MamaGravity good back-story, and good acting

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Red-Barracuda Motor Psycho is probably the closest Russ Meyer ever got to making a straight thriller. While earlier RM roughies like Lorna and Mudhoney featured disturbing rape scenes, Motor Psycho features two implied gang rapes. The second of which is a house invasion scene that wouldn't look out of place in a 70's exploitation movie. Censorship laws of the time meant that these scenes were never overly graphic; however, they are definitely pushing the boundaries for the time and are undoubtedly nasty. Similar to Lorna this film also has a distinct lack of humour, with the odd exception such as the moment where Haji sucks the poison out of Alex Rocco's leg in a clearly sexual way. But generally speaking the sexual side of proceedings are more alluded to and there's really next to no nudity on offer here, perhaps understandable given the often nihilistic tone.Motor Psycho is perhaps most notable in Russ Meyer's canon for two things. Firstly for introducing Haji, who as ever puts in another feisty performance as a Cajun woman married to a slob played by Coleman Francis (director of the anti-classic Beast of Yucca Flats). Secondly, the movie is a clear precursor to the superior Faster Pussycat! Kill! Kill!, RM conceived that latter movie as a version of Motor Psycho but with three female criminals. Ironically, given Pussycat's status nowadays as RM's most famous film, Motor Psycho was much more successful commercially on release. But the test of time has been kinder to Pussycat. Although a good film, what holds Motor Psycho back is that, with the exception of Haji, the ladies do not have significant roles. RM needs his women to take centre stage, and this is as male-dominated as an RM production gets. Acting is generally good, with Stephen Oliver convincing as an unhinged Vietnam vet, Meyer himself appearing as a hilariously un-PC law enforcement officer, Alex Rocco is decent as the hero and Haji is ace (just love that accent). So, in summary, not a classic Meyer but without doubt a superior 60's exploitation effort.

The_Void Motor Psycho is pretty much your typical Russ Meyer film, and features all of his trademarks. We've got busty women, unlikely characters and over the top violence; and it's all filmed in stylish black and white. The film is a lot like the slightly earlier masterpiece 'Faster Pussycat! Kill! Kill!' in style and execution, although Motor Psycho doesn't feel as extravagant as that film. The running time is only just over seventy minutes, so the film also feels a little underdeveloped. The plot is rather simple and focuses on a gang of motorcyclists who see fit to rape and torture various women. However, they bite off more than they can chew when they rape a veterinarian's wife, and he decides to pursue them, along with a woman whose husband was also killed by the gang. Naturally, this film is extremely entertaining, although it doesn't have a great deal of credibility. There are some really good scenes in the film, but unfortunately; there are also some 'not so good' ones, which bring the whole piece down. Still, this is a more than decent way to spend your time, and if you like Russ Meyer; I'm sure you won't have a problem with this.

Infofreak In some ways 'Motor Psycho' is almost like Russ Meyer's dummy run for his trash classic 'Faster Pussycat! Kill! Kill!', featuring three men on a rampage instead of three women, but this is a much darker and more serious movie than we generally expect from him. There is the wonderful Haji and a few buxom women on screen, but no outrageous sexual humour or camp touches. 'Motor Psycho' plays it fairly straight. The budget is non-existent, but the acting is pretty good, and despite Brahmin and pals not strictly being bikers you can see 'The Wild Angels' on the horizon, and maybe even 'The Last House On The Left'. Stephen Oliver plays disturbed Vietnam vet Brahmin who terrorizes several women in a desert community. Alex Rocco ('The Godfather', 'The Stunt Man') plays the local vet Cory Maddox, and after his wife Gail (Holle K. Winters) is raped and beaten by Brahmin and his sidekicks he vows revenge. While tracking the thugs down he meets Ruby Bonner (Haji) whose husband was recently murdered by them and they help each other when they get stranded in the desert. 'Motor Psycho' is a very gritty movie for the time, and surprisingly effective. A very good b-grade movie that deserves some more attention. Check it out.

Maciste_Brother MOTORPSYCHO was made in 1965, the same year FASTER PUSSYCAT KILL KILL was made. MOTORPSYCHO was made first and it's basically the male version of FASTER PUSSYCAT: three bad guys roaming the desert and looking for kicks. There are several plot points that are even identical between the two movies. But today, MOTORPSYCHO has been totally eclipsed by FASTER PUSSYCAT or BEYOND THE VALLEY OF THE DOLLS. It's ironic because MOTORPSYCHO was a bigger hit than FASTER PUSSYCAT, the latter having flopped on its initial release. FASTER PUSSYCAT is now a bona fine cult hit while MOTORPSYCHO toils in near obscurity. And it's unfortunate because it's one of the grittiest Film Noir I've ever seen. It's a true pulp novel come to life. It's a combo of Orson Welles' A TOUCH OF EVIL and a countless Film Noir from the 1940s. But unlike TOUCH OF EVIL or the older Film Noir films, MOTORPSYCHO doesn't shy away from the violence or the "thrilling" aspects of the story.Some might say the subject matter of rape is too serious to be used in a so-called exploitation film but Meyer handles it pretty well. It's still unpleasant at times (when the guys forces the wife to dance with them) butthe film never crosses the line. In fact, MOTORPSYCHO is a rare breed of movie: it depicts the actual disturbing subject and even exploits it (close-up of women's bodies) but doesn't go overboard with it as it never stray away from its story. The film keeps interest with its characters and situations until the very end. It's never overshadowed by its sensationalistic aspects. This is because some of the acting is pretty good and the stunning use of B&W photography (excellent composition from Russ Meyer himself) and the overall grittiness of the story. It's a pretty darn good feat for an exploitation film.The acting from everyone is surprisingly good. Alex Rocco is excellent and believable. The bad guys are never over-the-top. The woman who played Rocco' wife, the beautiful Holle K Winters, is also excellent and believable. Her scenes when she's harassed by the three men feel authentic and are difficult to watch. Strangely enough, this was Holle's only movie. And then there's Haji. Haji is THE ultimate Femme Fatale ever put on screen. You can't help being attracted to her and know she's nothing but trouble. She's like a babe on the cover of a pulp novel come to life.I prefer MOTORPSYCHO over FASTER PUSSYCAT, which is also a remarkably well made actioner but it's more campy and at times too over-the-top to be taken seriously, or BTVOTD, which is just plain stupid. MOTORPSYCHO has just the right amount of violence, grittiness and believability to make it feel like a great if overlooked Film Noir.