Noutions Good movie, but best of all time? Hardly . . .

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

jarrodmcdonald-1 For anyone who doesn't know what the title means, it's certainly spelled out in the picture's story. I won't give the whole thing away but I did find it interesting the way George Brent's character transfers his ideas of living on velvet on to his wife, played by Kay Francis. They both suffer a lot in this film, but since this is a melodrama geared for female audiences, her torment is designed to be a lot more noble than his. Warren William, billed over Brent, appears as the couple's best friend, in more of a supporting role; he probably suffers too but his reduced screen time doesn't allow us to glimpse his particular turmoil and neurosis. Tearjerking aside, I found the performances to be sincerely played, and the woman (Helen Lowell) cast as Kay's impatient aunt was particularly good. Some of the denouement didn't make sense in the last few minutes, because a character who was supposed to die was suddenly allowed to live (per Jack Warner's wishes). Even if said character had died, I am not too sure how it would have reinforced a point the writers were trying to make. Maybe it was all supposed to lead to a realization that pain and suffering can be erased somehow, once you stop living on velvet.

MartinHafer Wow...talk about a ROTTEN pilot. The film begins with George Brent flying his sister, mother and father some place. However, the plane runs out of fuel. Now this is really a bad scene, as instead of just gliding down as any SANE pilot would do in a case like this, the plane inexplicably goes into a spin(!) and crashes into the ground. No sane pilot can be this bad but the film expects the audience to accept that it was just a mistake! What a sloppy setup.Following the crash, Brent goes through a period of a few years where he is aimless reckless. He travels the world--nearly getting killed or landing in jail repeatedly. Eventually he ends up back in the US and you see him buzzing a squadron of military planes--something that the film said was not against the law--though it clearly was and would have resulted at least in his pilots license being suspended or revoked! IT seemed odd that the deaths of his family caused him to become a jerk and not a morbid and brooding character. What a sloppy follow-up to the crash.After the US Air Corps incident, an old friend (Warren William) takes Brent under his wing--and introduces him to his society friends. Why introduce this nut-job to these folks is a bit beyond me! When Brent meets the woman William plans on marrying (Kay Francis), Francis almost immediately falls in love with Brent and they marry. While the idea of a smart and well-educated lady marrying a definite 'fixer upper' is silly, it does happen in real life. But, William magnanimously stepping aside good naturedly when this occurred is sloppy and tough to believe. It's a shame to see such a usually confident and good actor like William playing such a mushy wuss.Fortunately, while none of the film particularly made sense or was believable so far, at least the marriage went as you might expect in the real world. Brent continues to be incredibly irresponsible--having an aversion to work. At first, Francis is very long-suffering--but over time, Brent's attitude and actions take a toll on the marriage. She is incredibly co-dependent and always blames herself from not being able to change her loopy husband. And, even after they split up, the film seems to take the Tammy Wynette approach to life..."Stand By Your Man"....regardless!!! In other words, if you love an irresponsible man ENOUGH, things will magically work! What idiots!! What drivel!! Overall, this film is a great case of very good actors in a poorly written film. The characters rarely behave in a realistic or believable manner and it got boring watching them behave so stupidly. Brent, Francis and William were frankly ill-suited to such a crappy film that looks more like an insignificant B-movie than a film starring some of the top actors of the day. While I would watch anything these actors would appear in because I like them so much, most viewers won't be so charitable. And, since life is so short, why waste it with a film that had no right to be this bad.By the way, the worst line in the movie has to be "Poor devil...flying in the fog" as Brent looks out the window as a plane passes overhead. Talk about subtle!!!

Neil Doyle There's really nothing too special about LIVING ON VELVET to distinguish it from many other Warner melodramas of the '30s. The trio of stars--GEORGE BRENT, KAY FRANCIS and WARREN WILLIAM--are suitably cast in the leads and the script moves along at a brisk pace to tell the story of an adventurer (Brent) and a society woman (Francis) who fall in love but can't seem to save their failing marriage until he nearly loses his life in an accident. The plot is really as simple as that.It's performed capably by the three stars with Warren Williams given little to do except to stand on the sidelines while Brent and Francis fall in love. Director Frank Borzage keeps the story moving swiftly after the first meeting of Kay Francis and George Brent at a party wherein they fall instantly in love. Nothing much happens except that their romance loses its luster when she decides to walk out on him, but soon returns for the happy ending.It passes the time pleasantly, but don't expect too much. It's typical Warner Bros. romantic fare for Miss Francis and that's about it.

Ron Oliver A young wife tries to bring her improvident husband's head out of the clouds before his dreaming spoils their relationship.What might have been a mere soap opera in other circumstances, here, thanks to high production values & a literate script, comes across as a fine, thoughtful drama. Most especially, however, the film owes a great deal to the trio of excellent performances which raise it above the ordinary.Kay Francis, crisply articulate, coolly sensual, plays the wife who wants to make a success of her marriage, but is afraid her husband will never come down to reality. George Brent, playfully sophisticated, is the pilot fleeing a terrible personal tragedy, feeling he has cheated death and life from henceforth is mere LIVING ON VELVET. Warren William takes what is essentially a supporting role and turns it into something special. As the wealthy friend of Brent's who loves Miss Francis terribly, he assumes the role of benefactor for the couple, swallowing his own disappointments in an attempt to see them successfully established in marriage. Together, the three stars enact a story well worth watching.Elderly Helen Lowell portrays Miss Francis' stern aunt. Samuel S. Hinds has the tiny role of Brent's doomed father. Slow-burning Edgar Kennedy helps to liven up a scene as an exasperated diner counterman.Movie mavens will recognize chubby Harry Holman, uncredited, as a nervous bartender.The brief & dangerous military air show flying sequence, early in the film, is especially well presented.