Mr. Pip

2012 "When they needed hope, he gave them great expectations."
7.1| 1h56m| en| More Info
Released: 08 September 2012 Released
Producted By: Olympus Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

As a war rages on in the province of Bougainville in Papua New Guinea, a young girl becomes transfixed by the Charles Dickens novel Great Expectations, which is being read at school by the only white man in the village. In 1991, a war over a copper mine in the South Pacific tore the island of Bougainville apart. The reclusive “Popeye” (Hugh Laurie) offers the children in fourteen-year-old Matilda’s tiny village an escape with Charles Dickens' Great Expectations. But on an island at war, fiction can have dangerous consequences.

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Reviews

ThiefHott Too much of everything
Unlimitedia Sick Product of a Sick System
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
ReganRebecca It's truly amazing, but writer/director Andrew Adamson takes so many interesting elements that could have potentially made a great story and flattens them out so they are dull and boring. Perhaps this is the fault of the novel, I don't know having never read it, but on it's own Mr. Pip stands as a mediocre piece of art which is quite sad as it has an explosive backdrop and some quite lovely things to say. Matilda Naimo (newcomer Xzannjah Matsi) lives on the island of Bougainville in the early 90s, during a vicious struggle for independence. Most of the men, including Matilda's father have fled overseas along with all the white population, with the exception of one white man, known familiarly as Popeye to the locals, who remains to take care of his wife, a native Bougainvillean named Grace. A blockade is imposed to starve out the rebels meaning their are no teachers and fewer resources. Despite not being a teacher, Popeye (real name Mr. Watts), decides to educate the local children, mostly by reading to them from Great Expectations. His eye is quickly caught by Matilda who is a whiz at math (something brought up once and then abruptly dropped), and she warms to him because she immediately strongly connects with the story of Great Expectations and the protagonist Pip. A lot of the movie has to do with the power of literature and how strongly it can connect with people and help them through life. There are some nice scenes that show Matilda's point of view where she imagines Great Expectations but because she lives on a tropical island, the places and customs she imagines are much closer to her culture that Victorian England (a technique done to even greater effect in Tarsem Singh's The Fall). Another thing is that a huge part of the conflict is Grace's mother Dolores being incredibly suspicious of both Mr. Watts and the novel Great Expectations. Her point of view was barely represented though, so when she makes a decision involving the novel which endangers the lives of the whole village it makes no sense and is not understandable to the audience. Furthermore even Mr. Watts who becomes a mentor to Matilda is sort of obscured in mystery. This turns out to be on purpose for this a late ending reveal but it comes so late and feels so random that I couldn't bring myself to care. A half-baked feature.
nekengren-2 Sorry but I did not make it past 60 minutes. Yes, the acting is fine. Yes, the photography is excellent. but............ All the native villagers are dressed in Victorian clothing just as if we were in the middle of a Dickens novel. Their clothing is immaculate clean and hair immaculate quaffed. There is a complete economic embargo but our natives want for nothing. Oh...........and they also speak perfect English and sit enthralled by the Dickens oral reading. These natives apparently understand English much better than I. Sorry but as soon as I started receiving the obligatory moral lessons I had enough. I suppose if you love Dickens this must be a virtual and cinema paradise.
Mike Naughton I have to say at the beginning of this that I was unable to understand some of the dialog and lost parts of the story at times. And I must also say that when it became apparent that we were witnessing the exact same scenarios that we see played out in our evening news coverages of how bullies with weapons can do whatever they want to do I became less interested. (And, the careless and unintelligently provocative behavior by Mr Watts in the face of mindless malevolence seemed more aimed toward "point making" than realism and sense. But that is my POV.)I do suppose that makes me rather superficial. And I do wonder if the way we might actually stop the many injustices wrought by visceral, knee-jerk, gun-toting, undereducated and over-stimulated para-military types is by watching their acts of desensitizing brutalities. But no, I think we then become part of their sickness. There is a part of me that disagrees with my squeamishness. I remember seeing a movie called Africa Addio when I was young. I was a senior in High School and some friends and I went to a drive-in to see this along with Mondo Cane. Mondo Cano (World gone to the dogs) was moving. Africa Addio was nightmarish. Human beings were cold and cruel, and it was real. It was a documentary. We saw things that were removed from our evening news programs. I have to mention how riveting the presence of Xzannjah Matsi as Matilda is in this film. We see more in the goings on by watching her face than if we turned the camera around and watched for ourselves. And she did not use histrionics to display her thoughts and feelings. Her eyes absorbed the scenes and we felt the atrocities like a blow to the most vulnerable parts of ourselves. Hugh Laurie was excellent as well. Healesville Joel as Matilda's mother Dolores pulled my emotions in several directions. The actress was very powerful. Early on in the story Dolores expresses the idea that a belief in a structured theology is necessary in order to know right from wrong. And she implies that to see evil as a metaphor also evil. Kind of puts the act of thinking into an impossible position to exist or function at all. Superstition and fear seem to rule her reasoning mind. We find later that she is a woman of tremendous courage. Both she, Tom Watts and a little boy "poked the bear in the eye" and the lives of others lost the daily benefit of their presence. Probably a greater loss than the impact of their sacrifice.I won't speak more of this movie. It is probably better rated at 8 than the 5 I gave it. I have to rate as I feel after I see a film. I recommend this movie but I think we need to be careful of damaging our view of mankind too much. That is the game of those who want us to play out their sad, sick scenarios of dehumanization. They want to enlist our interest and engage our fear.
MartinHafer Mr. Pip is an unusual case where I liked the acting and direction much more than the story itself. In fact, in many ways, the story seems like the least important part of the film and it left me, at times, a bit flat.This film is set during the 1990s when the island of Bougainville was locked in a civil war against Papua New Guinea over their copper rights. It's a struggle that we seldom, if ever, heard of here in the States. Because of the war, schools have been closed for some time and there are occasionally periods of extreme violence. However, the lone white man on the island, Mr. Watts (Hugh Laurie), has decided that he'll try to teach the kids—even though he really knows nothing about teaching. Although he's not a trained teacher and is well out of his league in many ways, he is able to instill within the kids a love of literature. When he reads Dickens' Great Expectations, the kids eat it up. Of these, Matilda (Xzannjah Matsi) is perhaps the most voracious. In fact, her love of this story is so great that she longs to one day go to England and see it for herself. Much of the story is about her and her imagining that she is a character within this novel. In fact, I wish MORE of the film had been devoted to this—it was among the best parts of the film.While this is the main plot of the film, there are LOTS of little detours here and there—as if the story itself is secondary. At times, it seemed like the lost track of the Great Expectations theme—and other times, it seemed really important. What is important are the wonderful performances in the movie. Laurie is excellent as usual—and it's nice to hear him speaking with his native English accent. His American accent was so convincing, I am sure many viewers of his hit show had no idea he is a Brit! However, what really impressed me where the wonderful performances by the natives—non-professional actors who did an excellent job nevertheless. They seemed very natural and real. I would attribute this as well as the nice look of the film to the director, Andrew Adamson. Adamson is famous for the Shrek and the Narnia films— movies that really are about as different from Mr. Pip as you can get! So who is the audience for this film? Well, although it sure looks like a family film during much of the picture, it clearly is not and I would definitely not let kids see the film. There is some horrific violence late in the film that just make the movie too intense for younger viewers. It also is quite depressing in places. However, for teens and people looking for something different, it is worth seeing just for the performances. By the way, if you are curious, the story is based on a book by Lloyd Jones and it is available through most booksellers.