AniInterview Sorry, this movie sucks

Platicsco Good story, Not enough for a whole film

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Cheryl A clunky actioner with a handful of cool moments.

buxtonhill There is enough "story" in the movie to fill a 60 minute feature but no more. The rest is padding, most of it extended and largely pointless musical numbers. Gloria Warren may indeed have had an unusually high vocal range, but her voice is painfully thin and painfully annoying, even allowing for the sound recording limitations of the period. She sounds like a church soprano whose voice will not mesh with the others in the choir. Her charisma matches her voice.The ending of the movie is inevitable, and it is inevitable from the early prison scene between Kay Francis and Walter Huston. There is not even a mildly divergent sub-plot to move things along except for the perfunctory story concerning Frankie Thomas and his girlfriend. I kept expecting some unexpected plot points to develop around Sydney Blackmer, but none did.However....Kay Francis and Walter Huston are very appealing and very charming. Their roles were hardly a stretch for either one of them, but they are worth watching. They make the whole thing, as tired and pointless as it is, watchable and even - almost - enjoyable. But not quite. I will watch anything with Kay Francis in it; no one else, ever, conveyed warmth and generosity as she did. This movie, sad to say given its limitations, is one of her better Warner Brothers films. She's terrific; her movies were not.

MartinHafer Kay Francis is mother to two children--one who is a bit of an idiot and a daughter who is constantly singing. Francis has a fiancé who loves her but obviously wants to ship her nearly adult children off to college. You can't blame him too much, especially with all the singing, but you wonder about Kay's sanity as she seems to be the only one who doesn't recognize this.Unknown to all but Kay is the fact that her dead husband isn't dead after all but is in prison. Since he was sentenced to prison for life, they both decided to tell the children he was dead and Kay was encouraged repeatedly by her husband (Walter Huston) to remarry. Huston is not your typical Hollywood prisoner, as he's a model of decency and eventually the state decides to pardon him just before Francis' wedding to her stuffy but rich boyfriend. However, Huston does NOT want to return to their lives, as he feels they have a right to continue as they are--he just doesn't want to upset their lives. But, he's also curious how his children have become so he secretly checks up on them with no intentions of letting them know who he really is. Of course, this plan has complications--otherwise, there wouldn't be much of a movie! The plot of ALWAYS IN MY HEART isn't believable but despite this, the story is quite entertaining and watchable. However, Warner Brothers' latest singing discovery, Gloria Warren, made the movie tough going. That's because her style of singing was akin to Jeanette MacDonald combined with a banshee!! One reviewer called it "screeching" and this isn't far from the truth!! I can see why this young prodigy only made a few films, as every time she sang the hair on my neck stood up and my ears burned. So my advice is if the movie comes back on TV, copy it first. Then, when you watch it, you can speed through the god-awful songs!!

calvinnme I hadn't seen this film for years, and then I only remembered parts of it. The parts I did remember were the dialogue scenes between Kay Francis and estranged hubby Walter Huston, and between Huston and the children who do not know him. This part of the film is very good and made me want to see it again.When I saw it again the other night for the first time in years on TCM I was horrified. Worse, I was somewhat bored. Either I never saw or my memory blocked out the musical portions. Obviously, Warner Bros. was trying to turn Gloria Warren into their own Deanna Durbin, but she just lacked the "star quality" Durbin had and was a completely uninteresting actress, at least in this film.The film could have been a great one if the music had been eliminated and the focus kept on the melodrama - a man (Walter Huston) getting out of prison and giving up a woman who loves him and his children so they can all have some security with a rather bland fellow who wants to marry the woman (Kay Francis). Instead, Huston paces from the "good" side of town where we are tormented by Warren's operatic screeching, to the bad side of town where a novelty harmonica band act torments us some more. Just goes to proves bad music has a home in both the low-brow and high-brow varieties.What gets five stars from me is the warm family story and the title song, "Always In My Heart" which is really quite beautiful and a bit of a theme song for the entire situation portrayed in the film. If you want to see what Kay Francis and Walter Huston can do for a film without all of this distraction thrown in, try to track down a copy of "Gentlemen of the Press". There they really sizzle.

horsegoggles This movie is enjoyable except for the singing. I don't understand what people were thinking in the forties. How anyone could find the high pitched screeching enjoyable is beyond me. TMC seems to play the screechers early in the morning. I think it may be a fiendish plot of some kind. A strange mix of humor, tragedy, opera and cornball situations. But like I said, it is enjoyable. Just block out the screeching. Keep your thumb at the ready by the mute button. By the way, there must be a hundred harmonica players in this film. The harmonicas/screeching is a bizarre mix. In the middle of it all, there is some decent acting. The little girl, I am not sure of the familial connection, is a real cutie.