Protraph Lack of good storyline.

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

mark.waltz If you are unaware of what "Sgt. Deadhead" is, it is a 1965 American International Frankie/Annette movie w/out Annette, sending an idiotic pilot into space with a monkey. Other than Eve Arden and a cast full of famous comic faces from TV (including Gale Gordon, who happens to appear in "Rally 'Round the Flag"), it is mostly forgettable. But, with the way "Rally 'Round the Flag, Boys" starts, it seems like this Cinemascope sophisticated comedy about the lives of a classy Long Island couple is going to actually be really good. That it is for 3/4 of the movie, and features a really sexy Paul Newman and a genuinely funny Joan Collins. In the film, Newman is a seemingly happily married man, with a wife (Joanne Woodward) and two children, but his wife is so involved in the community's do-gooder activities, they can't make time to go off on a much needed second honeymoon together. That's where Ms. Collins comes in, as the very glamorous next door neighbor, neglected by her own husband. She sets her sights on Newman, and in a very hysterical sequence, the two of them get rip-roaringly drunk and spend an evening together. Whether or not they get down is never revealed, and can only be assumed. But Newman and Collins seem to be having so much fun in this sequence, and he gets to lighten up a bit after dealing with Elizabeth Taylor's Maggie the Cat in the same year's "Cat on a Hot Tin Roof".Acting wise, Collins easily steals the film. If Alexis Morrell Carrington Colby Dexter acted this way in 1958, she never got to show it when she came back to Denver on TV's "Dynasty" 23 years later. Collins proves herself to be an outstanding comedian, something most glamour queens of her stature never had the chance to do. Newman and Woodward never had the chance on screen to be a Burton and Taylor, as Woodward, obviously trained for the stage, wasn't as magnetic on screen in romantic parts as she was in sheer drama such as "Three Faces of Eve", "Rachel, Rachel", and "Summer Wishes, Summer Dreams". Newman, one of the most handsome men in films of the 50's and 60's, sometimes seems embarrassed by the comedy he has to do here, but Collins' light-hearted manner in their scenes together helps lighten him up.There are tons of things to recommend about this film, but the last quarter is not one of them. Its like a delicious cake frosted with a sugarless topping that disappoints overall. Some fun character players have nice bits, but Jack Carson's obnoxious army officer is not one of his better roles. However, as a good-looking film in delicious technicolor, it still is a lot of fun. This would have ranked a lot higher in my book had the ending been less sitcomish and more glamorous.

classicsoncall My local library picked this up as part of it's own fiftieth anniversary celebration last year, so this week I finally got around to watching it. With Paul Newman and Joanne Woodward in the cast, one would expect so much more, but sadly that's not the case. The film is too farcical to be considered a screwball comedy, and relies too heavily on slapstick and buffoonery to make it's comic points. It's perhaps a tad above your typical beach blanket genre film, but without the girls, except Tuesday Weld who was embarrassingly juvenile. Other reviewers on this board who feel that she stole the show apparently missed the scene where she squealed in delight at Corporal Opie's (Tom Gilson) rendition of 'You're My Boojum'. Boojum, or Boo for short, is a word I've never heard before, and I'm sure never will again, unless I watch this one more time, and that's not likely.It's too bad too, because on the face of it, this vehicle had enough talent to pull off a capable production, but it got frittered away somewhere along the line. Newman comes across as absolutely goofy most of the time, especially in that chandelier/choo-choo escapade with Angela Hoffa (Joan Collins). As his wife Grace, Joanne Woodward is almost lifeless, something the script obviously called for by placing her on every pointless committee in existence in Putnam's Landing. Gale Gordon and Jack Carson portrayed their characters pretty much straight from the play book, but it was disappointing to see Dwayne Hickman as a neutered version of Marlon Brando from "The Wild One". It wouldn't have been so bad if he had tried out his Dobie Gillis TV role, I think that would have been much more effective.Which made it all the more puzzling to view the theatrical trailer on the 20th Century Fox DVD release, where Bob Hope practically rolls on the ground in a fit of laughter while congratulating director Leo McCarey on his cinematic achievement. I would like to have known what Hope REALLY thought. For viewers back in the day, the redeeming feature might have been seeing this one in full color, as the trailer itself for some dubious reason was offered in black and white.

theowinthrop I find that occasionally I recall the time I first watched a film with better clarity than the film itself. I wish this was one of them. RALLY 'ROUND THE FLAG, BOYS! apparently came from a very funny book by Max Shulman, but that I'd expect. From what I've read in the other comments the novel's framework seems to have been kept, but Shulman's witty barbs thrown out. This is frequently the case with Hollywood treatments of good books (i.e.: even if you liked Robert Redford's version of THE GREAT GATSBY, it and the previous one with Alan Ladd can't match Fitzgerald's terrific novel). I first saw this film (I've seen it two times, strangely enough) when it was shown about 1962 or 1963 on Saturday NIGHT AT THE MOVIES on television. Paul Newman was at the then height of his early film career as one of the best of the "Young Turk" breed of actors with Brando and Clift. But while doing well with dramas (SOMEBODY UP THERE LIKES ME, THE YOUNG PHILADELPHIANS, CAT ON A HOT TIN ROOF, HUD, THE HUSTLER, HOMBRE) he failed to register any real success as a comic actor. In the long run it did not matter (it was just the choice of material). Films like BUTCH CASSIDY AND THE SUNDANCE KID, THE STING, THE HUDSUCKER PROXY, SLAP SHOT) all eventually showed he did have a mastery of comedy - but not bedroom farce. Leave that to his contemporary Rock Hudson. Actually I think Newman's first successful comic part (he was not the star of the whole film) was as the second doomed husband (the painter) in Shirley MacLaine's WHAT A WAY TO GO.RALLY, 'ROUND THE FLAG, BOYS! like his other early doomed comedy, A NEW KIND OF LOVE, co-starred his wife Joanne Woodward. Both appeared together (to better advantage) in the more dramatic THE LONG HOT SUMMER, which did have some normal comic sections that Newman did well with Woodward and Orson Welles and Tony Franciosa. But that film blended comedy and drama, and the comic sections emphasized the conniving spirit of Newman's character Ben. Here he is a business executive returning to Putnam's Landing, Connecticut daily from his job in Manhattan. While such a position is not impossible to see Newman in, it is not handled as a similar situation was for Rock Hudson in his last Doris Day romp, SEND ME NO FLOWERS. Hudson's business executive went home with next-door-neighbor Tony Randall, and manages to depress the ebullient Randall with dire personal news. With Newman one imagines he just reads the New York Times on the way home. Woodward is there of course (as Doris was for Rock), but while one sees the sparks of personal chemistry between them, they don't translate to the humor that just sparkled between Doris and Rock on screen.The plots in the movie are three: the trouble of the community regarding a new military base (connected, as it turns out, to the space program) being built near their town; the rocky personal relationship between married Paul and Joanne - especially as local rich witch (what else would she be?) Joan Collins thrown in; and the romance of young Tuesday Wells with Dwayne Hickman, who finds the competition rising - as do his fellow civilian teenage jocks - from the local military looking for relaxation on weekends. Joanne becomes the leading, anti-base spokesperson. She is confronted by base commander Gale Gordon, and his assistant Jack Carson. Given this set-up the viewer knows who is more likely to win.Of the scenes I recall best, Collins and Carson did the most with material. Collins, of course, is an attractive woman (and here she was fantastic to look at), and one shot I recall when she and her target Newman are drinking and dancing together is of them bumping (possibly on purpose by her) derrières. She certainly brought spice into her scenes. Carson did what he could. Only a year before he gave one of his most dramatic performances in THE TARNISHED ANGELS with Hudson, Dorothy Malone, and Robert Stack, and in 1958 he would do yeoman work as Newman's bitter brother Goober in CAT ON A HOT TIN ROOF, but the material there (Faulkner's PYLON and Tennessee Williams' CAT) helped him. Here he is a put-upon middle man taking orders barked out by Gordon and trying to restrain angry impulses of his own towards the townspeople. Yet he did do well, especially in two sequences which were relatively simple: the Thanksgiving pageant (where he keeps slipping on a wet rock supposedly representing Plymouth Rock), and the final shot where he is outsmarted by somebody who shouldn't have outsmarted him. The Thanksgiving pageant has it's moments, with Hickman (as an Indian) leading his fellow "Indians" onto the oncoming "Pilgrims" (the soldiers from the base). And there is also the apparently unheralded capsizing of "the Mayflower", all to the amazement of pageant coordinator and narrator Woodward. Unfortunately even this suffers from comparison to other films. Think of the Thanksgiving pageant in ADDAMS FAMILY VALUES where Wednesday releases tensions at her school by giving the actors playing the Pilgrims a "grim" view of what happened to the Native Americans in the U.S. due to the arrival of the Europeans. She was far more eloquent, and one sympathized with the point of view (even if descended from those Europeans). Somehow that seemed more relevant for consideration in such a situation than whether quiet Putnam's Landing should accept the missile base next to it.So, for the sake of the comic (and sexy) bits I liked, I will give this film a "6" rather than anything higher. Without those it would have been lower.

beckstrom7 when she realizes she likes boys, she just doesn't like Dwayne Hickman, it's sheer truth and delight! the rest of the cast is forced...Joanne Woodward is strident. Paul Newman is slumming, Joan Collins is adequate. Jack Carson is Carson. Dwayne Hickman deserves Weld's scorn. bad comedy, except for Weld's self-recognition. these 50's films try to be smart, but aren't. once in a while a performer can rise above the material. here it's only a young, precocious teenager who mesmerizes.Weld was given praise by none other than Pauline Kael. in her review of Weld's classic '68, "Pretty Poison", she suggested Weld didn't have the career she deserved, "and maybe it isn't just her unlucky name...maybe she's the kind of actress who doesn't let you know she's acting, like Geraldine Page or Estelle Parsons do. how else can an actress give the kind of performances Tuesday Weld has given in "Rally 'round the Flag, Boys!", "Soldier in the Rain", "The Cincinatti Kid", and "Lord Love a Duck", and still not being taken seriously?"