much a piece of crap as any of the 9/11 hijackers, and I think that I speak for at least most of my generation when I say that we far prefer gross-out exploitation movies to anything starring Doris Day.

robtday I caught this little number the other night and, well, because I like Jack Carson, I'll give it a passing grade. Besides that, however, it really doesn't have that much to offer. For starters, I wasn't convinced at all by the male lead who plays a radio singer -- I'd never seen him before -- who is he? Secondly, Doris Day's personality is always sparkly when she plays this kind of role but I for one have never really understood her appeal as a singer although it was interesting seeing her attempt bouncy jive songs more suited to Betty Hutton. And like I said, Jack Carson, like George Brent, seemed to be in every Warner movie but never got the respect they deserved. I've seen Carter in many and he's a great singer/showman as well. As for SZ "cuddles" Sakall, a little of him goes a long way with me. Finally, maybe I dozed off but somewhere the movie lost me; just when did Doris fall in love with Gary? And then she conveniently ends up with Carter. Too pat. She should have liked Carter all along. All in all, not a total turkey, but not that great either. And poor Eve Arden - she could phone these parts in.